Sometimes, there are no words.
Sometimes, there are no words.
Parody! It’s frowned upon and revered in equal parts by comedians and comedy enthusiasts worldwide. Ubercoolische was a site that poked light-hearted fun at a few real-life electronic musicians, the popularity of Berlin-bound migration and over-use of the word “minimal”. It was sparked by this amusing Metrotimes article about the Berlin scene which I suggest you read before proceeding.
Picture by Wouter Smit
The cast of Ubercoolische is as follows: Richie Hawtin a.k.a. Plastikman, Ricardo Villalobos of multiple minimal techno projects, and Magda - DJ whose MySpace name is, yes, Minimagda. Whether you’re in the electronic scene or not, surely you’ll appreciate the hilarity of this once-meme. While ubercoolische.com is down these days achrive.org comes through once again. Though their server appears a bit spotty you can read all of the installments here. And if you really love it, T-shirts are still available.
Unicorn tank illustration by Roman Papusev. Larger here.
These steam-powered unicorn tanks belong to the world of “Black Ice Heart” a Russian novel-in-progress by Leonid Alekhin. The plot of the book is not yet fully known; Alekhin releases only snippets of scenes and dialogue on his journal. From what I’ve been able to translate, the story takes place on the fictitious continent of Akemon, which is devastated by technological revolution. The continent’s technology runs on a combustible mineral called Phlogiston, and its scientific secrets are based on the learnings of four ancient tribes. The inheritors of this knowledge became the houses of four different territories (Diamond, Emerald, Ruby and Sapphire), and each house developed its own pattern of technology as a result. The steam tanks belong to the Diamond territory, and they use it to defend themselves against aggression from the south (from the Ruby and possibly other territories).
Another take on The Unicorn by Boris Kharlamov. Larger here.
Most of the novel’s illustrations come from the talented Roman Papsuev. Here are the other illustrations from the story so far:
This looks like it’s going to be an interesting story! The atmosphere reminds me of what Philip Pullman created for the amazing His Dark Materials Trilogy, on which the film The Golden Compass was based. As Alekhin reveals more of the story, I’m really hoping to see some interesting female characters as well.
As a brief follow up to this recent post regarding Miss Jackson’s freakatude, let us ruminate on the April cover of BackBook magazine. Here she’s caged and dressed in latex by Polymorphe, House of Harlot, and Syren. Inside she’s snarling from behind some Very Serious headgear.
The BlackBook article describes this Matthew Rolston shoot and tells of “codpieces, feather ticklers, steel pelvic thrusters relieved of their phallic attachments, barbed cowhide whips are fanned out alongside some kind of automaton skull with a full set of human teeth and gums” here. Oh Janet.
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The Tyrell Corporation’s shiver-inducing slogan was “More human than human”. Powerful, yes, but Boston Dynamics will not be outdone! “The Leader in Lifelike Human Simulation” leaves no room for speculation - you want the best, you go to Boston Dynamics, buster.
The video you are about to watch is of BigDog - a rough terrain canine simulator so powerful and elegant, it might make you fall in love and prove a cute thing doesn’t need a fluffy tail, big eyeballs [or a head for that matter], or a LOL-caption to be adored.
BigDog is powered by a gasoline engine that drives a hydraulic actuation system. BigDog’s legs are articulated like an animal’s, and have compliant elements that absorb shock and recycle energy from one step to the next. BigDog is the size of a large dog or small mule, measuring 1 meter long, 0.7 meters tall and 75 kg weight. BigDog has an on-board computer that controls locomotion, servos the legs and handles a wide variety of sensors. BigDog’s control system manages the dynamics of its behavior to keep it balanced, steer, navigate, and regulate energetics as conditions vary.
- Boston Dynamics
Sit back and enjoy. At 00:39 is an impressive kicking demo. Keep watching, as this mecha-pup slips on ice and catches itself just like a real animal, but better. Carrying a load of 340 lbs it manages to keep from falling and soldier on until the mission is complete.
D’aww!
Prosthetics are hot! That’s how I’ll console myself if I ever lose my hand in a terrible accident. I picture a long-fingered, razor-nailed chrome hand for everyday wear; a sleek jeweled hand with fingertips that project light (or film!) for the evenings; and for special occasions, I want a sock puppet that’s also a flamethrower. In my toolkit, I would also like to have something Ye Olde. Ideally I’d love to get my remaining hand on the following, eloquently written up for us by guest blogger David Forbes (aka Coilhouse commenter ampersandpilcrow). - Nadya
Götz Von Berlichingen had a problem. It was 1504 and, at the tender young age of 24, the plundering knight, mercenary and all around bastard had the upper part of his right arm torn off in a cannon blast. As someone who made his living off war and already had a sizable enemies’ list, Götz needed his killin’ hand.
So he got another one. Made of iron.
However, this was no crudely shaped hunk of metal — it was a mechanical masterpiece, centuries ahead of its time. The iron hand not only allowed Götz to return to battle, but later helped lay the foundation for modern prosthetics. Complete with articulated fingers, spring action and an array of levers and buttons, the hand allowed a degree of control that’s stunning even today. Fitted with it, Götz could do the following:
Andreas Hofer is s German-born artist that specializes in nightmares. Unlike much of the spooky-cute stuff on the art scene today, Hofer’s bizarre work actually makes me uncomfortable the way I wish more art could.
While Hofer works with all types of media, of particular interest to me are his sculptures. Almost toy-like, their scale exaggerated and subject matter not without humor, they are remarkably imposing and unsettling. So much so that I’m tempted to actually pinch myself to ensure lucidity.
Part of “Reich”, Acrystal, silicone, 2006
Most perfectly innocent objects can be terrifying when magnified, but Andreas’ strongpoint is twisting recognizable imagery in simple, potent ways that make the viewer cringe. He distorts things as nightmares would. This doesn’t seem to curb my desire to have his various beasts guarding my future compound - their design is just that appealing!
Many thanks to Jerem for the tip. Click below for more from Andreas Hofer.
Now this is über.
The taxidermist/sculptor behind this piece, Lisa Black, has also created a wind-up baby crocodile with working gears. I want one as a pet! [By way of Warren Ellis and Porphyre]
But DAF do. Let this German electropunk duo’s clicky beeps entrance into a world [or at the very least a basement] of mechanized taxidermy, dusty porcelain, cracked papier-mâché and moth-bitten lace. Here, sterile minimalism and granny frills co-exist in harmony, somehow.
George Harrison’s “Set on You” got nothing on this billow-shirted, leather-trousered alchemy of pop. Perhaps he was somehow inspired by it?
