Black & White & Red All Over Ball Photo Booth Pictures by Steve Prue


Kat & Mason, attendees of the Black & White & Red All Over Ball at the Red Lotus Room in Crown Heights, Brooklyn. August 21st, 2011. ©Steve Prue.

Squeeeee!

Photographer Steve Prue’s huge collection of photo booth portraits from the Ball are now all up on our Flickr account! Flickrites, please feel free to go in there and tag or comment on photos. We’re eager to start putting names to all of those beautiful faces.

A massive “HOLY CRAP, WE DID IT!” thank-you post is imminent as well.

Have a great weekend, everyone.


Nyx of Asha Beta Industries, crew member/art donor for the Black & White & Red All Over Ball at the Red Lotus Room in Crown Heights, Brooklyn. August 21st, 2011. ©Steve Prue.

500 People In 100 Seconds

Eran Amir creates a fantastic piece of animation by photographing 500 different people around Israel holding 1500 photographs. Set to “Malinkovec Valzer” by Maxmaber Orkestar.

Via Dangerous Minds

New Fineries and Art Fund by Stephanie Inagaki

I know everyone’s waiting with bated breath for more news about Coilhouse’s Black & White & Red All Over Ball in New York. We’d been working on the announcement all weekend, but with more art and performers still being confirmed, and some other details to iron out, we’ve decided to wait just one more day to spill the beans. In the meantime, check out these lovely new creations from Miyu Decay, the jewelry and adornments company of artist Stephanie Inagaki (previously on Coilhouse). Shot beautifully by Allan Amato, the images feature models Lacy Soto, Alexandra Matthews, Jill Evyn, and Yellow Strange. All these items can be purchased at Miyu Decay’s Etsy store.

Later this month, Stephanie and the other artists involved in this shoot will be throwing a very special fundraising event in LA in honor of James Ribiat, Stephanie’s fiancee, who died of a heart attack nearly two years ago. We met Stephanie and James when they became impromptu bartenders at the Coilhouse launch party three years ago, and James’ passing was a shock for everyone on the staff. Stephanie writes:

James always encouraged me to be creative, to continuously do better and was my biggest critic.

Our family established an arts endowment in his honor, which will be used to give scholarships to local students who want to pursue the arts.  James was an ardent supporter, always donating to museums and the LA Philharmonic. We had received generous donations from friends to initially start up the endowment but it is necessary to raise more funds in order to give back to the community.  An endowment works similarily like a savings account, where you can only take off of what the interest makes.

I am organizing a memorial benefit show to raise more funds. It will be held on Friday, August 26th from 7pm-12am at Sancho Gallery in Echo Park. I am in the process of hopefully attaining an Alcoholic Beverage Control One Day License as well because everyone knows booze brings in the most cash! The entrance fee will include one raffle ticket, which I think will be about $10.  There will also be an option to buy more raffle tickets as well!

The event will feature performances by Daniel Ribiat of Cinema Strange and Colin Ambulance, as well as a raffle for artwork donations from Zoetica, Tas Limur, Yume Ninja, Paul Koudounaris, and many other artists. See the full details on at the event page here.

Catherine Hyland’s Images From China

Some stunning images by photographer Catherine Hyland from her China Series and Wonderland. Located outside Bejing, Wonderland was designed to be the largest theme park in Asia. Construction began in 1998, but was halted because its developers and the local farmers could not come to an agreement on the proposed 120 acres of land required to fulfill such a grandiose vision. What’s left is one of those seemingly post apocalyptic landscapes that photograph so well.

Her other photographs from China are equally as impressive, featuring stark, urban lanscapes. The images of giant, towering apartment blocks and crowded alleys, cast in the perpetual daylight of a vast metropolis, have an otherworldly quality to them. You can see more from both series after the jump.

Graf Zeppelin’s Arctic Flight, 1931

ZOMG. EPIC DRGBLZ PR0N!!1!


LZ-127 and boat from the Soviet icebreaker Malygin at Franz-Josef Land. Photo (presumably) by one Dr. Aschenbrenner.

Above is the lead photo on an Airships.net feature detailing the Graf Zeppelin’s 1931 Arctic Flight, “both a scientific expedition and a dramatic display of the airship’s ability under extreme conditions. The five-stage flight covered 13,310 kilometers in 136:26 flying hours between July 24 – July 31, 1931, and literally changed the map of the Arctic region with the information obtained during the flight.”

Much like the x planes tumblr, Airships is a highly addictive site rife with stunning imagery and articles. More info here. (Be warned, fellow anachronauts! You may easily lose hours exploring.)

“Sandbox of the Post-Industrial Apocalyptic Landscape.”

WARNING: prolonged viewing of John Waller (aka zPRIME)’s “Industrial Decay” photo series may give you a raging Doom Chub.

Rawr.

Waller’s entire Flickr stream is rusty and scrumptious. He also apparently has an extensive personal website launching sometime this month.

Mia Mäkilä’s Feel Good Demons


“Oh la la”

“I paint my demons. I paint nightmares. To get rid of them.  I paint my fears. I paint my sorrow. To deal with them.” Mia Mäkilä

Mia Mäkilä, a self-taught artist who lives and works in Sweden, describes her art as “horror pop surrealism” or “dark lowbrow” and further illustrates: “Picture Pippi Longstocking and Swedish movie director Ingmar Bergman having a love child. That’s me.”

Her work consists of digital paintings and vintage photographs manipulated and distorted to produce nightmarish mixed media portraits. The creations borne of Mäkilä’s artistic process are both uncomfortably horrific and unaccountably humorous– demonic entities lurk in the form of  gash-mouthed, leering Victorian families staring from within a tintype void. Fire-breathing/ennui-stricken and dandified gentlemen ejaculate from the precarious heights of a Parisian rooftop. All manner of flaming Boschian hells overflow with cavorting fish and flamingos and God knows what else.


“Holiday in Hell”

Old Dogs

Eight years ago Nancy LeVine began traveling America, look photographing elderly dogs. A simple premise, cialis sale surely, and one, perhaps, ideally suited for the internet, where we love our pictures of both dogs and cats. She explains what drew her to the idea:

My interest in the world of the senior dog began as my own two dogs began to approach the end of their days. This was at a time when I had lived enough years to start imagining my own mortality. I entered a world of grace where bodies that had once expressed their vibrancy were now on a more fragile path.

I saw how the dog does it; how, without the human’s painful ability to project ahead and fear the inevitable, the dog simply wakes to each day as a new step in the journey. Though their steps might be more stiff and arduous, these dogs still moved through each day as themselves — themselves of that day and all the days before.

The result is an impressive set of portraits of the animals that, for many of us, are our constant companions.

Another Vietnam: Pictures from the Other Side of the Vietnam War

A surreal and haunting photograph taken in Cambodia in 1970, deep in the mangrove swamps of the Ca Mau Peninsula (this was an actual medical situation, not a publicity setup):


Photograph by Vo Anh Khanh © National Geographic Society

In 2002, it was included in curator Doug Niven’s Another Vietnam: Pictures of the War from the Other Side— the first ever exhibition of Vietnam War images by North Vietnamese photographers, presented at the International Center of Photography.

As a wire service photographer in Cambodia from 1991-96, I worked on occasional assignments in nearby Saigon. There I got to see firsthand images from the “other side.” On the same tree-lined street where American war correspondents had offices during the Vietnam War, grimy street kids now peddled war memorabilia, such as fake U.S. Army dog tags, Zippo lighters, and handmade black-and-white postcards of the conflict. While the images they sold were not very high quality, their existence suggested to me that more photographs must exist. Thus began the adventure of rediscovering lost Vietnamese-made war photographs.

During meetings with various communist officials over endless cups of bitter green tea, doors slowly began to open. Word spread that a young American was trying to collect and print photographers’ war negatives. Soon, everyone wanted to help. Entire archives were opened up, and tables overflowed with catalogues of images, both good and bad. One photographer brought me trash bags of dusty, curling negatives, none of them ever printed before. Another photographer kept his pristine film airtight in an old U.S. ammunition case, packed with roasted rice to absorb the moisture.

Ultimately, I was able to locate thirty surviving war photographers from all corners of Vietnam, as well as thousands of pictures by photographers who had long since died. The living photographers shared their stories with me, and I worked with them to edit and print their old film. From hundreds of such encounters, this exhibition emerged.

Another Vietnam is now available as a book, published by National Geographic Press. Visit Nivens’ site here.

The Arctic Lights

Those first days after returning from vacation are always the worst, aren’t they? Everything seems bizarre and alien. Your desk is cluttered with strange objects you’ve forgotten how to operate. One of them keeps making horrible noises and placing it to your ear only reveals another person making other, horrible noises. Most of the day is spent slapping at your keyboard trying to get your computer to do anything. It’s terrible.

Luckily the internet is always there to keep you distracted from your nigh complete ineptitude. Take, for instance, this spectacular bit of time-lapse photography by Terje Sorgjerd, filmed on Lofoten, an archipelago in Norway. Set to a beautiful piece of music by Marika Takeuchi, it’s three minutes of blissful peace — after which I really should get back to relearning how to uncap a pen.

via Bioephemera