Bird Box presents one family’s day at the playground in a way that almost resembles a Rube Goldberg invention. At less than a minute long this short more than makes up for its brevity with a spectacular sense of timing.

via DRAWN!

Let’s kick off the week with a little extra vitamin C:

(Thanks for reminding me, Dusty!)

All hail the caterwauling Carmen Orange. Venerated demigod of public broadcasting, mesmeric and disturbing in equal measure, she haunts the collective memory of multiple generations of Sesame Street-watching children. According to a couple of unconfirmed reports online, she was animated by Jim Henson himself.

Really, would anyone be surprised if that were true?

Close on the heels of the announcement that filmmaker Hayao Miyazaki may be preparing a sequel to his 1992 animated film Porco Rosso, Roger Ebert posts some well-deserved, effusive praise of Miyazaki and his first masterpiece, Nausicaa of the Valley of the Wind:

Much of anime in the past 20 years has concentrated on a utopian future, filled with technological wizardry and innovation, which is abundant in Japanese culture. But Miyazaki tends to look back instead of looking forward, inward instead of outward, looking at treasures of futures past that might have been. Like most of his films, his timeline here isn’t technological, but pastoral, with people relying more on each other and the Earth.  He favors gorgeous green panoramas usually near blue bodies of water. He is in love with flight with his heroes soaring through the sky, representing our dreams of breaking through our limitations. We sense his hope in women more than men, believing them to be the key to humanity’s progress as opposed to man’s history of violence. These creeds and themes are held dearly and instinctively by the young and hopeful, and its Miyazaki’s ability to convey these naturalistic ideas through his visual imagination, which makes him unique.

Only Pixar has been able to rival Miyazaki’s creative energies in forming entirely new sights, sounds, and stories with each subsequent film. But Pixar is a collection of talent (all of whom pretty much worship him), while Miyazaki is a singular force. While even the greatest of directors have to rely on cast and crew to carry out their visions, Miyazaki pretty much IS the film. He might be the closest thing to the idea of an “auteur” which filmdom has.

Ebert has pointed his readership in the direction of Google Video to watch Nausicaa for free –and apparently guilt free– online. Hooray!

Previously on Coilhouse:

• Grave of the Fireflies
• Spirited Away

Chiranjeevi’s Tollywood is a marvelous, magical, moustachioed realm that we’ve explored briefly on Coilhouse before. This morning, let us reopen the Telugian floodgates! We’ll start off with a particularly choice Chiru clip (via Dogmeat, thanks) and continue on with several more rip-roaring performances spanning the Megastar‘s illustrious career, featuring Chiranjeevi in cahoots with various gorgeous female co-stars… and a horse.*

*Hee hee. Saved the best for last.

Syzygryd Software Preview from nicole aptekar on Vimeo.

Currently in the Bay Area, a team of artists, engineers, hackers, musicians, designers and makers of all stripes is working around the clock to produce an ambitious interactive sound/light/fire sculpture called Syzygryd. As you read this, chances are someone is welding, grinding, riveting, plasma cutting, wiring up LED lighting, finalizing the touchscreen control panels, or installing fire effects at the Nimby DIY space in Oakland, where the project is rapidly coming together – tube by tube, cube by cube, burst by burst of flame.

A collaboration between Interpretive Arson, False Profit Labs, Gray Area Foundation For The Arts (GAFFTA), and Illutron, this 2.5-ton, 60-foot sculpture will act as a giant electronic musical instrument. Designed as a traveling installation, Syzygryd will debut at Burning Man in under a month. The Syzygryd user experience, as explained by Interpretive Arson’s Morley John, will be as follows: “Three strangers [will] come together and visually compose a unique piece of music. The beauty of Syzygryd is that the entire sculpture responds to what you’re creating in sequenced light and fire. Each touchscreen controller has a grid of buttons which allow you to input musical patterns.” The initial Syzygryd proposal elaborates further:

Syzygryd is a collaborative musical instrument for three non-professional players. We are not naive. We’re not shoving guitars into the hands of novices and expecting symphonies. This is a very carefully designed canvas that guides beginners to harmony (in fact, discordant notes are literally impossible.) The interface is rhythmic, visual, and dead simple. We’ve been meticulously developing the software for months, playing with iPhone prototypes on busses, tweaking sounds, testing it out on our friends. We knew we were getting warmer the first time that three people, with no formal training in music, got bystanders grooving involuntarily…

Though most of the heavy lifting takes place Oakland, people from around the world are invited to contribute to the build.

How can you help build Syzygryd? By submitting sound sets. You’re basically submitting 3 (or more) types of sounds that mesh well together, and people will make music with them. For Syzygryd’s sound palette is not limited to the three electronic tones you hear in the software demo above. You can make it play anything: chirping bird noises, breathing, machine/factory sounds… the more creative the combination, the better. To submit a set, all you need to do is have Ableton Live, download Syzygryd’s MDK (Musician Developer Kit), and consult this handy video tutorial for extra help as needed. There’s also a forum where you can ask questions and get advice. All submitted sets will be reviewed by Syzygryd’s Music Team, and a selection of the top sets will played by the sculpture.

Having observed and participated in the Syzygryd project build, it’s clear that everyone involved is deeply invested in crafting an experiential zone that will be the first of its kind. As the proposal states, “[Syzygryd is] the most beautiful expression we can imagine of the joy we take in community, music, technology, fire, sculpture and architecture. We have assembled an international team of artists with extraordinary talent and experience. All of us are in love. Every day we see things that no one has yet imagined, and it’s been our delight to work within a community to make them real. We’d like to create a space in our city where others — people who don’t normally do this sort of thing — can feel at least a little of that.” That’s a wonderful thing to be part of on any level, and in Syzygryd’s case, people from around the world can get involved.

The deadline for submitting sounds sets to Syzygryd is Tuesday, August 24th. More info on the sculpture and music submission process, after the jump!

This early 90s-style instructional video by Ceciley Jenkins, guest-starring Lisa Nova, provides step-by-step guidelines for staging a steamy yet inconspicuous office tryst. Cecily’s educational workplace tutorials, which also include How to Poop at Work and followed by How to Eat Cheap at Work, equip you with all the skills you need to succeed in a high-pressure office environment. For more of Cecily, see Actress does Double Rainbow Audition Monologue and Jersey Shore presents Mashterpiece Theater.

On a tenuously related note:

• “Welcome to my Home”
• A Fruity Bonne Bell-Flavored Mega Queef from 1984
• The Sarah Carlson Experience
• Xanacris? Ludadu? Ludadu.

Every year, the the North American Hairstyling Awards competition brings forth a new crop of rainbow-colored, architectural, retro-inspired, hair-spirational eye candy. This year’s recently-announced winners and nominees pushed the envelope more than ever before. There are multiple images form each nominee in each category, so click on each entrant’s name below if you want to see more images from that particular series. Be sure to check out the before-and-after images in the Haircolor category – it’s amazing what professional lighting and a great styling team can do. An array of sci-fi heroines, snow queens, robots and circus starlets, after the jump. [Via amazing hairstylist Holly Jones, who's been providing hair help to Coilhouse editorials since Issue 01].

See also:

• Tumbleweaves
• The Higher the Hair the Closer to God
• Three Feats of Hair Engineering
• Your Totem Animal: With You At All Times
• Hairport
• Portraits of Hair Warriors

Heather Wenman – 2010 nominee, Master Hairstylist of the Year category

We’ve talked about Russian stereotyping a couple of times in the past, and both instances have been followed [for the most part] by thoughtful, lengthy discussions. Not this time! Here’s a very, very silly and over-the-top commercial for DirecTV featuring a tacky Russian tycoon in a hyper-gaudy, gilded lair surrounded by fur-clad floozies who hand him remotes atop trays loaded with gold bars. This short video is jam-packed with money-LOLs. There are bodyguards, large dogs playing at a poker table, gold busts of the tycoon presented by models, and my favorite: a miniature pet giraffe. And on the topic of LOLs – this character’s manner of speech is straight off the internet, the scene opening with him saying, “Opulence, I has it”. I just can’t bring myself to be offended, it’s too damn funny.

Also, I want a tiny giraffe.

No doubt, if you are Brazilian, have kin from Brazil, or you’re just generally fascinated by the brief, impassioned revolution of Tropicália/post-Tropicálismos, you’re already familiar with Secos & Molhados. Otherwise, all you really need to know before you chug your morning smoothie is this: S&M were a scrumptiously plumed and glittering glam-rock trio fronted by a sexy sopraniño beast named Ney Matogrosso, and they were fuhhuhHIERCE. Enjoy a sampling of their performances –and a few of Matogrosso’s solo clips– below:

Bear in mind, those trio clips are all pre-Rocky Horror, pre-KISS, and pre-Nomi.

RAWR.

Last week, the Coilhouse crew and extended family – Courtney, Mer, Mildred, Stephanie Inagaki and Andy Ristaino – got together with Zo on the roof of the Standard Hotel in LA after Mer and Zo had joined forces to prepare a particularly juicy Coilhouse blog feature that will be revealed at a later date. I couldn’t be there, but the picture from that night filled me with joy. Next month it’ll be three years since we all started working together, and to me, the photo speaks volumes regarding how much we’ve grown together, and all the changes we’ve been through. This is especially true in Zo’s case. An epic wedding, a house move, and a full transition into a freelance career – that’s a lot for anyone to handle, but our co-editor makes it look effortless. So in lieu of being able to wish her a happy birthday in person, I present Zo with the cake above (with a little bit of help from R. Stevens). You are a vital, talented, creative force of nature, and the world is more strangely beautiful with you in it. We luff yoooooo!

Cuddle puddle: Courtney, Zo, Mer and original fourth co-editor Mildred Von.