“You don’t have to rely on a healthy body image or self respect anymore. [...] There’s only one way to look like a REAL cover girl: Fotoshop by Adobé.” OH SNAP.

Rosten’s piss-take nails the spooky Stepfordian tone and presentation of the average beauty commercial. He’s so crafty, in fact, it takes a few seconds for the “I SEE WHAT YOU DID THERE” to kick in. Just in case anyone’s confused, a statement beneath the Vimeo embed reads: “This commercial isn’t real, neither are society’s standards of beauty.”

Invasive, absurd digital manipulation’s not going anywhere. Still, it’s nice to know we’re at the point of not just openly discussing its ubiquity, but mocking it mercilessly!

Previously on Coilhouse:

• In Defense of H&M’s Fembots

Post tags: Advertising, Fashion, Misinformation, Photography, Propaganda, Silly-looking types, Television, Testing your faith

The internet is quickly becoming smitten with a young photographer/urban explorer who broke into an unguarded rocket facility in Russia. Jesus Diaz at Gizmodo writes:

Her name is Lana Sator and she snuck into one of NPO Energomash factories outside of Moscow. Her photos are amazing, like sets straight out of Star Wars or Alien. Now the Russian government is harassing her.

It was easy to get in. She just went there, jumped over the fence and got right into the heart of the complex through a series of tunnels and pipes, which was very surprising. After all, this is an active industrial installation that belongs to one of the top manufacturers of liquid-fuel rockets in the world. Their engines power the modern Soyuz, the Zenit 3SL, and the Angara and Baikal launch vehicles. Heck, their RD-180 engine powers the first stage of the Atlas V, an American rocket. More importantly, they have specially strong ties to the Russian military.

And yet, she found nobody. No guards, no security. Nothing. Just a few CCTV cameras here and there in rooms packed with huge machinery.

While some of these zones look decrepit and abandoned, the factory is active. In fact, the government is really pissed off about Lana’s adventure. The authorities have sent her letters saying that her situation will get “much worse” if she keeps posting photos from the factory.

Large, beautiful photos from Lana’s adventure at the rocket factory, along with a scanned letter from the authorities warning her of the dire consequences, can be seen at her LJ.

[via Michael Doyle / Marina Galperina / FrumiousBandersnatch]

Post tags: Industrial, Photography, Russia

Κατάρα της Αθηνάς, η μοίρα της Μέδουσας
Αθηνάς: Elizabeth Maiden
Μέδουσας: Jessica Rowell of J-Chan’s Designs
Photography: Nina Pak
Costume Design & Styling: J-Chan’s Designs
Location: Vancouver, British Columbia, Canada

Ancient Greek lore and steampunk culture clash, titan style, in a sumptuous mythos-meets-modernity photo series depicting the Goddess Athena (Elizabeth Maiden) and the Gorgon Medusa (Jessica Rowell).

According to legend, the once ravishing Medusa was cursed with a monstrous appearance after “seducing” Poseidon, Lord of the Sea, under the roof of Athena’s sacred temple. Hence, this series title (which, translated into English, means) “Athena’s curse, Medusa’s fate.”

Rowell pulled “inspiration from Desmond Davis’ 1981 film Clash of the Titans, then put an atemporal spin on things by incorporating several contemporary ingredients that “also felt industrial and familiar to alternative culture.”

Read the rest of “Athena’s Curse, Medusa’s Fate” — Created by Jessica Rowell, Nina Pak, and Elizabeth Maiden

Post tags: Cyberpunk, Design, DIY, Fairy Tales, Fashion, Flora & Fauna, Goth, Grrrl, Hair, Industrial, Interview, Multiculti, Photography, Steampunk, Ye Olde

Darling Madame Darla Teagarden recently shared this image, saying “Early Parisian Goths, 1910. How amazing were they? Very.”

Oh, indeed! VERYvery. That is some unparalleled late fin de siècle bohemia-infused fierceness, for sure. A bit of Google-fu has helped me trace this scrumptious photo as far back as one Mrs. Inman on Flickr. Inman’s photostream is full of all kinds of wonderful vintage postcard scans… she’s a seriously devoted collector and curator. Her tags indicate that this is a century-old French photo postcard from her vast personal archive.

Dang, right?

Post tags: Faboo, Fashion, Goth, Grrrl, Photography, Vive la France, Ye Olde

A bizarre series by Slovakian photographer Tono Stano, White Shadow is actually a series of printed black and white negatives. In this case, however, Stano has gone to the length of painting his models with the idea of printing the negatives so that they would appear to be positives. It’s an effect that is not entirely successful — you won’t mistake these for a regular black and white print — but Stano seems to understand the limitations of the trick and plays with them.

Using bits and pieces of other negatives he tapes eyes over the eyelids of his subjects, fills their mouths with photograph denture. The end results are surreal portraits of some of the more interesting denizens of the uncanny valley. Hit the jump for a (nsfw) video (as well as a few more, nsfw images) in which Stano gives a behind the scenes look at the process.

Via lens culture

Read the rest of Tono Stano’s White Shadow

Post tags: Art, Photography

Stanley Kubrick was one of the most innovative and accomplished directors in cinema history, and, as it turns out, a bordering-on-Weegee-level badass when it came to capturing “slice of life” still imagery in NYC as a young man.

Recently, the Museum of the City of New York, in cahoots with VandM, released a series of “city life” photos taken by Kubrick throughout the 1940s and 50s while employed at Look magazine. MCNY and VandM culled standouts from over 10,000 negatives and are now offering a limited edition sale of 25 prints.

Also of possible interest:

• “The Return of the Clockwork Orange“
• “Weegee Tells How“
• Chantal Regnault’s photos of the 1990s vogueing scene in NYC
• “Dirty, Dangerous, & Destitute” by Allen Tannenbaum

“Circus Trapeze Artists” by Stanley Kubrick

Post tags: Film, Magazines, Photography

“Cupid and Centaur” by Joel-Peter Witkin (1992)

(Preaching to the choir, here, but) Is there another photographer living whose sublime darkroom necromancy conveys quite the same level of beauty, horror, ferocity, compassion, grace and grotesquerie as Witkin’s? Doubtful.

Buy his books:

• Witkin
• The Bone House
• Joel-Peter Witkin (Phaedon 55s)
• Harms Way: Lust & Madness, Murder & Mayhem
• Disciple & Master

Post tags: Art, Fairy Tales, Flora & Fauna, Medical, Memento Mori, Photography, Uber, Uncanny Valley

These incredible time lapse sequences are pieced together from thousands of photographs taken aboard the International Space Station by crew members and photographers of Expeditions 28 & 29 (August through October of 2011) at an altitude of approximately 217 miles above sea level.

German tech wizard Michael König took the time to gather together all of the photos from the Image Science & Analysis Laboratory,  NASA Johnson Space Center, and The Gateway to Astronaut Photography of Earth, put them in sequence, and then “refurbished, smoothed, retimed, denoised, deflickered, cut, etc.” all of the footage, taking care to avoid any kind of color adjustment or other visual manipulation, so as to let this beautiful, surreal footage speak entirely for itself.

Post tags: Animation, Cosmos, Multiculti, Photography, Science, Technology

“Hall of Thirty-Three Bays” by Hiroshi Sugimoto

(Our 400px column width definitely ain’t doing the composition any favors; it’s worth taking the time to view this stunning image as large as possible.)

The work of Tokyo/NYC-based artist and photographer Hiroshi Sugimoto reflects a lifelong fascination with infinity and eternity. He has “spoken of his work as an expression of ‘time exposed’, or photographs serving as a time capsule for a series of events in time. His work also focuses on transience of life, and the conflict between life and death.” (via)

The story behind this particular image: these are the fiercely protected, rarely viewed 1001 statues of the Sanjusangendo, a 390-foot-long wooden temple in Kyoto containing thirty-three bays, also known as Sea of Buddha. Sugimoto was determined to show the statues as they were meant to be viewed during the Heian Perod (794-1185). It took seven years for Sugimoto to get permission to enter the “Hall of Thirty-Three Bays” with his camera equipment and capture the eight-hundred-year-old Armed Merciful Bodhisattva Avalokitesvara figures just as the early morning sunlight hit them, simultaneously illuminating one-thousand-and-one haloes. The resulting imagery is both ancient and somehow futuristic, infinite and immediate.

More beauty from Sugimoto:

• Theatres
• Seascapes
• Lightning Fields and Photogenic Drawings
• Dioramas
• Official Portfolio

Post tags: Art, Future, Japan, Photography, Religion, Sculpture, Surreal, Ye Olde

“Where early photography meets extreme hotness.”

‘Nuff said.

“Robert Cornelius, the original daguerreotype boyfriend. (1839 self-portrait of Robert Cornelius, one of the first photographs of a human to be produced.)”

Post tags: Blogroll, Photography, Stroke Material, Ye Olde