If you were a Parisian gentleman in 1923 looking for the newest thing in personal mobility, you may have had a keen interest in the above: cycle-skating. Essentially small bicycle wheels strapped to your legs, they could be used with or without poles, “ski style”. Perfect for the hip, urban man on the go. Just make sure to hike those trousers up over your knee-highs.
Via Buzzfeed
Featured previously on Coilhouse for her debut music video Pon Pon Pon, 19-year-old blogger-turned-singer Caroline Charonplop Kyary Pamyu Pamyu (also known is Kyary, or Carrie Pam) is back with a new music video for her single Tsukema Tsukeru.
According to Super Happy Awesome, the song is all about the application, appreciation, and effects of false eyelashes. Kicking off the video with a sparkly-lashed wink to Kanye’s Power (which was also parodied to great effect by Freddie Wong), Kyary celebrates the art of eyelash extension through lyrics (“It’s the magic in a type of eyelash / My confidence changes, the way I see the world changes”), choreography (plenty of jazz hands emulating the batting of full lashes), set design (with some terrifying CGI depictions of the (lash-bedecked) Hamsa Hand floating in the background), and, perhaps most potently, costume design (featuring an extra head on top of her wig wearing lashes, a rather anatomical-looking corset decorated with an eye pendant, and two giant false eyelashes on her boobs).
The same team that created Pon Pon Pon was responsible for Tsukema Tsukeru. The song was produced by Yasutaka Nakata, one half of the electronic duo capsule. The video was art-directed by Sebastian Masuda, a pioneer of “kawaii culture” who also founded Harajuku fashion label %6DOKIDOKI. Masuda and Kyary also recently collaborated on an exhibition titled Table of Dreams.
In describing his first meeting and subsequent collaboration with Kyary, Nakata calls her “the ‘spirit bomb’ of Harajuku culture.” (The spirit bomb, the translator explains, “refers to an attack in the classic anime ‘Dragon Ball’, which channels the energy of surrounding life forms into a powerful sphere.”) Kyary’s success, writes Nakata, lies in her ability to infect people with enthusiasm for her projects. “I think it’s because everyone who gathers around Kyary feels like, ‘if I were with Kyary, I’d be able to express things that are new to me.’ That is, of course, how I feel too. So it’s different from a collaboration, and – to tell the truth – even saying that I produce her has a different meaning. The closest I can get is saying, ‘I’m doing it just for the fun of it.’ I feel like Kyary has this power in her to involve people that way.”
See also:
[via Nicole Aptekar]
(Rabbit Rabbit Radio illustration by Mariko Ando.)
Next Wednesday, February 1st, professional musicians/married couple/doting parents Carla Kihlstedt and Matthias Bossi –whose various other projects have been mentioned on Coilhouse many times– are launching a very interesting new multimedia musical subscription service called Rabbit Rabbit Radio.
The Kihlstedt/Bossi family: Matthias, Tallulah, and Carla. Photo by Eurydice Galka.
Last year, not long before the Sleepytime Gorilla Museum (a legendary band they were members of) closed its doors, Kihlstedt and Bossi moved from Oakland to Cape Cod with their baby girl Tallulah. ”Our lives have changed a lot since [she] was born and since we moved back East.” Kihlstedt and Bossi predict that their Rabbit Rabbit Radio project will help them to accomplish many things, warmly and comfortably, in ways that more traditionally grueling channels (constant low-budget touring is exhausting enough without kids!) could not:
“It keeps us in touch with you [our audience]. It conveys each song with much more depth and dimension than a simple iTunes download would. It holds us to an ongoing commitment to our own creativity. It allows us to be creatively independent from home, which in turn allows us to be good parents. In short, everyone wins. We have finally created our very own dream job.”
Fans who subscribe to Rabbit Rabbit Radio can choose to pay $1, $2, or $3 per month (but there’s no difference in content access; it’s just a chance to pay them a bit more for their efforts, if you can afford to). You can learn more –and get a taste of the quirky, sweet whimsy this lovely duo creates together– from the following YouTube pitch video:
RRR has its own Twitter account and a Facebook page as well.
Rabbit Rabbit Radio is a fascinating-yet-simple premise that feels very new, and fresh, and… cozy! Kihlstedt and Bossi both hope this kind of project takes off: “there are lots of artists whom we would gladly subscribe to ourselves!” While there may very well be other musicians out there attempting similar transmedia subscription services (and please feel free to give them a shout-out in comments, because we’d love to know more about them, too) it’s certainly not status quo quite yet. Fingers crossed that it soon will be.
The modern quest for reasonable and sustainable alternatives to a more staid career path in the arts is always worth discussing on Coilhouse. We live in interesting- no, scratch that, fascinating times. It might feel daunting to watch the old regimes fall down around our ears, but there’s no doubt about it: we are lucky to be alive during a time period where there’s so much opportunity to build newer, better, kinder infrastructures. Let’s stay tuned in!
A short film by Jim Henson from 1963 created for an AT&T seminar on data communication:
The organizers of the seminar, Inpro, actually set the tone for the film in a three-page memo from one of Inpro’s principals, Ted Mills to Henson. Mills outlined the nascent, but growing relationship between man and machine: a relationship not without tension and resentment: “He [the robot] is sure that All Men Basically Want to Play Golf, and not run businesses — if he can do it better.” (Mills also later designed the ride for the Bell System at the 1964 World’s Fair.) Henson’s execution is not only true to Mills’ vision, but he also puts his own unique, irreverent spin on the material.
Sure beats a PowerPoint presentation. This wasn’t the first gig for the smoke-belching, metal host either, it had already made a previous, corporate appearance in 1961, at the US Food Fair in Hamburg, Germany:
Via AT&T Archives : Poetv
Spanish artist Oscar Sanmartin Vargas has a staggering portfolio of mixed media work, ranging from dioramas, to surreal architectural etchings, to detailed studies of alien biological specimens. The drawings are especially haunting; all their subjects depicted under a perpetually overcast sky. In regards to those strange animals: he released a book in 2007, entitled Leyendario: Criaturas de Agua (Legendary Creatures of the Water), a video preview of which can be found below. I am completely smitten with these — the line work, the use of empty space, the mystery of them. They are simply wonderful.
A quick Google search shows that this video is pretty much everywhere, but I just can’t resist putting it here. Following up their Star Wars themed Passat commercial for last year’s Super Bowl, Volkswagen returns this year, and once again puts “The Imperial March” to excellent use, in this case having it performed by twelve dogs, some in various forms of Star Wars costumery. It’s so very silly but I love it so very much; especially the grand entrance of the twelfth and final member of this canine chorus. So. Good.
Thanks to everyone who sent this in!
Korean artist Minjeong An’s oeuvre is varied but these self portrait diagrams stand out. Mind-bogglingly detailed, they invite the viewer to fall into their complex webs of lines and labels. Visually they’re almost overwhelming, the lines seeming to shift between abstract patterns and strictly ordered plans. These you really have to check out on her site in high resolution, as our image sizing here doesn’t do them justice.
Via 50 Watts
I just stumbled across The Bold Italic‘s lovely tribute to countercultural legend Ron Turner via Laughing Squid and smiled until my face hurt. Sasha Darling writes:
Of all the brilliant and amazing people I have encountered here, none are as dear to me as Mr. Ron Turner of Last Gasp. He’s equal parts underground comic book publishing icon, art collector extraordinaire, genuine gentleman, and dirty old man.
[...] Ron, with his long white beard and rosy cheeks, is a man who has rubbed shoulders with Timothy Leary, received fan letters from Charles Manson, and discovered important artists like R. Crumb. Yet he still has the dignified character to make every person in the room feel just as interesting as the legends he shares his delightfully interesting past with.”
Truer and more accurate words were never spoken! Nadya and I had the pleasure of taking Mr. Turner out to a business lunch in SF early last year. Our valiant-but-inevitably-hopeless attempts at verbally “one-upping” this unflappable pervert, this wondrous wizard, this mischievous genius, over quivering bowls of Cafe Gratitude porridge, resulted in one of the most memorable, not to mention visceral, professional lunches Coilhouse will ever host.*
After our meal, Ron graciously invited us back to Last Gasp headquarters, which feels simultaneously like a publisher’s warehouse and a cozily vibrant museum, thanks to his astonishing personal collection of books, prints, original artwork, vintage magician posters, carny ephemera, taxidermy, etc. Another treasured memory. Be sure to check out Darling’s photographs of Ron’s office, as well as his and his wife Carol Sue’s wondrous home. So great. We adore this man. Art crush, for sure.
Photo of Ron Turner by Pilar Vree for artbusiness.com.
*I’m honestly not sure how it happened, but we ended up spending approximately 91% of our summit with this legendary gentleman gabbing about about strap-ons and breathatarians and fecal impaction and ejaculate –the Landmark hippie vegans were nonplussed, lemme tell ya– and perhaps 9% of it discussing business strategy. (Though, to be fair, it was very powerful and insightful 9%.) BEST BUSINESS LUNCH EVAR.
“Two Against One” from the album Rome, a collaboration between Danger Mouse and Daniele Luppi, which came out last year. Featuring vocals by Jack White, it’s been supplied with a spectacularly hallucinatory video directed by Chris Milk and Anthony Francisco Schepperd. Just beautiful work.
Dusty Paik just shared this on her Facebook page:
Rocker Clogger is a spirited seventeen-year old American amateur clogger who likes to dance to Adam and the Ants, The Cure, David Bowie, Oingo Boingo, Siouxsie & the Banshees, and Johnny Cash.
From her cute costumes, to the peaceful backyard background sounds of birdsong and wind chimes and rustling trees in all of her clips, to that irrepressible “I Gotta Be Me” attitude of hers, everything about Rocker Clogger’s videos fills my heart with squee.
“I’m NOT a professional dancer! I’m just having fun.” Girl, do your thing. Never stop.
(Several clips are listed after the jump, and check out her YouTube page for plenty more.)
Rocker Clogger and equine friend.
