R.I.P. DICK CLARK, VIVA SPARKS.

It’s hard to believe Dick Clark is gone. Is it safe to surmise that secretly, many of us kids who grew up watching him on the boob tube decided long ago that Clark (or, at the very least, legions of indiscernible vat-grown clones of Clark kept in a top-secret underground facility located a few miles beyond the city limits of Fresno) would be Rockin’ our Eves for centuries to come? Alas.

But the beat must go on. Perhaps… in hologram form?

In (somewhat oblique) honor of the departed (and because NO halfway decent excuse to feature the Mael Brothers on Coilhouse should ever be passed up) here’s a fabulous performance of “Pulling Rabbits out of Hats” by Sparks on Dick Clark’s American Bandstand in 1984, followed by a unexpectedly sweet and silly “interview” between three very disparately distinguished gentlemen. SO GOOD.

Previously on Coilhouse:

Ariana Osborne’s “Cartes Infernales”

Should they choose to delve deep into the dreckish pools of distant memory, some Coilhouse readers may recall this cheeky wee embloggening from 2009, written about the Dictionnaire Infernal, with illustrations by Louis Breton.

Well, here’s the sitch: dearest Ariana Osborne, who (in addition to sending over all manner of silliness and cuteness and beauty for us to blog here through the years) happens to be an absolutely brilliant graphic designer, has a Kickstarter project! She’s setting her sights on restoring the very same public-domain vintage demonic illustrations contained in that infamous blog post of yesteryear.

She wants to design and print a deck of 69 large (3.5″x5.75″), full-color heavy-stock art cards, each one featuring a Breton illustration from the Dictionnaire Infernal. She’s also planning to create “a supplementary PDF for the deck, with all 69 card images and extended information about each.” She’s given the project room to expand and evolve, depending on how much she raises beyond her minimum goal.

Ariana is all about fastidious documentation, immaculate restoration, and TEH LULZ (see below). EVIL GOOD TIMES. Click on MISTER SCARY ANTEATER OV DOOOO0M to learn more:

“Waves” by Daniel Palacios

This is so lovely. Daniel Palacios, ‘Waves’ installation (2007):

(Via Siege, who describes it aptly as “‘Double Dutch’ meets ‘Unknown Pleasures’”. Definitely watch it full screen.)

Artist’s description:

“‘Waves’ utilizes a basic construction of a long piece of elastic string and two motors to visualize the presence of people close to the installation. The string between the two motorized chambers reacts to the people presence and movements, it twirls to produce a sine-wave simulation that eloquently resembles both the digitization of real-time sound waves and patterns of flow and connectivity found in natural systems.”

(UN)HOLY FUCK. MOTHER OF LONDON dot COM IS LIVE.

Unf, UNF, UNF, UNF:


QAPLA

An hour ago, the darque benevolent sartorial powerhouse known as Mildred Von launched her official Mother of London website, with a webstore containing her glorious new, never-before-available, ready-to-wear line of MoL garments. Creaking black stroppy strappy happiness. Studs and grommets and buckles. Softly eldritch curve-hugging knits and witchy tees. Go take a look. Go.

You’re still here?! GO!! Drool. Spontaneously ejaculate. Cry molten rubies. Fer serious.

Having some inkling of just how many years of blood, sweat, orgone depletion, and fiery cussin’ went into making this uncompromisingly exquisite line a reality, we here at Coilhouse could not be more happy for Milly, or for everyone lucky enough to snatch up one of her amazing pieces before they sell out.

(And they WILL sell out. Soon. So if you want ‘em, go git ‘em. ASAP.)


GORKON
Quoth Mildred: “Yes, I might have named all my products after Klingon warriors.” Nope, not fucking around.

More images after the jump. All photos by the fabulous Twink. Gorgeous model is Lacy Soto. Immaculate hair and makeup by Cazzie at Gorgeous Salon on Melrose.

LONG LIVE MOTHER OF LONDON. CONGRATS, DOOD. HEGHLU’MEH QaQ JAJVAM.

Truly Gone Fishin’


Long white clouds in the sky above the southernmost tip of the North Island. Photo by Mer.

Greetings, comrades, from the Motu-Kairangi valley of Aotearoa. New Zealand’s north island is spectacularly sun-drenched at the moment– an unseasonably serene autumnal week, by Land o’ Long White Cloud standards.

Perfect timing, too, ‘cos Nadya‘s here! Squee! We’ve been talkin’ some SRZ COILBIZ (“Brainstorrrrm! Maaaaagic!”) and have decided to give ourselves a few days off from blogging and cat-herding to take a much-needed Coil-free road trip together. Coilhouse.net will probably be a bit sleepy for the next leetle beet. Consider this post our GONE FISHIN’ sign.

Speaking of fish, check out this jaw-dropping photograph of an immaculately preserved, exquisitely beautiful/fantastical Mola Mola skeleton:


A specimen housed in the Naturhistorisches Museum Wien, Austria. (Via Paul Komoda.)

Oh, our marvelous world. It is full of such fantastical things, both natural and unnatural. We hope you’re all reveling in the weirdness as much as we are right now!

Love,

Mer & Nadya

Jessica Joslin: Gilded Beasts (Lisa Sette Gallery, April 5-28)

Mignon, 2012 by Jessica Joslin

Jessica Joslin is in Scottsdale, Arizona right now, installing and celebrating a big solo show at the wonderful Lisa Sette Gallery: ”Birds chirping, cacti and magnolia trees all around… sipping coffee and feeling excited about my opening tonight, and about the many other shows soon to come!” By all means, if you’re in the neighborhood, go say hi! Jessica’s creatures are even more enchanting in person.

On a related note: many of our LA readers will be excited to know that there’s another Twin Peaks art show happening (including this lovely new creature, named Waldo, by Jessica) later in the month; this year it’s Fire Walk With Me-themed. The opening is April 21st.

They see Gandalf trollin’, they hatin’.

Thank you, kid-named-Jav-dressed-like-Gandalf-and-doin’-the-mongo-longboard-thing-for-the-sake-of-a-very-silly-joke. Thank you.

“Survival is triumph enough.” –Harry Crews (June 7, 1935 – March 28, 2012)


Author Harry Crews. The tattoo is an excerpt from E. E. Cummings’ poem “Buffalo Bill”. (“How do you like your blue-eyed boy, Mister Death?”)

A great and grizzled powerhouse of American fiction has left us. He was 76 years old. A wild Southern gent with a penchant for heavy drinkin’, Harry Crews wrote like he lived: hard, bloody, sharp, gritty. His ex-wife, Sally Ellis Crews –with whom he remained great friends after they divorced for a second time in 1964– informed the AP on Thursday that Crews had long suffered from neuropathy: ”He had been very ill. In a way it was kind of a blessing. He was in a lot of pain.”

Crews wrote beautifully about pain. Speaking about his own books: “The smell of blood is on them [...] the sense of mortality is a little too strong.” That may very well be true. But like blood, they are also as rich and vital as all get-out. If you haven’t experienced his world before, but appreciate the output of writers like Cormac McCarthy, Flannery O’Connor, Faulkner or Bukowski, you will likely find loads of gruff and stalwart reassurance in the work of Harry Crews.

A forthcoming memoir by Crews is slated to be published in the near future. Long before his passing, there’d been a lot of talk of reissuing his full bibliography in digital editions and beyond. Here’s hoping.

Visit HarryCrews.org, which features many essays, interviews and portraits. Some sagacious quotes from the hellion below.


Harry Crews. Photo by Oscar Sosa for The New York Times.

“I never wanted to be well-rounded. I do not admire well-rounded people nor their work. So far as I can see, nothing good in the world has ever been done by well-rounded people. The good work is done by people with jagged, broken edges, because those edges cut things and leave an imprint, a design.”

“If you’re gonna write, for God in heaven’s sake, try to get naked. Try to write the truth. Try to get underneath all the sham, all the excuses, all the lies that you’ve been told.”

“Writers spend all their time preoccupied with just the things that their fellow men and women spend their time trying to avoid thinking about. … It takes great courage to look where you have to look, which is in yourself, in your experience, in your relationship with fellow beings, your relationship to the earth, to the spirit or to the first cause—to look at them and make something of them.”

“There is something beautiful about scars of whatever nature. A scar means the hurt is over, the wound is closed and healed, done with.”

Harry Crews

A Brief Introduction on Dubstep Production: The Animated Video

Snarkily hilarious (abbreviated) animated version of Dubba Jonny‘s infamous dubstep tutorial piss-take. By TreeHouseCharles.

(WEEB WOB WOB WUGGUDUDDUH WARG WOOB WOB)

Hitchcock’s Definition of Happiness

In addition to creating several of the most nerve-wracking and suspenseful movies ever made, filmmaker Alfred Hitchcock was an infamously vicious prankster and tormentor of ingenues.

Nevertheless, this has got to be one of the most succinctly and serenely affirming definitions of happiness ever uttered by an artist:


Via Devour

“…you’re looking forward, the road is clear ahead, and now you are going to create something… I think that’s as happy as I would ever want to be.”

Hell yes.


Promo photo for The Birds