One of the more unique looking, and easily one of the most unique sounding musical instruments ever invented, Hans Reichel’s daxophone is sure to put some spring in your step and some giggles in your face this fine morning:

A bowed musical instrument that falls into the category of “friction idiophones“, the daxophone consists of a long, thin wooden blade notched into a wooden block containing one or more contact (piezo) mics, often attached to a tripod. In addition to being bowed, daxophones can be plucked or struck, conducting sounds the same way “a struck ruler halfway off a table does”, with each vibration moving through a “tongue” of wood into the instrument’s wood block base, which acts as a resonator for the contact mics contained inside.

Depending on the shape and grain of each wooden tongue, and how they are manipulated, all manner of uncanny (and often hilarious) warbling, moaning, grumbling, yodeling, spluttering, rasping, growling, yowling sounds can be coaxed from these oddly human-sounding pieces of wood. (The daxophone’s name comes from the use of a stopper block of wood called the “dax”, which is fretted on one side to produce fixed pitches, while the other side is curved and smooth, allowing a performer to shift more fluidly from one note into the next.)

A variety of daxophone tongues. (Via oddmusic.com.)

Generously, Reichel offers extensive downloadable plans for his invention on his website so that other woodworkers can create daxophones of their very own.

Visit oddmusic.com to find out more about this, and countless other experimental instruments and musicians. Also worth checking out:

• Gravikords, Whirlies & Pyrophones
• Orbitones Spoon Harps & Bellowphones
• Bradford Reed
• Interview with musical instrument inventor Dan Rathbun
• INSTRUMENTAL documentary by Gabriel Shalom
• The Vegetable Orchestra

I got far too little sleep last night. For what reason, I do not know, but I was simply unable to get more than two or three hours of real rest and, as such, I am not all here at the moment. And while this is normally a bad thing, it does allow me to at least place the blame for this week’s FAM upon my delirium.

With that out of the way, allow me to present Riki-Oh: The Story of Ricky from 1991, directed by Lam Nai-choi and starring Fan Siu-wong as the titular hero. Truthfully, that is all I would like to say about it, letting those who have not seen it just stumble in blindly but that would be, perhaps, irresponsible of me. So, as far as plot goes: The year is 2001 and all government institutions have been privatized. At the beginning of the film our hero, Riki-Oh Saiga, martial arts master, arrives at a prison to serve a ten year sentence for manslaughter, for killing the man indirectly responsible for the death of Riki’s girlfriend.

That’s all you get. However, I must warn viewers that the draw of this particular film (besides the amazing/bad dubbing) is, frankly, its outlandish violence. Saying The Story of Ricky contains some blood and gore is like saying Bill Gates has a few bucks. The movie is soaked through with gallons of fake blood. It is an orgy of ludicrous, cartoonish violence. If you aren’t down for watching a man punch the jaw off a laughably fake head, then don’t click the play button. If, however, that level of disgusting camp appeals to you, and you haven’t already seen this fine movie, then prepare yourself for an hour and a half of the most ridiculous martial arts mayhem ever recorded.

ZOMG. EPIC DRGBLZ PR0N!!1!

LZ-127 and boat from the Soviet icebreaker Malygin at Franz-Josef Land. Photo (presumably) by one Dr. Aschenbrenner.

Above is the lead photo on an Airships.net feature detailing the Graf Zeppelin’s 1931 Arctic Flight, “both a scientific expedition and a dramatic display of the airship’s ability under extreme conditions. The five-stage flight covered 13,310 kilometers in 136:26 flying hours between July 24 – July 31, 1931, and literally changed the map of the Arctic region with the information obtained during the flight.”

Much like the x planes tumblr, Airships is a highly addictive site rife with stunning imagery and articles. More info here. (Be warned, fellow anachronauts! You may easily lose hours exploring.)

“Bufo Periglenes” by Madeline von Foerster. Oil and egg tempera on panel. 8″ x 8″

Shortly, the astounding artist Madeline von Foerster (previously mentioned here and here, and featured in Issue 02 of Coilhouse Magazine) will be showing her most recent series of paintings, “The Golden Toad” at the Roq La Rue Gallery in Seattle, WA. (Her work will be hanging alongside several exquisite pieces by her good friend and contemporary, Benjamin A. Vierling.) Foerster’s exhibition statement:

“This new series of paintings envisions fairy tales of the future. The current, unprecedented devastation of Earth’s wildernesses foretells a time when the great forests are gone, and with them, half the animal species with whom we share the world today. In comparison, the present will surely appear as a sort of Golden Age, abundant with lush forests and wondrous beasts — what sort of tales will they inspire?”

“Frog Cabinet” by Madeline von Foerster. Oil and egg tempera on panel. 18″ x 24″

“Stylistically, these artworks suggest the rich paintings from the School of Fontainebleau, a sixteenth century efflorescence of French Art, which exalted the enchanted forest. An aura of mystery and possibility pervades the paintings, which are meticulously rendered using an uncommon Renaissance mixed-technique of oil and egg tempera.”

“Although imagining the future, a common theme of the paintings is memory. While researching these works, the artist hunted for a fairytale titled “The Golden Toad,” which she was certain she had read. However, memory was deceiving her, for the Golden Toad (Bufo periglenes) is actually a Costa Rican amphibian, recently extinct. Ironically, though humans are responsible for the planet’s vanishing forests and extirpated species, it is in human imagination and memory that these lost treasures will continue to exist. Therefore, the Golden Toad, now gone, returns in mythical form, to remind us what we can still save.”

“The Tale of the Golden Toad” by Madeline von Foerster. Oil and egg tempera on panel. 24″ x 36″

The Madeline Von Foerster/Benjamin A. Vierling show at Roq La Rue Gallery opens this coming Friday night, July 08, and runs to August 06, 2011.

Tim Hawkinson’s “Möbius Ship”

Echoing the working methods of ship-in-a-bottle hobbyists, Hawkinson created a painstakingly detailed model ship that twists in upon itself, presenting the viewer with a thought-provoking visual conundrum. The title is a witty play on Herman Melville’s novel Moby Dick, which famously relates the tale of a ship captain’s all-consuming obsession with an elusive white whale. The ambitious and imaginative structure of Hawkinson’s sculpture offers an uncanny visual metaphor for Melville’s epic tale, which is often considered the ultimate American novel.

Sadly, despite taking it’s inspiration from Melville’s most famous work, it does not appear to include an infinite loop of tiny Ahabs.

Via The Fox Is Black

Schlager oontz!

via Sport Murphy

Another beautiful day, another amazing Kickstarter project by a beloved curator of the Sleepytime Gorilla Museum.

Musician, composer, artist and storyteller Carla Kihlstedt‘s Necessary Monsters is a staged song cycle after Jorge Luis Borges’ Book of Imaginary Beings. Carla wrote it with poet Rafael Osés for seven musicians and an actress. The narrative “follows a young writer as she tries in vain to corral the imaginary beings that parade out of her mind in the course of a sleepless night. In this journey, she encounters many beasts – some meddlesome, some winsome, some loathsome – and discovers that she is indeed the sum of their parts.”

Previous stagings of this work have provided stunning, intimate portraits of Carla and her colleagues’ creative processes– their intelligence, their playfulness, their sweetness. Since that time, the piece “has gone through a kind of distillation process, the way a good friendship does, that only happens with time. In this next chapter, we’ve recast, retooled, and redirected. The cast, the crew and the design team include some of my very favorite musicians and artists, all of whom have brought incredible ideas and energy to the piece. It is finally becoming the beast it was meant to be. We’re performing it in San Francisco at the Yerba Buena Center for the Arts on July 29th and 30th of this year. ”

As of this minute, hundreds of people have contributed approximately $23K toward Carla’s Kickstarter campaign. She just sent out an email saying “We’re right at the edge and the pressure’s on. We’ve got three days to raise another $2,043. So, If you’ve been waiting in the wings for these last giddy moments… NOW is your time!”

When I was a child, I had an ongoing and masochistic addiction to scale models. That is to say, that while I enjoyed miniatures, mostly of the military variety, I mainly enjoyed them in the idealized, finished versions in my head. I did not, however, take much joy in the harsh, time intensive reality of constructing a 1/48th scale German Tiger tank — a reality fraught with frustration and toxic substances. It was a truly volatile combination, I assure you, and usually resulted in my shaking with impotent rage over a pile of badly painted plastic, it’s surfaces ravaged by the effects of Testors Model Cement.

Despite a complete lack of ability (which I have learned to accept) I still find myself fascinated with diminutive, scale reproductions of places and objects. Randy Hage does not work in the area of war that so preoccupied the violent imagination of my youth, but his work is astounding. Focusing on New York City storefronts he recreates everything from the signage and shutters to the graffiti that adorns their facades and various bits of detritus inside and out. The level of detail here requires a patience that I never possessed or, no doubt, ever will.

Hey, site kids! Have some extra polyester, drugstore fun fur and mescaline in your cornflakes this morning.

WARNING: prolonged viewing of John Waller (aka zPRIME)’s “Industrial Decay” photo series may give you a raging Doom Chub.

Rawr.

Waller’s entire Flickr stream is rusty and scrumptious. He also apparently has an extensive personal website launching sometime this month.