Hussar Ballad: Soviet Crossdressing Wartime Musical


Left: Durova as a noble lady. Right: Durova as a soldier in uniform.

When she was an infant, her father placed her under the care of a soldier after her abusive mother threw her out of a moving carriage. Growing up, she memorized all the standard marching commands, and her favorite toy was an unloaded gun. A noblewoman by birth, Nadezhda Durova wanted nothing more than to don a uniform and defend Russia against Napoleon. At age 24, she did just that. “With firmness so alien to my young age,” she wrote in her memoirs, “I was wrecking my brain about how to break free from the vicious circle of natural and customary duties assigned to us, women.” In 1807, disguised as a boy, she left home on the back of her favorite mount, Alchides, and enlisted in a Polish uhlan regiment. “At last I am free and independent. I had taken my freedom, this precious, heavenly gift, inherently belonging to every human being!”

Durova’s service in the military earned her distinguished honors, and throughout her career she was, by all accounts, revered by everyone in her chain of command. A few officers knew her secret, but most did not. Tsar Alexander I, aware of her true identity, awarded her a cross for saving a soldier’s life and gave her permission to join the regiment of her choice. He gave her a new male surname, Alexandrov (after his own name). Durova continued crossdressing after retirment from the military. She died at age 83 and was buried dressed as a man, with full military honors.

In 1962, the Soviet Studio MosFilm released a musical called Gusarskaya Balada (“Hussar Ballad”) based on Durova’s life. In what’s certainly a complete misrepresentation of Durova’s complicated existence, the musical paints Durova as a young patriotic woman in love with a male soldier, eager to win him over on her terms, as a fellow fighter. The film is without subtitles, but has enough colorful characters, costumes and music that I think a non-Russian-speaking audience would appreciate the clip above, which showcases Durova’s character first dressed as a woman, then dressed as a man. I love actress Larisa Golubkin’s confident, homoerotic swagger in the second half of the clip.

It’s difficult not to revel in the fabulousness of Gusarskaya Balada, but I wish that someone would make a textured, compassionate film that dug deeper into Durova’s life. There are many different ways for this play out, for many facets of Durova’s identity are still debated to this day. On the topic of her gender identity, Wikipedia states that “some readers interpret her as a cisgendered woman who adopted celibacy and male clothing to achieve professional freedom,” while others believe that Durova was transgender. Similarly, Durova’s sexual orientation remains a mystery. She eloped with a man when she was young, against her father’s wishes. However, she omitted her marriage (and any description of attraction to men or women) from her memoirs. When it comes to her relationship with women, one biography notes, “Durova felt uncomfortable around other women. On at least two occasions women recognized her true identity and addressed her as ‘Miss.’ Her fellow officers often joked that Aleksandrov was too shy and afraid of women.”

The deeper I dig, the more fascinating scenes I find. Beyond the obvious allure of wartime crossdressing, there are many odd tidbits, like Durova’s powerful connection with animals. As a child, she “frightened her family by secretly taming a stallion that they considered unbreakable.” Later in life she provided shelter to stray cats and dogs that she rescued, and she passed on her animal-taming abilities to her descendants, circus legends and founders of the Durov Animal Theatre in Russia. Then, there’s her horrible mother, who only wanted a boy, and seemed to punish Durova for being born a girl by making her spend countless hours doing monotonous “women’s work” like sewing and crocheting. That’s a whole other story itself, right there.

Hopefully, one day soon, someone will make a serious film about Durova. Until then, enjoy the song and dance.

12 Responses to “Hussar Ballad: Soviet Crossdressing Wartime Musical”

  1. Shay Says:

    Interesting. I must dig deeper now. Thanks Nadya!

  2. Ben Says:

    Aha, maybe this explains the mad poster I have in my bathroom for the “Durov Iron Road State Circus”.

    I assumed it was a circus from a place called Durov… but given all the mad little animals, I’d say this could be her descendants’ circus. Cool! Here’s a scan: http://tinyurl.com/durovskaya

  3. mildred Says:

    Sound kind of like Deborah Sampson. Hers is a similar case, a few decades earlier:
    http://en.wikipedia.org/wiki/Deborah_Sampson

  4. Wood Says:

    Certainly an inspiration for Terry Pratchett’s novel “monstrous regiment”.

  5. Vivacious G Says:

    What an amazing amazing story, thanks for posting.

  6. s. suzuki Says:

    I agree, this is very interesting. Thanks for highlighting/bringing Durova to the attention of people like me who had never heard of her.

  7. Alice Says:

    What an awesome story! Calls for a trip to the biography section of the nearest bookstore, I think!

  8. Tanya Says:

    Gussarskaya Ballada is one of my MOST favorite movies from that time period of Soviet cinema. Golubkina did such a great job, and I think she made a pretty convincing boy in the film.

    But I never knew that this was based on a true personage in history. Thank you for that revelation.

  9. Mer Says:

    Fascinating! I’d never heard of Durova, either…although I’ve seen the Durov Circus posters in collections of vintage carnival imagery. Thanks so much for this!

  10. Stagger Leah Says:

    This is totally cool and awesome. I completely agree, a better movie (but keep it a musical, heck yes) is necessary. I just find out about her from this article and I already felt insulted that they changed the story to her going after a dude.
    Thank you for feeding my uniform fetish for another day.

  11. Jon Munger Says:

    This is why I love history. It reminds me of this snippet of a story I heard. During the Third Crusade, the Saracens captured a green-cloaked archer. The archer maimed over a dozen men as they tried to close the gap. Upon capturing the figure, the Saracens were stunned to learn that the archer was a woman. After some debate, it was decided that a woman wouldn’t be worth the effort to ransom, and she was killed. Still, there, lost in the annals of history, is the story of a remarkable woman.

    And the Durova story reminds me of the all female sniper teams the Russians used during WW2. Lyudmila Pavlichenko killed more men than cancer. And she got invited to the White House by Eleanor Roosevelt, who gave her a gun. Yes, the first lady gave an honest to God Russki killing machine a Winchester rifle, and presumably in the presence of FDR. Those were…simpler times.

  12. meardearna Says:

    thanks for the brief bio on this fascinating (and inspiring) person!
    Her story somewhat reminds me of Chevalier d’Eon’s, in that both their gender were so controversial during their lifetimes that it still challenges us now.

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