The Friday Afternoon Movie: The Devil’s Backbone
Today The FAM presents 2001’s The Devil’s Backbone (El espinazo del diablo), directed by Guillermo del Toro and produced by Pedro Almodóvar. Set in 1939, during the Spanish Civil War, it tells the story of Carlos, a young boy recently deposited at an orphanage until, he is told, his father, a Republican war hero, returns. Unbeknownst to young Carlos, Franco’s Nationalists have a distinct upper-hand and his father is dead, making his stay permanent. The orphanage is run by the kindly Dr. Casares and and a curt headmistress, Carmen.
Carlos doesn’t take to the orphanage particularly well and while he makes a few friends — not the least of which is Jaime, the orphanage’s bully — all is not well. There is still the matter of Jacinto, the groundskeeper, I violent, brooding man who was an orphan himself, who is intent on stealing the gold rumored to be stored somewhere in the complex. Of course, there is also the ghost of the boy Santi, who disappeared mysteriously on the night the orphanage was bombed, and now haunts the orphanage and who tells Carlos “Many of you will die”. What happened to him and how is it connected to the cistern in the cellar?
His third film, The Devil’s Backbone features the same juxtaposition of childish innocence and dread found in his other non-Hollywood efforts: 1993’s Cronos and 2006’s Pan’s Labyrinth; that latter film continuing the exploration of many of the themes found here. It’s a look at how the unblemished mind confronts the horrors of both reality and the supernatural — a Kids Save the Day movie in the Spielberg vein, forced through a horror movie meat grinder, though del Toro perhaps treats his young characters with a bit more respect.
The horror here is handled deftly as well, the ghost is more often heard than seen outright, softly, mournfully moaning its discontent, keeping it from veering into the territory of silliness that many films in the genre are wont to do. And war, always war. Its looming specter, too, haunts this film as well as Pan’s Labyrinth. War is the real evil in these films, man the main antagonist. Even the depths of del Toro’s imagination cannot eclipse their evil.
September 23rd, 2011 at 12:28 pm
I absolutely adore this movie. Del Toro is my favorite director for a reason, his stories are dark fairy tales. The little ghost is so well designed that I kept pausing it to look at him. Good movie choice!
September 23rd, 2011 at 12:44 pm
Oddly enough, I was just thinking of this film night before last, whilst abed & imagining the creepiest cinematic images that I could conjure…Thanks so much for posting it.
September 23rd, 2011 at 6:22 pm
The part where Carlos locks himself in a closet to escape Santi probably tops my list of scariest moments in a film. Never fails to freak me out.
September 25th, 2011 at 6:30 pm
A fine film. Superb paired with Pan’s.
September 25th, 2011 at 11:48 pm
I first saw this film with a friend while house-sitting for her parents. Their house was isolated, deep in the woods and far up a mountain. At the closet scene we about jumped through the roof. It was a very long night.