Thousands of people hold their breath as they watch a gleaming white spacecraft descend. It touches down in a cloud of steam and the door drops to reveal a beautiful shiny humanoid, chrome helmet and armor. He emerges, reserved, as the screaming swells all around him. Is this the Second Coming? Holy fuck-christ, is it Xenu!?
No, little ones. Look on in awe as rows of marching helmeted men line up all around. Look and know that you’re about to let Michael Jackson rock your very asses. And know that you’re lucky, because there will never be another tour in the history of music like the Dangerous tour.
Degenerotika Clothing is a new alt fashion label by Slovenian artist/videographer/designer Tea Bauer. The clothing is gothic for sure, but there’s nothing pensive or frou-frou about it: the sharp, angular, textured garments look like they’re designed for dangerous people, people with unnatural reflexes and ambiguous morals. I can see Aeon Flux wearing this for a violent date with Trevor Goodchild, or Molly Millions donning this for a rare night out dancing on the Killing Floor.
The Degenerotika portfolio can be here, and I’ve included my favorite pieces after the jump. I’ll admit that some of the pieces are hit-or-miss for me, but when it’s a hit, it’s a stab straight to the heart. Tea has a clear voice and a unique perspective on alternative fashion. Definitely one to watch.
Rhythmic gymnastics, as I’ve suddenly come realize, are possibly the ultimate hotness in sports, though I’d prefer it without the ribbon. But that’s not all! I see club hit potential - just look at those dramatic flowing gestures, practically reaching for a smoky club ceiling, interspersed with industrial-ish angular sharp movements. I’d like to have seen Ukrainian gymnast Natalia break these moves out at Perversion back when it was still bumpin’ - she could have been an instant superstar.
Every time I reach into the Magic Bucket o’ Reader Submissions, I discover something I’ve never seen before. I want to thank everyone who’s sent something in (except for you, submitter of furry porn – you almost got me fired at work). We’re never at a loss for new art and weirdness to cover, and it’s thanks to you guys!
DestroyX of the industrial duo Angelspit sends along a page is called Dreaming the Industrial Body, which features drawings from 20’s and 30’s of various bodily processes represented in terms of industrial society by artist Fritz Kahn. The drawings illustrate the inner workings of our bodies in terms of conveyor belts, telephone wires, electric projectors, locomotives, engines, refineries and switchboards manned by busy workers. It’s uber, ja!
The Dreaming the Industrial Body online exhibit is part of a series called Dream Anatomy, hosted by the U.S. National Library of Medicine. There are many interesting sections – some other ones I enjoyed were Dissection Scenes and Fancies, Show-off Cadavers and Anatomical Primitives. The entire site is a must-see for any student of anatomy or fan of body horror.
I didn’t even know there was such a thing as industrial music when I stumbled onto Janet’s Rhythm Nation 1814 film in my pre-teens, but I knew that I’d made a very important discovery. Later there would be the mix tapes and the radio shows that exposed me to my favorite music in its true form, but until then, isolated in suburbia and still learning English, Janet’s video was my first glimpse into the aesthetics of my favorite musical genre.
Having re-watched Rhythm Nation today, I have come to a very important conclusion: Janet Jackson is even more ÜBER than I initially thought. Here’s why:
The uniforms! God, the uniforms. Those gloves with the riveted metallic plates? Hot.
“We are a nation with no geographic boundaries, bound together by our beliefs.” NSK State, anyone? Laibach, take note: Janet beat you to it by 4 years.
The entire clip takes place in a steamy factory that recalls Test Dept’s Total State Machine.
Despite the strong percussion and electronic elements, I’d be pushing it if I claimed that this awesome song was industrial. But you know what? Janet created this socially-conscious record on her terms, in the face of a record company pressuring her to only sing about love and relationships. Who knows what this could have been, had there not been that pressure at all?
Yes, you read that headline correctly. The Bloody Digusting News website reports: “last night at the 2007 Scream Awards Paris Hilton was nearly booed off the stage once again, but by the time they finished showing the first ever footage from Darren Bousman’s Repo! The Genetic Opera all of the boos had turned into cheers.” This rock opera about organ repossession takes us to the year 2056, in which a worldwide epidemic causes organ failure on a massive scale, enabling a biotech firm called GeneCo to begin renting out genetically-perfect organs to those who can afford them. The nature of the program is similar to a car lease, and the firm sends out a repo man if the recipient can’t make payments. In addition to Paris Hilton and Nivek Ogre, other talents involved in the project, on and off the screen, include singer Poe, Daniel Ash from Bauhaus, Yoshiki Hayashi from X Japan, Bill Mosely and Sarah Brightman. Ogre plays Pavi, the younger son of the evil mastermind behind GeneCO, and Hilton is cast as Amber Sweet, a “sexy aspiring opera diva and scalpel-slut will stop at nothing to get her moment in the spotlight.” Is this to be the Rocky Horror Picture Show of our generation? I sure hope so!
The brilliant songwriter was fond of slathering himself in various forms of goop and leaping into his audiences, as well as “playing instruments with his head”, but apparently the world just wasn’t ready for that sort of thing back in 1982. Despite being a huge influence on later luminaries of the gothic/industrial movement, Fad Gadget remains relatively obscure.
