Oh… um.
Wow. Yeah. So… this exists:
Via Jess Nevins.
That’s the video preview for a full-length comic book mashup of The Muppet Show and The Wicker Man by Paul O’Connell.
It’s… uh…
Well, words seem to be failing at the moment.
Really, what can one say when confronted with something like this, except:
Yes. Hello. Feb 5th is the date of novelist William S. Burroughs’ birth. Coilhouse should really show the man some love. W.S.B. double feature, anyone?
First, The Cut-Ups, a mesmeric and disorienting experimental piece Burroughs put together with filmmaker Antony Balch (aided by multi-disciplinary art firebrand Brion Gysin and others) in 1966. Over the course of twenty minutes, it plays out in very much the same vein as Burroughs’ literary cut-ups, only with multiple sensory layers of headfuckery. (Read more about the film here / the generalized concept of cut-ups here.)
(Via Scott Spencer.)
Second, a clip from the 1983 documentary Burroughs, wherein the birthday Billy reads aloud and acts out the horrifically funny Dr. Benway passage from Naked Lunch. Co-starring Jackie Curtis as the nurse! (And check out this amazing photo of Gysin, Curtis, and Burroughs together. Dawww.)
“Your mind will answer most questions if you learn to relax and wait for the answer.”
(W.S.B.)
Sleeping Nude (1954) by Dorothea Tanning. Oil on canvas.
And she did. Countless others have walked through that door behind Dorothea Tanning– fellow iconoclasts and creative powerhouses (many women, but surely, many not) who might never have pursued their work otherwise.
Her independence, her intelligence, and her centenarian resolve to lead an extraordinary life no matter what, should be as central to her legacy as her art and writings. Tanning died in her sleep last night at the age of 101…
“…and pieces of history die with her. Artist, poet, wife of Max Ernst from 1946 until he died in 1976, and (along with Frida Kahlo, Leonora Carrington, Kay Sage, Lee Miller, Maya Deren, Remedios Varo, and Leonor Fini) one of a group of great women Surrealists, she was at the center of a movement that was a vicious mill for women. Among the surrealists, females — while ‘allowed’ to be artists — were often also relegated to the sidelines of neglected or beset mistresses, muses, and madwomen.” ~Jerry Saltz (for New York Magazine)
Birthday (1942) by Dorothea Tanning. Oil on canvas.
Her advice to younger generations: ”Keep your eye on your inner world and keep away from ads, idiots and movie stars.”
This perfect, gleaming sliver of transcendent “whaaaa thaaaa faaaaaa??!” comes to us care of a tweet from Keith Jenson of Brainwomb, who claims to be sharing it to polarize the effect of the “‘spirit bomb’ of Harajuku” video that Nadya just posted. (Athough it seems just as likely that he’s trying to insidiously destroy us with subliminal mind control.)
Laughing Squid says that Japanese artist Sekitani Norihiro –be sure to check out that website, but be warned, it is rife with CAN’T UNSEE imagery– made this succinctly fucked-up-beyond-all-reckoning-ness for the digital grindcore demigod Maruosa.
WOW! Check out this splendid footage of three human-shaped, remote-controlled planes being flown above downtown NYC/Brooklyn, creating the illusion of people flying:
VERY cool. Perhaps somewhat less cool: it’s apparently viral marketing for that movie Chronicle. “Look, up in the sky! It’s a bird, it’s a plane, it’s… product placement!” But still. Wow.
[Via Wayne Chambliss / Gizmodo]
Our friend, longtime Coilhouse contributor Jeff Wengrofsky, has just informed us that The Party in Taylor Mead’s Kitchen, his latest Syndicate of Human Image Traffickers film, will be screened at the Independent Film Center (IFC) in New York on Tuesday, January 31st at 8pm, as part of the “Stranger Than Fiction” film series. “Come early,” says he. “It will be the first film shown, thus kicking off the STF 2012 Spring Season.” It will be followed by The Girl with the Black Balloons, a film about a reclusive artist in the Chelsea Hotel.
Both films sound fascinating; here’s a bit of background from the Syndicate on the Taylor Mead feature:
After reading Jack Kerouac’s On the Road, Taylor Mead, the scion of Michigan’s Democratic Party political boss Harry Mead, left his Grosse Point home and Merrill Lynch sinecure to hitchhike across the United States. Upon arriving in San Francisco, his ability to write and perform clever, bawdy, homoerotic poems made Taylor an instant hit with the Beatnik scene. He soon came to personify the Beatnik ethic in Ron Rice’s classic film, THE FLOWER THIEF, in 1960. Deciding to move to the Lower East Side of New York, then the Beat capital of the world, Taylor was soon a fixture of the downtown poetry scene and a Warhol Superstar, most famously appearing in “Tarzan and Jane Revisited…Sort of,” and most notoriously, as the star of ‘Taylor Mead’s Ass” in 1964. Taylor has since appeared scores of films, has acted for the stage, and has published books of poetry.
Fifty-odd years after trading in upper-crust luxury for bohemian art stardom, THE PARTY IN TAYLOR MEAD’S KITCHEN finds Taylor still living a life of poetry, painting, partying, acting, homo-eroticism, modest living, and indifference to bourgeois notions of hygiene. We visit the octogenarian in his Lower East Side grotto, finding him still brilliant, boyishly innocent, abundantly cute, and wanting to party at noon. The film depicts the romantic beauty and squalid dereliction of the bohemian life while dishing the dirt on Andy Warhol, Jack Kerouac, Ron Rice, Woody Allen, and Tallulah Bankhead.
This is “Pony”, a motion-sensitive kinetic sculpture by Tim Lewis. Unsettling and beautiful:
“Tim Lewis combines mechanical devices and sculpture to investigate, test and experiment with his own doubts and perception of the world.” (via)
Lewis, recently interviewed about his work by Dazed Digital, makes a compelling statement about the power inherent in tangibility:
I think that when you first approach a piece of art, and you imagine it and draw it, there’s a sense that it will always remain somewhat in your imagination. Its only when you take the 2D object and re-work it into the physical 3D world that it becomes somewhat more real. It no longer just exists in your eyes and mind, but instead has to react with the floors and walls around it in the physical world. For me, kinetic art highlights the importance of bringing both inventions and imagination into a physical existence.
Lewis’ work is regularly exhibited and promoted by the folks who run the Kinetica Museum and related events in Spitalfields, London. Their annual Kinetica Art Fair is coming up in February. As it has for the past several years, the Fair will bring together “galleries, art organisations and curatorial groups from around the world who focus on universal concepts and evolutionary processes though the convergence of kinetic, electronic, robotic, sound, light, time-based and multi-disciplinary new media art, science and technology.”
Are any of our UK readers going? Please do report back! It sounds amazing.
Via Tertiary, thanks!
(Rabbit Rabbit Radio illustration by Mariko Ando.)
Next Wednesday, February 1st, professional musicians/married couple/doting parents Carla Kihlstedt and Matthias Bossi –whose various other projects have been mentioned on Coilhouse many times– are launching a very interesting new multimedia musical subscription service called Rabbit Rabbit Radio.
The Kihlstedt/Bossi family: Matthias, Tallulah, and Carla. Photo by Eurydice Galka.
Last year, not long before the Sleepytime Gorilla Museum (a legendary band they were members of) closed its doors, Kihlstedt and Bossi moved from Oakland to Cape Cod with their baby girl Tallulah. ”Our lives have changed a lot since [she] was born and since we moved back East.” Kihlstedt and Bossi predict that their Rabbit Rabbit Radio project will help them to accomplish many things, warmly and comfortably, in ways that more traditionally grueling channels (constant low-budget touring is exhausting enough without kids!) could not:
“It keeps us in touch with you [our audience]. It conveys each song with much more depth and dimension than a simple iTunes download would. It holds us to an ongoing commitment to our own creativity. It allows us to be creatively independent from home, which in turn allows us to be good parents. In short, everyone wins. We have finally created our very own dream job.”
Fans who subscribe to Rabbit Rabbit Radio can choose to pay $1, $2, or $3 per month (but there’s no difference in content access; it’s just a chance to pay them a bit more for their efforts, if you can afford to). You can learn more –and get a taste of the quirky, sweet whimsy this lovely duo creates together– from the following YouTube pitch video:
RRR has its own Twitter account and a Facebook page as well.
Rabbit Rabbit Radio is a fascinating-yet-simple premise that feels very new, and fresh, and… cozy! Kihlstedt and Bossi both hope this kind of project takes off: “there are lots of artists whom we would gladly subscribe to ourselves!” While there may very well be other musicians out there attempting similar transmedia subscription services (and please feel free to give them a shout-out in comments, because we’d love to know more about them, too) it’s certainly not status quo quite yet. Fingers crossed that it soon will be.
The modern quest for reasonable and sustainable alternatives to a more staid career path in the arts is always worth discussing on Coilhouse. We live in interesting- no, scratch that, fascinating times. It might feel daunting to watch the old regimes fall down around our ears, but there’s no doubt about it: we are lucky to be alive during a time period where there’s so much opportunity to build newer, better, kinder infrastructures. Let’s stay tuned in!
For three whole years now, January 21st has been officially recognized as Squirrel Appreciation Day.
This momentous occasion offers us the perfect excuse to revisit a somewhat more time-honored form of squirrel appreciation, namely “Gonads and Strife“.
Aaaaannnd WEEEEEEEEEE:
Threebrain, we miss you!
Previous squirrelage on Coilhouse:
Welcome back, comrades. That was an interesting 24 hours, eh?
Here’s a verrrrrry wonderfully stark and moody Light Asylum video (directed by Emilxa Xuryłowicz and Cezary Zacharewicz) to ease us back into full-fledged internetness:
(If you haven’t heard it yet, Light Asylum’s 2011 In Tension EP is phenomenal. Tangible run is already out of print, but you can download it.)
