CONTRIBUTOR’S NOTE: This week marks the final chance to see Savage Beauty before it closes on Sunday, August 7th. Due to the exhibit’s overwhelming popularity, the Metropolitan Museum has scheduled special viewing times for the upcoming weekend. Do not miss the opportunity to witness this one-of-a-kind show honoring one of the most spectacular talents to ever grace the fashion world.
Alexander McQueen’s “The Horn of Plenty”, autumn/winter 2009-10. Black duck feathers. (via)
“When I am dead and gone, people will know that the twenty-first century was started by Alexander McQueen.” -Alexander McQueen (1969-2010)
The death of the Scottish designer Lee Alexander McQueen in February of 2010 sent shockwaves throughout the fashion industry that rippled steadily outward, pervading the worlds of fine art, music, theatre and design. Suddenly, one of the bravest, boldest and incredibly imaginative forces in fashion was gone. McQueen’s suicide took place just a week after his beloved mother, Joyce, died from cancer, and with little more than a month to go before he was to debut a new collection in Paris. The international outpouring of grief was palpable, as everyone, from socialites, celebrities and fashion students from countless walks of life remembered the designer in extensive magazine features, blog posts, Twitter updates, and Tumblr tributes. McQueen’s strong features and piercing stare appeared on the cover of most major newspapers.
McQueen’s influence was undeniable; he had unleashed, with collection after collection, a romantic assault on the senses and invited his viewers to look with their minds, not merely their bodies, when deciding what to wear and how to wear it.
Never had a designer injected so much personal anguish and cerebral delight in his creations, and the materials he used, from pony skin, ostrich feathers, medical slides, hammered silver, balsa wood and tulle, became fashioning for the soul. For the past several months, devotees have streamed through the Metropolitan Museum of Art in New York City to personally experience many of his most iconic creations up close, presented in the Alexander McQueen: Savage Beauty retrospective. Curated by Andrew Bolton of The Costume Institute, the exhibit shows more than one hundred designs in tailor-made galleries befitting each of McQueen’s influences.
No Friday Afternoon Movie today. Instead, we present Jon Lajoie’s hip hop tribute to not giving a fuck. It is absolutely vital that you watch this right now (with headphones if you’re at work as it’s full of dirty, work-inappropriate language). The FAM will return next week. Promise.
When the internet was created, those involved most likely imagined a vast network where ideas could be shared across great expanses. Where great minds could come together to work on the most fundamental questions of human existence. Instead, here’s a video of Shelley Duvall, star of The Shining, introducing herself in almost the exact same way twenty four times. It is both maddening and hypnotic. Gaze upon its banal majesty and weep for what might have been.
(Also, let me just say, that this is, perhaps, the most terrifying thing one could hear upon entering a graveyard.)
The winner of 2010’s Tell It Your Way competition, sponsored by Philips. The contest’s rules were that the film could be no longer than three minutes and contain no more than six lines of dialog. Written, directed, and edited by Keegan Wilcox, Porcelain Unicorn tells the story of an encounter between two children in the midst of WWII.
Designer Wren Britton revels in creating one-of-a-kind “Post Apocalyptic Victorian accessories” and “clothing for Time-Traveling Dandies and Femme Fatales of all ages {and genders!!!} and all those in-between.” Both the gentleman and his wares exude a winsome air of elegance, playfulness, and feral sensuality. Ooo la la!
Britton elliptically describes his aesthetic, and the PUREVILE line of accessories:
I have a background in fashion but I have always had a love for accessories…They really can make a simple outfit POP…or make an extreme outfit topple over with GLAMOUR….I think CoCo Chanel said something like “When you leave your house always turn around and look in the mirror and take off the first thing you see… {chuckle} …Me??? I turn around and the first SPACE I see I pin on something else!!!!!
All items are handmade…{With love}…All one of a kind…Made from antiques… Heirlooms… Bones… Doll parts… Keys… Lace… Oddities and Curiosities of all shapes and sizes….Things found in an attic…Things forgotten in a basement… Things behind glass in a museum… This is PUREVILE.
The New York-based bon-vivant will be holding a trunk sale of his gorgeously anachronistic finery at Five and Diamond in San Francisco this Thursday, the 28th of July, from 6-9pm. I’m definitely gonna be there, and a little bird told me Nadya might show up as well. If you’re in the neighborhood, please do drop in and say hello!
Who’s Afraid Of Mr Greedy comes to us from the directorial team of Simon Boucachard, Jean Baptiste Cumont, Sylvain Fabre, Guillaume Fesquet, Adeline Grange, Maxime Mary and Julien Rossire, graduates of Gobelins, the French animation school. It tells the story of a gentleman looking for something stolen from him from the titular villain. It’s a simple premise, beautifully animated. I especially like the seeing-eye dog/child gag at the beginning.
This one goes out to all of the members of our beloved Coilhouse Magazine staff who’ve been relentlessly toiling over final Issue Six revisions, all the while wondering “HEUGH GAAAHHHHD, when will it END?!!”
Bless you, thank you, and whatever you do, don’t try the Soup of the Day.
This is fashion blogger and singer Kyary Pamyu Pamyu singing Pon Pon Pon, produced by Shibuya-kei duo Capsule. Lisa Frank on acid. Everybody dance! [via aerialdomo]
It is…so hot outside. Walking out the door means hitting a wall of brutal heat so dense with humidity that getting down the street requires movements more akin to swimming than walking. At least it’s Friday though, so…there is that. As such, it’s time for another edition of The Friday Afternoon Movie, the internet’s highest rated weekly movie feature, according to Consumer Reports. (Editor’s Note: No. It. Is. Not.)
Today The FAM presents 1997’s spectacular and, occasionally, cringe-worthy Trekkies. Directed by Roger Nygard, it is one of my favorite documentaries. Your mileage may vary depending on how interesting you find nerd culture and/or how personally you are invested in said culture. Some have criticized the film for poking fun at its subjects but I feel that Nygard remains objective throughout; and while, as previously mentioned, there are some awkward moments to be sure, I find it to be very endearing.
And that’s going to do it for The FAM. See you all here next week, so long as I can make it home without my brain boiling in my skull.
