WWII image taken by Yevgeni Khaldey. Laibach was always present.

Laibach has finally returned to North America for a very short tour. If you’re in Portland or Seattle, I hope you saw them. If you’re in San Francisco, Hollywood, New York or Mexico City, you’re in luck! Click here for tour dates.

There are many reasons why this is my favorite band, and most of them actually don’t have much to do with the music. It’s the stories: weird, fantastical events that surround this band in which art, politics, history, media and human nature intersect in unexpected ways. My favorite Laibach story is this: in 1992, they group established the NSK State, a virtual “state in time.” Citizenship to the NSK State came complete with a very realistic-looking passport, and anyone could apply. Applications could be found at concerts and in the back of certain art books. In 1995, Laibach concluded their NATO tour in besieged Sarajevo. They declared Sarajevo to be NSK territory, so for a brief moment, the NSK State existed in the physical world. During this time, they issued 350 NSK diplomatic passports. What’s remarkable is this: some people were actually able to use these passports to escape occupied Sarajevo. Bosnian passports were not recognized at the borders, but a French soldier who saw the NSK ones let those people through. With their art and performance, Laibach was able to potentially save lives. Compelling – even more so when you consider that their work centers around a deadpan sense of humor.

The music is great too, of course! This entire website was designed while listening to Kapital, and partially inspired by the album’s aesthetic. So, Mildred and I will see you at the LA gig if you’re there. In the meantime, a random assortment of odd Laibach-related links:

• Melodrom – “Counting Days” – An ’80s-tastic music video featuring Mina Spiler, who performs with Laibach and sings on many of their recent songs (she’s also the subject of this illustration in Issue 01’s Laibach feature, in case you were wondering)
• Putokazi – “Play, Rew, F Fwd” – Dreamy, surreal music video by Croatian band Putokazi, with a rare vocal cameo by Laibach singer Milan Fras as the voice of a nightmarish teddy bear
• Fear the Kittens – Parody of Tanz Mit Laibach. Made in 2004, now an internet classic.
• Steel Trust – History of the Laibach euro-disco ballad and the lost Kapital that never was on Coilhouse
• Hilarious high school reenactment of the original Opus Dei video
  

Don’t Hate by Ingrid

I often gush about Doctor Sketchy’s Anti Art School, but today the news is not so sunny. Last weekend in Portland, Maine a Sketchy’s model fell victim to a violent hate crime. Found unconscious on a sidewalk by a passing stranger, the 31 year old recalls little of the incident after sustaining a blow to the head. He was walking home after midnight on Friday, when two men approached him, spitting homophobic slurs and eventually resorting to violence, all because the young man “looked gay”. The victim, who suffered a concussion and bleeding to the brain, was released from Maine Medical Center to recover at home. The police are searching for the alleged perpetrators.

From Maine Today:

The suspects in this case are described as being in their early 20’s. One is a black male, between 5-feet-6-inches and 5-feet-10-inches tall, with a muscular build and shaved head or very short hair. The other suspect was described as a white male, thin build with long brown hair. The car they fled in was a late model white four-door sedan with “fancy” chrome wheels, police Captain Vernon Malloch said.

Anyone with information is asked to call Portland police at 874-8604 or visit the department’s Web site, www.police.portlandmaine.gov, and click on “citizen input”.

• Full article on Maine Today
• Website dedicated to this case

We’ll keep this post short, because otherwise it’ll turn giddy. We just want to ask all our readers, everywhere in the world, to visit this site tomorrow (Wednesday) and be part of the biggest day on this blog since it first launched: the unveiling of Coilhouse Magazine, Issue 01. You’ll know what’s inside, and you’ll be able to get your own copy, right here on the site – no matter where you live in the world.

For those just tuning in, the magazine is a print incarnation of the blog: a glossy, 96-page distillation of all the weirdness that we’ve obsessed over together with you in the past 10 months. But it’s not a rehash of the blog. Far from it! Self-quote: experiencing the web version of Coilhouse is like munching on an endless supply of assorted Halloween candy, and reading the print version will be like savoring a richly-decorated French dessert that took hours to prepare.

Okay, so it took almost a year to prepare. It’s a good dessert. There were many, many ingredients. And tomorrow, you’ll get to sample them all.

Figure A: Russia’s bad kids [via]

Oh, modern Russia! My former homeland, with your gold-plated toilets, your polonium, your hotpants, your outdated military technology, your simple modesty… how you continue to enchant me with your many wonders! Especially when it comes to feats of social engineering. Witness, for example, the Kremlin’s ingenious new plan to ban emo and goth, as reported by The Moscow Times:

State Duma deputies, Public Chamber members and social conservatives have hammered out legislation aimed at heading off the spread of emo culture, which they describe as a “dangerous teen trend.” The Duma last month held a parliamentary hearing on a raft of proposed amendments contained in a document called “Government Strategy in the Sphere of Spiritual and Ethical Education,” a copy of which was obtained by The Moscow Times. Among other measures, the proposed legislation calls for heavy regulation of emo web sites and for banning young people dressed like emos from entering schools and government buildings. The bill also outlines what it calls a “spiritual and ethical crisis” facing Russian youth, including the high rate of alcohol abuse, teen abortions and “negative youth movements.” Emo ideology encourages and justifies drug use and sexual relations among minors, according to the bill, which also lumps emos and goths together with skinheads.

Negative youth movements? Sexual relations among minors? Of course you’d never encourage such a thing, Russia. Certainly not with government funds! And especially not if they dress like Anonymous! Oh, wait…

Update: Zo adds, “just wanted to supplement the post with this link submitted to me this morning by Apaniyam on Flickr. There is talk of curfews, a ban on body mods and more.

Under the new measures, schools would be prohibited from celebrating Western holidays like Halloween and St. Valentine’s Day, which are deemed inappropriate to “Russian culture.” Toys in the shape of monsters or skeletons would be banned as “provoking aggression.”

Bonus extended remix: compare and contrast to the Mexican government’s treatment of its young emo citizens. After violence against the subculture increased, government officials actually launched a campaign to promote understanding under the slogan “for the freedom of being young, live and let live.” Russia vs. Mexico: it’s on!

Figure B: Russia’s good kids [via]. The one with the asymmetrical bangs is about to be seized and removed from the scene.

[thanks, Milly.]

Yesterday, Sociological Images reposted these incredible images, which originally came from the Daily Mail, a conservative British tabloid. These images appeared in “Femail” – the Daily Mail’s lifestyle section for women – under the title “Out of Africa: The incredible tribal fashion show inspired by Mother Nature.” Both SocImages and another fascinating blog, zunguzungu, took issue with the vapid exoticization that was going on in the article. I highly reccomend reading zunguzungu’s eloquent analysis of the Daily Mail’s presentation of these images, titled “Recycling Africa“.

Serious Business aside, I just want to say this: the images themselves are absolutely striking. When I separate these images from the Daily Mail’s silly writeup (“As they paint each other’s bodies and make bold decisions about their outfits… it seems that the only thing that motivates them is the sheer fun of creating their looks, and showing them off to other members of the tribe”), and from SocImages’ somewhat guilt-tripping Daily Mail smackdown (“What does it mean that people in the U.K. (and the U.S.) are consuming these images? What is the relationship between these images and colonialism? How do such images interact with “development” rhetoric about how Africa is un- or under-developed, developing, or undevelopable?”), on a purely visual level, I’m just absolutely inspired.

It’s amazing, how we can rearrange ourselves.

• Rest of the Images on Daily Mail
• Sociological Images – Representing Africa
• zunguzungu – Recycling Africa

Yesterday, one of my favorite blogs, Sociological Images, picked apart amputee alt model Viktoria‘s appearance in Bizarre Magazine:

What makes Viktoria “bizarre”? Is it her amputated leg? Is it the fact that she has an amputated leg and is still incredibly sexy? Or is it that she has an amputated leg and still considers herself a sexual person? Is this empowering? And to who? Surely the disabled are desexualized in this country, so it’s nice to see that challenged even, I suppose, in a magazine about weirdos. And yet, I suspect her sexuality is acceptable, fetishizable, only because she conforms to expectations of feminine beauty. In the big scheme of things, does she reproduce the standard of beauty, unattainable for most women, that crushes women’s self-esteem and sense of self-worth? And will disabled women, most of whom (like most non-disabled women) could never dream of being so beautiful, actually look at her and be able to identify? Or will this just draw attention to another way in which they don’t match up?

Now really, I think that SocImages went a little overboard with Viktoria (especially when they dismissed her comments about sexuality as “standard porn star talk”). Maybe it’s because I know her little better than they do, but I think that they oversimplify the genuine place that she comes from in choosing to be a model. However, they do bring up an important discussion that’s been nagging me for some time. What is an alternative model, and what is an alt model’s role in visual culture? In my life, at various points, I came up with 3 different definitions. I believe in each of them, and I have a problem with each of them as well. Here they are below. Which one resonates with you? Do you think it’s a combination of the three below, or something completely different? Opinions, please.

1. The model who challenges society’s notions of beauty.

L: Kenyan-born trans model Biko Beauttah R: Velvet D’Amour

I love these models, but the issue here is that, while they appear to push the boundaries of beauty in some direction, they usually wind up brutally reinforcing another traditional notion in the process. For example, trans models make us rethink gender/beauty, but with their self-presentation they usually reinforce the ideal of a sleek, hairless feminine figure, thus fueling the hair-removal industry. In fact, epilator-manufacturer Philips Norelco has already found a way to to capitalize on this to great effect – just watch this ad. And large models like Velvet D’Amour and skinny-by-comparison but still-considered-plus-size recent ANTM winner Whitney Thompson help to redefine weight in modeling, but what makes them “legitimately beautiful” in the eyes of the mainstream world is their “correct” bone structure, their blond hair. Without some “redeeming quality” of this sort, the world doesn’t recognize them as models, and wouldn’t even give them a shot at making a difference. Mainstream media often presents them as beautiful “in spite of,” not “because of.” While their individual messages are empowering (I love Velvet’s interviews), I don’t find our culture’s use of these models empowering at all.

Sophie Lancaster memorial at WGW. Picture by Tania Taylor.

Two teenagers aged 15 and 16 were sentenced to life in prison yesterday for the murder of Sophie Lancaster, age 20, last summer in Bacup, England. The teenagers, along with three others who received shorter sentences, singled out Lancaster and her boyfriend Robert Maltby for the way they dressed. They initially attacked Maltby, but turned their aggression on Lancaster as she tried to protect him. The gang “punched, stamped and jumped” on Maltby and Lancaster’s heads until both were unconscious. Robert Maltby survived, and Sophie Lancaster died a few days later.

Sophie, Robert, and the two principal attackers

I’ve been following this story ever since it broke, and its tragedy really hits me with the following 5 quotes:

“Shall we batter him?” – One of the attackers, right before the attack began

“I’m not going to get done for reporting this am I? Because all the Bacup lot will hate me because I’ve reported it.” – Girl who called the police to report the incident

“At least wild animals, when they hunt in packs, have a legitimate reason for so doing, to obtain food. You have none and your behaviour on that night degrades humanity itself.” – Judge Anthony Russell QC, passing the sentence

“I really just like to think I’m now only eight-months-old. I’m finding the whole world a terrifying place.” – Robert Maltby, who has no memory of the incident

“Justice can never be done because it will never bring her back.” – Sophie’s mother

Are you sick of being victimized by the overly confident and spoiled women of America?

Are you intrigued by the exotic yet vulnerable women of Eastern Europe?

Do you want to feel like a Big Powerful Savior Daddy-Man?

If you answered “yes” to one of more of the above you are part of a growing demographic. A demographic that’s ever-expanding, cheerfully bubbling to the surface of the internet like a pot of boiling baby feces. Yes, legions of xenophiles are uniting in one common goal – to meet and wed a Russian Woman – the perfect blend of dignity and modesty wrapped up nicely in a blanket of historical misfortune. And they’re doing it on Russian Women: The Real Truth.

Here you are led by the brave American-born blog admin through the finer points of kindling Russian romance on the Web. He unveils the complex secrets of the Russian woman’s psyche, the way brute Russian men treat the ladies as a commodity and insightful tips on avoiding the scams of “mail order bride services”. How does he know so much about Russia, you might be wondering to yourselves. Well, that’s because he lives there now! Yes, living in Russia has granted him unique access to Russian intricacies the rest of you non-Russians aren’t privy to. Just look at the way he describes his inspiration behind the blog:

“Russian women are like heroic characters because they are always dealing with dirty situations and environments but somehow they still manage to stay beautiful and out of trouble. I am like most Americans in that I love a good underdog story where the hero faces incredible odds but still comes out as the champion. This is a labor of love because it is an opportunity to bring the true story of these women into the light.This is especially important since their own modesty would never allow them to do it themselves…Russian women are looking for manly leaders who have a clear direction and purpose in life and from a historical and survival perspective this makes a great deal of sense”.

The scene is Asheville, a small city in North Carolina with a much higher than average activist population, on a gusty day in late March. A line of about 60 people winds their way up through the center of downtown. In time to the pitter-patter of drumsticks on empty caulking buckets, they call and respond.

“What do we want?”/ “Peace!”/ “When do we want it?” Pause. “Now!” Off-kilter choruses of “there ain’t no power like the power of the people cause the power of the people don’t stop!” break out as the march continues. A single police car ambles by.

It was, on that afternoon, five years since the beginning of the Iraq war –- and protest was the order of the day, coast to coast. A thousand mustered in Washington, D.C. Some attempted to rope off the IRS building with crime scene tape, others harangued contractors from corporations such as Halliburton and Lockheed Martin. Los Angeles had 10,000, San Francisco 7,500 (including bike brigades). There were, as in previous years, the predictable smattering of arrests.

At night, on cue, there were vigils.

Clearer this year than ever is the fact that these protests are not a political movement. Instead the protesters have become another in a sea of alternative cultures. The signs, art and displays now less for the purpose of enacting actual change than engaging in an affirming ritual, hanging out with friends and self-expression. Despite the massive rise in the number of Americans against the war, protest attendance has actually declined.

Three days later, long after the protesters faded, American casualties in Iraq reached 4,000. The Iraqi dead are, literally, countless. As you read this, the blood continues to flow.

Coilhouse, is, of course, a love letter to alternative culture (says so right there in the mission statement). In many cases, all that’s expected from such a culture is affirming ritual, hanging out with friends and self-expression — serving to make the world more weird and wonderful than it was before. There can, of course, be political and social aims as well, but rarely are they the primary focus.

However, the devolution of the protest from political method to cultural theater is different. This is something intended for a particular purpose — to push society towards a goal — and touted as working towards that end by the organizers, groups and individuals who engage in it. In fact, the goals have been abandoned: these days, people go to protests like they do concerts.

How it happens in Dubai.

The Truth About Dubai has posted a critical update on the status of (Diz) Cat Le-Huy, my good friend and the boyfriend of Coilhouse co-editor Mil Von. Here’s the condensed version:

Cat Le-Huy as of the 22nd of February remains in Al Wathba Prison. Currently the decision rests with the Dubai Chief Prosecutor as to whether to charge him or drop the case entirely. It is almost like a pre-trial and the legal fees for this are are expected to be in the vicinity of £50,000. We have raised half this amount already thanks to your donations, and are now making an appeal for people to keep donating to reach the full amount. We have been advised that there is a 90% chance this case will be closed if we can raise the financial assistance in a timely manner.

Cat’s close friends and family have already given up everything that they could, and even his company, Endemol, has made a donation (though he was not there on business). That’s how we raised the first half of the legal fees. But now we need help from you guys. Please donate to the Cat Le-Huy Legal Fund to save Cat.

You don’t need PayPal to use the link below, just a credit card or check card. No amount is too small. Please circulate the donation link to as many people as possible. Thank you!