“Big Bird” casting his vote yesterday in Austin, Texas. (via)

OBAMA FTW.

Defiant Son of the Lord of the Solid Gold Cock Rings has trouble accepting this reality graciously, as do other assorted racist old fartknockers and Twitterdouchecanoes, and all of the irrationally fearful and phobic folk they represent. Meanwhile, much of the rest of the country is happily celebrating huge victories for our female, LGBTQ, and midnight toking citizens.

Heads up, though; I just received an alarming message from Sxip Shirey, conveying word from his friend Greg Squared who’s volunteering in some of the most devastated burroughs of New York. Sxip says, “Our city is NOT back to normal. People need help. Please help. READ.” Here is Greg’s from-the-trenches assessment of what’s going on right now:

“Okay. Now that the election is over, can we get back to what’s actually important: the state of the areas hardest hit by Hurricane Sandy? The Rockaways, the Jersey Shore, Coney Island, Red Hook, Staten Island all need your help. They’re having trouble getting food, FEMA and the Red Cross seem to be completely absent, and there’s a big storm bearing down, scheduled to hit Wed., and bring snow on Thurs. I urge everyone that’s celebrating Obama’s victory tonight not only to call on their Congress people to get some shit done vis-a-vis the pitiful federal response, but to take an active part by donating urgently needed material and financial support. One place you can do that is at the link below. Furthermore, a couple of Occupy Sandy kitchens that have been supplying something like 20,000 hot meals for people without electricity are very close to being completely out of food. If you live in the New York area and want to donate food, please bring it to one of the distribution centers listed at interoccupy.net/occupysandy/.”

Stay warm, stay kind, stay mindful, comrades. We’ve still got a long, dubious winter ahead of us.

UPDATE, NOV 7:  ”On Friday, we’ll be airing a very special episode of Sesame Street.“

“A hurricane has swept through Sesame Street and everyone is working together to clean up the neighborhood. When Big Bird checks on his home, he is heartbroken to find that the storm has destroyed his nest. Big Bird’s friends and neighbors gather to show their support and let him know they can fix his home, but it will take time. While everyone on Sesame Street spends the next few days cleaning up and making repairs, Big Bird still has moments where he is sad, angry, and confused…”

“Please check your local listings to see what time the episode will air on PBS.”

A few hours ago, Finitor posted this raw video he shot on Staten Island yesterday with an iPhone 5. No audio mixing, no post-processing. Its soundtrack is eerily beautiful, and, in the context of current events, more than a little sad.

Finitor writes: “There’s this unfinished building on Staten Island’s east shore, intended to eventually house an indoor track. When the wind blows strong, the metal strutwork and roof skin resonate to create this haunting music, like something one of those austere [Finnic] composers like Arvo Pärt would produce with a full chamber orchestra. …The building looks over the worst storm-hit parts of SI, and the keening is kind of a soundtrack to the ruin.”

Oof.

Needless to say, it’s been an incalculably stressful and difficult week for millions of people directly affected by Hurricane Sandy. This is just a series of “How You Can Help” links cobbled together from various trusted sources around the web. Please, by all means, add more in comments if you like.

East Coast and Caribbean comrades, we’re all sending lots of love and warm, dry vibes your way. Please let us know how we can help. Hang in there.

Via MATTHEW BORGATTI and JHAYNE HOLMES:

• Feeding America says that it is working to distribute some thousands of pounds of emergency food to hurricane victims. To donate, you can call 1-800-910-5524 or visit them online here.
• Medicine is also needed, and AmeriCares is working to provide what is needed by those impacted by the storms. Donate here.
• World Vision is distributing flood cleanup kits and personal hygiene items. Donate to them here.
• Save the Children is also out there trying to help relieve families affected by the hurricane. Donate here.
•  Samaritan’s Purse needs volunteers. For information how to volunteer, click here.
• Hope for New York needs both volunteers and donations. 

If you’re in New Jersey and want to volunteer to help clean up, there is more information available here.

Here is another article on How to Help in the Aftermath, as well as another list of helpful organizations that need support.

NonsenseNYC has also collected together a fine list of people and projects that require aid, many that need actual labour, “not your donations or clicks”. Their latest newsletter began with, “The most important thing to understanding what’s going on is to actually go to the areas that need attention. People who need help will not always ask for it, or be able to ask for it. This is a do-it-yourself guide: call or internet if you can, but ultimately just go.”

Here are some of their suggestions…

Have you ever wanted Tarot card explanations that rejected the gender binary, referenced political movements, and quoted riot grrl music? If so, this deck is for you.

In The Collective Tarot, wands, coins, cups and swords are replaced with magical found objects:  keys, bones, bottles and feathers. The court cards (page, knight, king and queen) are replaced with the Seeker, Apprentice, Artist and Mentor.  While most card names in the Major Arcana remain unchanged, all have inspired new interpretations. Certain cards that contain outdated tropes (for example, “The Hierophant” – when is the last time that metaphor was relevant to your life?) have been replaced with more relevant symbols, such as “The Code” (referencing the hanky code) and “Intermission.”

The deck is designed by 5 core collective members and 25 contributing artists/co-collaborators. Artist Annie Murphy, one of the deck’s creators, said she felt inspired make a new Tarot deck when she found that she and her friends were unable to relate to the Christian, Euro- and hetero-centric symbolism found in many modern decks. In crafting the Collective Tarot, Murphy and other artists wanted to represent “beings and bodies of size and of color … as well as differently-abled, multi-gendered and multi-generational characters.” The card interpretations speak to the problems of modern people – the struggle to complete an art project, negotiate a polyamory agreement, or organize a volunteer group – while remaining rich with magical lore.

The deck has been out of print for two years. Now, the artists are putting out a limited third edition. A Kickstarter (with only 5 days left to contribute!) is going on for the third print run of the Collective Tarot. Those who contribute $30 or more will get a copy of the deck. In addition to a deck, one of the prizes is a T-shirt featuring the Ace of Bones by Annie Murphy, as seen below:

Holy shit, Coilhaüsers. In under 24 hours, The Doom that Came to Atlantic City Kickstarter campaign featured yesterday on Coilhouse has exceeded its goal. Huge thanks to Cyriaque Lamar of IO9 for the signal boost that pushed the campaign over the edge. Together, we did it! (Frothing cultists, keep an eye out for announcements of stretch goals).

Looking for a bigger challenge? Megan Aram has been working with the Federal Government to come up with to Kickstarter our National Debt:

ABOUT THIS PROJECT

Hi you guys! Joe Biden and the rest of the gang here! :) We’re looking for some awesome people to help us Kickstart our dream project of having a functioning federal government! That’s where you come in: all we’re asking for is a little help. And twenty trillion dollars.

You can read more about the project here. Some sample prizes:

PLEDGE $10 OR MORE

For your fairly useless donation to help the United States of America not founder under the multi-trillion dollar debt that we have amassed over decades of misspending and unnecessary wars that some may argue constitute war crimes, you get a tote.

PLEDGE $20 OR MORE

If you donate $20, we will list you as an associate producer of the Government by carving your name into the Vietnam War Memorial. You can tell all your friends you’re a ghost because you died in the Vietnam War! You know – the righteous one!

Other prizes include a redesign of the American flag (“we will replace each star with your face. Unless you’re black, since the stars are white and it really makes sense for them to be as close to white as possible”), the state of Louisiana, or, for the highest tier, the ability to start any war you want!

Read more at Kickstarter: National Debt. ‘Murica, fuck yeah!

[via Tavi Gevinson]

The street names are familiar, and remind you of childhood: Boardwalk, Park Place, Marvin Gardens. Long ago, proud businessmen arrived to this city with their carts, top hats and steam engines, looking to open lavish hotels and build their fortunes. You have other plans. Instead of building houses, your objective is to destroy them.

You’re one of the Great Old Ones – beings of ancient and eldritch power. Cosmic forces have held you at bay for untold aeons, but at last the stars are right and your maniacal cult has called you to this benighted place. Once you regain your full powers, you will unleash your Doom upon the world!

Should they choose to delve deep into the dreckish pools of distant memory, some Coilhouse readers may recall this cheeky wee embloggening from 2009, written about the Dictionnaire Infernal, with illustrations by Louis Breton.

Well, here’s the sitch: dearest Ariana Osborne, who (in addition to sending over all manner of silliness and cuteness and beauty for us to blog here through the years) happens to be an absolutely brilliant graphic designer, has a Kickstarter project! She’s setting her sights on restoring the very same public-domain vintage demonic illustrations contained in that infamous blog post of yesteryear.

She wants to design and print a deck of 69 large (3.5″x5.75″), full-color heavy-stock art cards, each one featuring a Breton illustration from the Dictionnaire Infernal. She’s also planning to create “a supplementary PDF for the deck, with all 69 card images and extended information about each.” She’s given the project room to expand and evolve, depending on how much she raises beyond her minimum goal.

Ariana is all about fastidious documentation, immaculate restoration, and TEH LULZ (see below). EVIL GOOD TIMES. Click on MISTER SCARY ANTEATER OV DOOOO0M to learn more:

Robotic Lion & Warrior illustration by Greg Broadmore for Jess Nevins’ article in Issue 05.

Those of you who own Coilhouse Magazine Issues 03 and 05 will remember Jess Nevins’ pieces on Russian and Chinese pulp. You may have also seen Jess’ Encyclopedia of Fantastic Victoriana, his many comic book annotations, or his writing on IO9. As a librarian and author, Jess has an uncanny skill for unearthing rare gems from the realms of pulp and sci-fi, such as the world’s first lesbian science fiction novel (published in 1906), the first cyborg horror story (“The Steam Arm,” 1834), and steampunk poetry from 1867. Jess Nevins can give you the entire history of mad scientists in the industrial age, provide a thorough overview of genderbending in pulps, and hypothesize whether Cthulhu appears on a 300-year-old gravestone. In short, Jess Nevins is a kind of biblio-archaeologist, discovering and preserving beautiful relics from fictional ages past.

His latest endeavor focuses on superheroes. Specifically, superheroes from comics’ Golden Age, which lasted from 1935 to 1949. The project is called The Encyclopedia of Golden Age Superheroes, and Jess is currently raising funds on Kickstarter to produce a book and a website (which will include a free download of the book’s manuscript) to catalogue 2000+ superheroes: everything from “floating eyeballs and centaurs” to “robot brains and super rabbits.” Jess needs to travel to Michigan State University in East Lansing to study up on all of these wondrous things, and estimates that it will take two weeks to get the research done. The money raised by Kickstart will go towards subsidizing Jess’ travel and building the site. The project may have hit its modest funding goal, but believe us, the bare minimum is never really enough. Plus, Kickstarter projects that raise substantially more than the required amount often have a way of evolving and deepening into even bigger, more beautiful work (for instance, Molly Crabapple’s Week in Hell or R. Stevens’ Diesel Sweeties e-book).

In celebration of Jess’ ambitious new project, we are releasing a full, free PDF of his article from Issue 05, titled “Sherlock Holmes vs. The Fox Woman: A Brief Tour of Chinese Pulp”. Lushly-illustrated by Greg Broadmore and Paul Tobin, the article provides a sweeping overview of Chinese Pulp from, from moon colonies to pirate queens. Enjoy!

In September of 2011, shortly after launching a highly successful Kickstarter campaign, our intrepid chum Molly Crabapple locked herself into a hotel room in New York City for a week, eventually filling 270 square feet of paper-covered wall with her art. Yesterday, IDW published  The Art of Molly Crabapple, Vol #1: Molly Crabapple’s Week In Hell, a book chronicling the whirlwind project (with beautiful contributions from several more Coilhouse friends: photo documentation by Steve Prue, a cover shot by Clayton Cubitt, and a foreword by Warren Ellis).

Last week, Molly returned to Kickstarter to launch Shell Game, a crowd-funded art show about the massive ongoing international financial meltdown. For Shell Game, she plans to create “nine giant paintings about the collapses and upheavals of the last year, then rig out storefront like a gambling parlor and display them to the city and the internet for a week.” Shell Game is an experiment of sorts for Molly, who is keen to fund large scale, labor-intensive work without having to depend on wealthy collectors. This type of crowd-funding is, she hopes, “a way of finding Medici in the crowd.”

“The Great American Bubble Machine” by Molly Crabapple, the first of nine in her Shell Game series.

As they did with Week In Hell, $1 contributors get to peep at Molly’s progress through a backers-only blog with livestreamed painting sessions, and those who donate larger amounts receive incrementally impressive artistic rewards. With well over a week still left to go, the campaign has already raised well over 50K through backers small and large. DANG.

Today on Coilhouse, Molly Crabapple tells us more about the Shell Game campaign, and shares related thoughts about the nature of Occupy and the future of art… and vice versa.

Molly’s “Vampire Squid” stencil, as seen at various Occupy camps all over the world.

You’ve mentioned that, until 2011, you weren’t comfortable with making political art, that you were “afraid of being hypocritical, propagandistic or boring.” Can you tell us a bit about the specific thought process that changed your mind? Was there some particular catalyst, or was it a gradual shift in perspective?
I’m an essentially capitalist little hustler who likes Louboutins and who draws frivolous things, sometimes for very rich people.  For a long time, I felt this if I made “activist art” it was straight up radical posturing.  I didn’t want to win cool points on someone else’s movement.  So I’d donate money or sell work for charity, but hide any subversive thoughts in a whole lots of illustrative metaphor.  My thoughts started changing when I painted The Box in London.  Suddenly I was drawing straight-up parodies of the British class system on the walls of what would be one of the world’s most depraved nightclubs, while being given a privileged view of the student occupations by the unspeakably brilliant journalist Laurie Penny.  Suddenly avoiding politics in my art seemed like a cop-out.  Wikileaks, Wisconson, and finally Occupy Wall Street meant that upheaval was hitting America.  I had to engage.

Has there been any criticism thrown at you about your means of involvement? If so, how do you engage with that? 
I’ve had a few people call me an evil latte liberal or whatever, but honestly, who cares.  The idea that you have to be a vegan saint to care about having a vaguely just world is just a way of making sure no one does anything.

Many of us remember Andrew Huang‘s DIY sci-fi short, “Doll Face“, which went viral on YouTube in 2007, boosting the USC graduate’s professional career. Huang’s most recent work, this short film called “SOLIPSIST“, is nothing short of a vibrant, sensual revelation. It earned him and his team the Special Jury Prize for Experimental Short at Slamdance 2012.

Also worth watching: the “Making Of SOLIPSIST“ video.

Also worth noting: ”SOLIPSIST” was a Kickstarter project.

[via Nicole Aptekar]

(Rabbit Rabbit Radio illustration by Mariko Ando.) 

Next Wednesday, February 1st, professional musicians/married couple/doting parents Carla Kihlstedt and Matthias Bossi –whose various other projects have been mentioned on Coilhouse many times– are launching a very interesting new multimedia musical subscription service called Rabbit Rabbit Radio.

The Kihlstedt/Bossi family: Matthias, Tallulah, and Carla. Photo by Eurydice Galka.

Last year, not long before the Sleepytime Gorilla Museum (a legendary band they were members of) closed its doors, Kihlstedt and Bossi moved from Oakland to Cape Cod with their baby girl Tallulah. ”Our lives have changed a lot since [she] was born and since we moved back East.” Kihlstedt and Bossi predict that their Rabbit Rabbit Radio project will help them to accomplish many things, warmly and comfortably, in ways that more traditionally grueling channels (constant low-budget touring is exhausting enough without kids!) could not:

“It keeps us in touch with you [our audience]. It conveys each song with much more depth and dimension than a simple iTunes download would. It holds us to an ongoing commitment to our own creativity. It allows us to be creatively independent from home, which in turn allows us to be good parents. In short, everyone wins. We have finally created our very own dream job.”

Fans who subscribe to Rabbit Rabbit Radio can choose to pay $1, $2, or $3 per month (but there’s no difference in content access; it’s just a chance to pay them a bit more for their efforts, if you can afford to). You can learn more –and get a taste of the quirky, sweet whimsy this lovely duo creates together– from the following YouTube pitch video:

RRR has its own Twitter account and a Facebook page as well.

Rabbit Rabbit Radio is a fascinating-yet-simple premise that feels very new, and fresh, and… cozy! Kihlstedt and Bossi both hope this kind of project takes off: “there are lots of artists whom we would gladly subscribe to ourselves!”  While there may very well be other musicians out there attempting similar transmedia subscription services (and please feel free to give them a shout-out in comments, because we’d love to know more about them, too) it’s certainly not status quo quite yet. Fingers crossed that it soon will be.

The modern quest for reasonable and sustainable alternatives to a more staid career path in the arts is always worth discussing on Coilhouse. We live in interesting- no, scratch that, fascinating times. It might feel daunting to watch the old regimes fall down around our ears, but there’s no doubt about it: we are lucky to be alive during a time period where there’s so much opportunity to build newer, better, kinder infrastructures. Let’s stay tuned in!