And she did. Countless others have walked through that door behind Dorothea Tanning– fellow iconoclasts and creative powerhouses (many women, but surely, many not) who might never have pursued their work otherwise.

Her independence, her intelligence, and her centenarian resolve to lead an extraordinary life no matter what, should be as central to her legacy as her art and writings. Tanning died in her sleep last night at the age of 101…

“…and pieces of history die with her. Artist, poet, wife of Max Ernst from 1946 until he died in 1976, and (along with Frida Kahlo, Leonora Carrington, Kay Sage, Lee Miller, Maya Deren, Remedios Varo, and Leonor Fini) one of a group of great women Surrealists, she was at the center of a movement that was a vicious mill for women. Among the surrealists, females — while ‘allowed’ to be artists — were often also relegated to the sidelines of neglected or beset mistresses, muses, and madwomen.” ~Jerry Saltz (for New York Magazine)

Birthday (1942) by Dorothea Tanning. Oil on canvas.

Her advice to younger generations: ”Keep your eye on your inner world and keep away from ads, idiots and movie stars.”

• Oldest Living Surrealist Tells All (Salon)
• Overview of her paintings (Boston University)
• A Table of Content, Coming to That (poems by Dorothea Tanning)
• Between Lives: An Artist and Her World (memoirs)

Read the rest of “My work is about leaving the door open to the imagination.” -Dorothea Tanning (1910 – 2012)

Post tags: Art, Flora & Fauna, Grrrl, Memento Mori, Poetry, Revolutionary, Surreal

Featured previously on Coilhouse for her debut music video Pon Pon Pon, 19-year-old blogger-turned-singer Caroline Charonplop Kyary Pamyu Pamyu (also known is Kyary, or Carrie Pam) is back with a new music video for her single Tsukema Tsukeru.

According to Super Happy Awesome, the song is all about the application, appreciation, and effects of false eyelashes. Kicking off the video with a sparkly-lashed wink to Kanye’s Power (which was also parodied to great effect by Freddie Wong), Kyary celebrates the art of eyelash extension through lyrics (“It’s the magic in a type of eyelash / My confidence changes, the way I see the world changes”), choreography (plenty of jazz hands emulating the batting of full lashes), set design (with some terrifying CGI depictions of the (lash-bedecked) Hamsa Hand floating in the background), and, perhaps most potently, costume design (featuring an extra head on top of her wig wearing lashes, a rather anatomical-looking corset decorated with an eye pendant, and two giant false eyelashes on her boobs).

The same team that created Pon Pon Pon was responsible for Tsukema Tsukeru. The song was produced by Yasutaka Nakata, one half of the electronic duo capsule. The video was art-directed by Sebastian Masuda, a pioneer of “kawaii culture” who also founded Harajuku fashion label %6DOKIDOKI. Masuda and Kyary also recently collaborated on an exhibition titled Table of Dreams.

In describing his first meeting and subsequent collaboration with Kyary, Nakata calls her “the ‘spirit bomb’ of Harajuku culture.” (The spirit bomb, the translator explains, “refers to an attack in the classic anime ‘Dragon Ball’, which channels the energy of surrounding life forms into a powerful sphere.”) Kyary’s success, writes Nakata, lies in her ability to infect people with enthusiasm for her projects. “I think it’s because everyone who gathers around Kyary feels like, ‘if I were with Kyary, I’d be able to express things that are new to me.’ That is, of course, how I feel too. So it’s different from a collaboration, and – to tell the truth – even saying that I produce her has a different meaning. The closest I can get is saying, ‘I’m doing it just for the fun of it.’ I feel like Kyary has this power in her to involve people that way.”

See also:

• Kyary Pamyu Pamyu: Pon Pon Pon
• Better Than Coffee: Duke Gets Yiffy Wid’ It

[via Nicole Aptekar]

Post tags: Drugs, Faboo, Fashion, Grrrl, Japan, Music, Silly-looking types, Surreal

Welcome back, comrades. That was an interesting 24 hours, eh?

Here’s a verrrrrry wonderfully stark and moody Light Asylum video (directed by Emilxa Xuryłowicz and Cezary Zacharewicz) to ease us back into full-fledged internetness:

(If you haven’t heard it yet, Light Asylum’s 2011 In Tension EP is phenomenal. Tangible run is already out of print, but you can download it.)

Post tags: Dance, Goth, Grrrl, Music, Punk, \m/

On the uplifting side, we have a 13-year-old vlogger named astrorice articulating the concepts of slut shaming and rape culture. “While I am fully aware that this is a bit of an unorthodox topic for a thirteen year old virgin to be talking about, it’s an important issue to discuss, and a great topic for girls my age to know about,” writes astrorice.

As Aaron Muszalski noted on Facebook, “This is the most inspiring thing I’ve seen this year. Seriously a must-watch. An amazing young person speaking out — eloquently and forcefully — about a topic that many people much older than her still have a hard time wrapping their heads around. Or indeed, even acknowledging its existence. Major props. As unfortunate as the issue of slut shaming is, this video and its maker give me great hope for the future.”

And on the dark side, there’s this: a 14-year-old girl calling for the boycott of Girl Scouts due towards their inclusive policy towards transgendered kids: in particular, a 7-year-old transgender child who was allowed to join Girl Scouts in Colorado. Richard Metzger writes, “From what I can make of her argument, young Taylor here seems to think that high school age boys are suddenly going to want to wear drag and join the Girl Scouts so they can rape her or something? Taylor, there are far, far easier ways for teenage boys to get laid! … Do you really want to be the Rebecca Black of intolerance? For the rest of your life?” Audrey Penven adds, “Shame on her parents for sucking so hard. Shame on her community for nurturing this kind of close-mindedness.”

These children, they are our future.

Post tags: Gender, Grrrl, Kid Stuff, Madness, Politics, Sexuality, Testing your faith

Rocker Clogger is a spirited seventeen-year old American amateur clogger who likes to dance to Adam and the Ants, The Cure, David Bowie, Oingo Boingo, Siouxsie & the Banshees, and Johnny Cash.

From her cute costumes, to the peaceful backyard background sounds of birdsong and wind chimes and rustling trees in all of her clips, to that irrepressible “I Gotta Be Me” attitude of hers, everything about Rocker Clogger’s videos fills my heart with squee.

“I’m NOT a professional dancer! I’m just having fun.” Girl, do your thing. Never stop.

(Several clips are listed after the jump, and check out her YouTube page for plenty more.)

Rocker Clogger and equine friend.

Read the rest of Adorable Rocker Clogger Girl

Post tags: Better than coffee, Dance, Faboo, Geekdom, Goth, Grrrl

The powerfully enchanting Larkin Grimm, previously interviewed by Angeliska on the Coilhouse blog and featured in Issue Four of our print issue, has a new album coming out next month! You can read about what she’s been up to recently, and preview/download her song “Paradise And So Many Colors” at the Village Voice website.

Last year, the sartorial site StyleLikeU (oh good gracious, LOVE these ladies) posted a wonderful “Closet Feature” on Grimm. It’s as endearing a portrait of the woman as you’ll find anywhere:

Post tags: Adornment, Blogroll, Faboo, Fairy Tales, Grrrl, Magic, Music, Personal Style

Κατάρα της Αθηνάς, η μοίρα της Μέδουσας
Αθηνάς: Elizabeth Maiden
Μέδουσας: Jessica Rowell of J-Chan’s Designs
Photography: Nina Pak
Costume Design & Styling: J-Chan’s Designs
Location: Vancouver, British Columbia, Canada

Ancient Greek lore and steampunk culture clash, titan style, in a sumptuous mythos-meets-modernity photo series depicting the Goddess Athena (Elizabeth Maiden) and the Gorgon Medusa (Jessica Rowell).

According to legend, the once ravishing Medusa was cursed with a monstrous appearance after “seducing” Poseidon, Lord of the Sea, under the roof of Athena’s sacred temple. Hence, this series title (which, translated into English, means) “Athena’s curse, Medusa’s fate.”

Rowell pulled “inspiration from Desmond Davis’ 1981 film Clash of the Titans, then put an atemporal spin on things by incorporating several contemporary ingredients that “also felt industrial and familiar to alternative culture.”

Read the rest of “Athena’s Curse, Medusa’s Fate” — Created by Jessica Rowell, Nina Pak, and Elizabeth Maiden

Post tags: Cyberpunk, Design, DIY, Fairy Tales, Fashion, Flora & Fauna, Goth, Grrrl, Hair, Industrial, Interview, Multiculti, Photography, Steampunk, Ye Olde

Darling Madame Darla Teagarden recently shared this image, saying “Early Parisian Goths, 1910. How amazing were they? Very.”

Oh, indeed! VERYvery. That is some unparalleled late fin de siècle bohemia-infused fierceness, for sure. A bit of Google-fu has helped me trace this scrumptious photo as far back as one Mrs. Inman on Flickr. Inman’s photostream is full of all kinds of wonderful vintage postcard scans… she’s a seriously devoted collector and curator. Her tags indicate that this is a century-old French photo postcard from her vast personal archive.

Dang, right?

Post tags: Faboo, Fashion, Goth, Grrrl, Photography, Vive la France, Ye Olde

Hot off the presses, a brand-new episode of Jiz: the bizarre, hilarious, raunchily dubbed version of 80s cartoon Jem and the Holograms. Where the original theme song was “Exciting adventures, fashion and fame / Once you’re a Jem girl, you’re never the same,” the Jiz refrain goes something like: “Trannies and drag queens doing cocaine / Once you’re a Jiz whore you’re never the same.” And that about sums it up.

So here it is: the Jiz drug special. “I know what you’re thinking,” writes Jiz creator Sienna D’Enema. ”Isn’t every episode a drug episode? Seriously though, Jiz gets cut off from her Electronic Drug Dealer. Witness her descent into madness.”

If this is your first exposure to Jiz, check out some of the older episodes, starting with the canonical Abortion Episode, in which Jiz is pro-choice. Really, really pro-choice:

Post tags: Animation, Drugs, Faboo, Grrrl, Hair, Queer

And, of course, Fantasia includes the Pastoral Symphony. As a child, I was happily unaware of the heteronormative, gender essentialist overtones of this piece. I was just excited to see all the centaur boobs and watch the fashion show unfold. Multicolored centaurettes wearing hats made from lotus flowers, birch bark and even live white doves. Exotic mythical creatures lazing around all day, spending the beautiful sunset hours eating grapes, swinging on giant swings, and bathing by the waterfall. It was just lovely. Looking back, it’s clear how ridiculous the whole thing was. A post at Nectarade provides a hilarious, pitch-perfect overview (click through to the site, it’s better with pictures):

There’s a centaur meetup and the ladies are “dressing up” so it’s not so obvious they’re all clones of each other in different colors. The males are also clonic, but they don’t give a shit about looking alike because they’re there for the mare pussy (well, that sounded funny). Also, there are some weird “little cherubs” playing as sassy gay friends of the girls, matchmakers, makeover artists, and creepy voyeurs. My first reaction: “Why are there cherubs in Olympus, anyway? I suppose they’re sort of little cupids without the bow and arrows, but it’s still fucking weird.” I did my homework, and those things are called putto (plural: putti) . Oh, okay, it makes sense artistically then. It’s still weird because they’re little creepers in this movie, but I’ve learned something new today!

…meanwhile, the clonic Ken doll centaurs get their own catwalk show from which they pick the girl they want to fuck senseless take to the prom. I don’t know if it’s racism or narcissism or fashion taken to the extreme, but I can’t help but notice that all the pairings have similar color palettes. Red/pink/brown/yellow goes with red/pink/brown/yellow, blue/purple goes with blue/purple. That’s very disappointing. You can also tell how much the couples want to have sex as soon as possible, but they can’t because there are little kids watching (and depraved putti stalking them).

Seriously, they have to settle with a lot of second-base touching and inane activities such as playing in swings and eating grapes and just hang out, sitting here consumed with lust for the rest of the evening. But OH NOES!! EMERGENCY!!! DISASTER!!! ONE OF THE CENTAURS IS ALONE! Don’t worry, guys! There’s a centauride who’s also alone! And in the same color scheme! We’re saved! How convenient that there was the same amount of boys and girls! So our team of putti, like fanbrats who feel compelled to pair every character up in the bad fanfiction they write, set them to a date by playing their phallic flute-trumpets. Thankfully, our two dorks liked each other and were actually the ones with less libido. Actually, they’re quite sweet and old-fashioned, and I’m glad for them. I mean, as happy as it can be since the putti are still stalking like Edward Cullen in Bella Swan’s period days, and even when they drop the curtain (literally) they’re still peeking over the centaurs. Eww, GTFO!

The above review of Pastoral Symphony was pretty complete… except, HELLO, WHAT’S THIS:

That’s right. Disney originally included a character named Sunflower – a half-donkey, half black girl servant figure who polished hoofs, brushed/decorated tails, and carried garlands for the centaurettes. It’s not surprising that Nectarade didn’t catch them; the scenes haven’t appeared on any release of Fantasia since the 1960s, and are hard to come by in high quality. Most versions on YouTube look like they were taped off a television. Here is the best-quality collection of all censored scenes. Sister Suffragette adds, “there’s also the possibility that there are more Sunflowers; the movie shows Sunflower with a couple different hair styles which could mean that they actually represent several servant/slave half-asses. It’s hard to tell, though, because the difference in hair style is the only distinguishing feature … of course she was happily shining the hoofs and fixing the tails of the non-black centaurs and there’s not even any thought or explanation given as to why she’s the only one that doesn’t meet a mate by the end of the segment. The others females are chosen by the males who picked them out of the lot after the females paraded and posed in front of the males.”

The real kicker is that, according to several sources, Disney adamantly denied that Sunflower even existed up until somebody finally dug up the footage and put it on the internet (despite the fact that you can find her chowin’ down on watermelon, in stereotypical fashion, in the Fantasia cut-out book. Perhaps Disney was counting on the fact that it’s solidly out of print).

Recently, artists have been reclaiming and re-imagining Sunflower, so perhaps there’s a silver lining to all of this (as an aside, people are also reimagining some of the other Fantasia nubile centaurettes in a very – how shall I put this – non-heteronormative, non-monogamous way. Thanks, Rule 34. Thanks, Internet). People are imagining Sunflower (or Sunflowers) as a strong, confident young girl. Or a self-aware, independent woman. Or even painting her as a servant, but with much more emotion and character. If Disney won’t make this right, the people will. More remixes of Sunflower, after the jump.

Sunflower by AtomicFireball: “This is not a fanart. It’s a little wishful thinking of my own. This is my Sunflower, who never served a mistress.”

Read the rest of Sunflower, the Centaur Disney Wants to Forget

Post tags: Activism, Animation, Art, Flora & Fauna, Grrrl, Serious Business