Artist Zdzisław Beksiński is best known for his immense, obsessively detailed paintings of catastrophic landscapes, surreal humanoid figures and afflicted nudes. Born in 1929, he grew up in southern Poland, then traveled to Krakow to study architecture where he subsequently spent several miserable years working as a construction site supervisor. His work from that era is primarily photography and sculpture.
In his mid thirties, Beksiński shifted his focus to painting large, purely abstract pieces on wooden boards (he preferred wood to canvas). Eventually, their form and structure became more straightforward and he entered a self-proclaimed “fantastic period” reminiscent of Bruegel, Ernst or Bosch, and drawing comparisons to his Swiss contemporary, H.R. Giger.
Beksiński’s post-apocalyptic vision, much like Giger’s, is uniquely disturbing owing in part to a highly developed architectural eye. His manipulation of scale and manic overworking of texture is ingenious. Overwhelmingly huge structures rise up from dust or empty desert. Sinewy figures cavort under ominous skies.
Although he depicts a harrowing world, Benskinski claimed that much of his work is misunderstood. Like Kafka (known to laugh hysterically when reading his own stories aloud), the Polish painter was often amused by his own work. He insisted his vision was ultimately optimistic.
Like a cathedral or skyscraper, many of his paintings are strangely life-affirming in a shock-and-awe sort of way. Blighted lovers embrace, cheery balloons float above crumbling towers, a tiny man holds a light aloft at the bottom of a deep chasm…
But yeah, heebie jeebies nonetheless…
Beksiński claimed to abhor silence and listened continuously to classical music while he painted. He was soft-spoken but surprisingly gregarious, given his bleak body of work. In the late 90s, captivated by computer technology and the internet, he shifted his focus again, this time to digital art/photography. These pieces proved to be far less critically or commercially successful than his paintings.
Thus began a very tragic era for the man. In 1998, after years of illness, his wife Zofia died. A year later, his son Tomasz (a popular Polish radio personality and movie translator) committed suicide. Beksiński, who discovered his son’s body, was never quite the same.*
News of Beksiński’s own death in early 2005 was difficult to fathom. On February 21st, the artist’s body was discovered in his Warsaw flat, stabbed 17 times. Robert Kupiec (the teenage son of his caretaker) and a friend were soon arrested. Apparently Beksiński had refused a loan to the boy, prompting the attack. Kupiec pleaded guilty. The little shit is now serving 25 years in prison. His accomplice, Łukasz Kupiec, will be up for parole in a couple of years.
Beksiński was an inspired and inspiring man. May he rest in peace.
- appropriately gorgeous Beksinski website
- buy The Fantastic Art of Beksinski book
- a large online gallery
* An interesting sidenote: Tomasz, like his father, loved music, especially The Legendary Pink Dots. After his suicide, the band’s Polish reissues featured Beksińki’s digital art as covers, dedicated to Tomasz.
December 23rd, 2007 at 1:11 am
I really really like these and was previously unaware of Beksiński and his art, thank you very much for rectifying that.
December 23rd, 2007 at 2:02 am
He is a huge inspiration, thanks for this - I love him. Jawdroppingly beautiful work.
December 23rd, 2007 at 4:32 am
I can’t tell you how happy I am to see Beksinski put in the spotlight here. He was one of the first Polish artists I discovered when I moved to Poland (I remember wondering how I never knew about this guy before) and his work continues to amaze me. Thanks for writing about this amazing artist.
December 23rd, 2007 at 7:12 am
I remember reading about his death, and finding his art (Specifically the trumpeter). I was immediately reminded of the stories of China Miéville, and Caitlín Kiernan… Just a wonderful resonance, there.
Absolutely amazing work. Thank you, for posting this.
December 23rd, 2007 at 10:07 am
Thanks, folks — can’t believe I’d never heard or seen his work.
December 23rd, 2007 at 10:40 am
This is just incredible. Absolutely incredible. I wish I had heard of this man before…and that I had the money in my accounts to buy a ton of his artwork :)
December 23rd, 2007 at 11:29 am
SO MUCH LOVE FOR BEKSINSKI.
December 23rd, 2007 at 12:43 pm
Thanks so much, you guys.
While the Beksinski art book is quite glossy and thorough, I’ve never seen any of his work in person and I’m dying to rectify that. Coilhouse caravan to Eastern Europe, anyone?
December 23rd, 2007 at 1:31 pm
sign me up! i’m gonna start packing now..
December 23rd, 2007 at 4:29 pm
He’s absolutely one of my favorite artists, and a tremendous source of inspiration. I’m a little hard-pressed to think of anyone else whose images are as “immersive” as the ones he created.
The news and circumstances of his death were a devasting shock.
While in Switzerland, I recall coming across a weighty hardcover volume( or was it two? )of his art in a friend’s bookshelf. While deliriously feasting upon the riches within, I was somewhat dismayed at the fact that, aside from the book published by Morpheus, that his work wasn’t better known in the U.S.
Thank you, thank you, for posting this, Mer!
Sincere apologies for the long abscence…
I’ve just returned from a sculpting job, with bits of clay still in my hair and beneath my fingernails. Xmas shopping in the wind and rain has clobbered me. Yayyy!
December 23rd, 2007 at 5:00 pm
Paul, I had a feeling you’d appreciate this post. :) Glad to hear you’re workin’ hard and getting your hands dirty.
It is strange that Beksiński isn’t better known in the states. Publishers here eat up “similar” artists with a spoon. Maybe there’s something a little too organic and harrowing about Beksiński’s vision? For me, it’s a lot more emotionally resonant than just about anything else I’ve seen from that generation.
December 23rd, 2007 at 5:03 pm
Whoa! Huge thanks for posting this! This is the first I’m hearing about his work as well. Jeezus this is going to be fun stuff to dig into :)
December 23rd, 2007 at 5:06 pm
I discovered Beksiński via Paul! In Philly! This was before he died and I remember being floored, not only by the artwork, but by his amazing website. I look at it now and it might be a little over-the-top Flash for me, but when I first saw it, it was the most amazing thing I’d ever seen and it had a huge impact on my ideas about interactive design and what you can do.
When we found out about his death a few months later, we were completely shocked.
Thank you for posting this and reminding me of him!
December 23rd, 2007 at 6:04 pm
I can see the optimism… well let me say Romanticism in his work in the same way I see it in Caspar David Fredrich, even down to the tiny figures in his compositions. Its horrifying because it has that same sense of the Sublime.
Its the same thing that frightens me about the vastness of the ocean or the majesty of the grand canyon. He always reminds me how tiny we are in the vast scheme of things, how the world could roll over and crush us and never know the difference.
December 23rd, 2007 at 6:06 pm
Also, you can prolly see his work in person at the Morpheus Intl. gallery in Vegas. That would be the only good reason I can think of to go to Vegas, unless you count the Gamblers Book Store with the vast section on con games and sleight of hand…
S
December 25th, 2007 at 1:33 am
Great artist, one of the first I discovered through internet, certainly helped me to understand the beauty of nightmares.
On the subject of nightmarish apocalyptic visions from Poland, I discovered through a friend on myspace the powerful work of the artist Arek Baginski.
here’ s a video of him, with music from the equally good music project Job Karma.
http://it.youtube.com/watch?v=UFfVeM-Q69I
Industrial music, industrial imagery.
December 25th, 2007 at 3:15 am
Aiiyeee!That music was, ehmm… not subtle. But I can’t imagine anything more awesome to be listening to at top volume at three AM on the birth of Lord Jebus.
Your friend Baginski’s work is certainly nightmarish, apocalyptic and heebie jeebie-inducing. Is it something in the drinking water over there?!
Thank you for sharing, Eta.
December 25th, 2007 at 6:59 pm
It’s just all sorts of beautiful…oddly comforting for me.
Then again I’m the type that’s really creeped out by Thomas Kinkade paintings.
December 26th, 2007 at 1:20 pm
The characters in this image look like they’re wearing Mother of London.
December 28th, 2007 at 5:19 am
[…] Zdzisław Beksiński […]
December 28th, 2007 at 4:22 pm
Tequila, I also recoil from Thomas Kinkade’s awful stuff. Almost as violently as I do from Anne Geddes’. But not quite.
The Horror…The Horror…
December 28th, 2007 at 4:24 pm
Tequila, I also recoil from Thomas Kinkade’s awful stuff. Almost as violently as I do from Anne Geddes’. But not quite.
The Horror…The Horror…
February 17th, 2008 at 2:31 am
I was a fan of Giger for sooo many years; I think I’ve just committed apostacy. I consider Beksinskis’ work the most inspiring I’ve seen in years. Thank-you
February 18th, 2008 at 8:31 am
Spooky but pretty damn awesome.
February 19th, 2008 at 11:00 am
Kind of reminds me of old dimestore SciFi novels that used to come out by the handfuls. All those Fantasy/D&D images. I like them, I just don’t see much in them that are totally inspired or original. Lots of artists have used this kind of vision, some are more successful than others but they all seem to be kind of sparked by the same influences.
February 19th, 2008 at 12:37 pm
This is great because my father new him back in art school they worked together, my fathers style is not the same but theme is similar. For those who are interested how artists influence each other might be interested in visiting http://www.dikarevart.com in order compare two artist that grew up and aged perfecting their art.
February 19th, 2008 at 3:54 pm
At first I was taking these drawings rather lightly and was ready to post up a comment about a movie all this resembled to me. Anyway, after reading the article I was rather impressed in a completely new direction. And that last drawing I imagine it’s kinda the scene of founding his son and forever stayed with him. Hence he’s never being the same afterwards.
One word - spooky. When mixing up a life’s this tragic story with these drawings.
February 20th, 2008 at 5:35 am
I can definitely see the connection to this art and the backgrounds of the Silent Hill video game series, particularly SH 2 / 3. One would not be surprised to find out that one of those structures was the residence of one Pyramid Head.
February 20th, 2008 at 9:55 pm
[…] –via coilhouse […]
February 21st, 2008 at 11:21 am
awesome stuff, just ordered the book
February 21st, 2008 at 3:22 pm
[…] Coilhouse » Blog Archive » The beautiful nightmares of Zdzislaw Beksinski (tags: art horror illustration) […]
February 24th, 2008 at 1:00 am
[…] op zondag - Zdzislaw Beksinski24-02-2008 om 10:00 door Steeph Zdzislaw Beksinski (1929-2005), titel en jaar onbekend. Kunst, schilderij Terug naar het […]