Effective immediately, we’ll be shutting down until midnight tomorrow to protest two pieces of blacklist legislation - PROTECT IP Act (PIPA) in the Senate, and Stop Online Piracy Act (SOPA) in the House.

Over the weekend, we saw several victories against the bills.  The Obama administration came out against the DNS blocking in response to the anti-SOPA petition.  SOPA author and notorious copyright infringer Rep. Lamar Smith stated on Friday that DNS blocking would be struck from the bill.  The Internet may have won these battles, but the war is far from over. Despite earlier reports that SOPA was “shelved” (or, as some might say ”indefinitely detained”) over the weekend, Lamar Smith announced today that SOPA markup would resume next month.

SOPA has not gone away. PIPA is still up for a vote on January 24th. It’s time to make our voices heard. Coilhouse will be standing with Wikipedia, the EFF, BoingBoing, Reddit, and sites all over the world.

Coilhouse (and countless other publishers, businesses, and activists) could never thrive in a world where SOPA and PIPA were considered reasonable. We oppose the concept of the MPAA (or any corporate sponsor, for that matter) actually writing legislation. We oppose a room full of politicians who don’t understand how the Internet works making vital judgements about its future.

Some relevant quotes:

“If the ████ SOPA [and PIPA] bill passes, ████████████ we’re all kind of ████ed.” – Marina Galperina

“I’m not by any means an enemy of intellectual property, and in fact keep a roof over my head because the conceptexists. But I think that SOPA as it stands now, or as it stood beforethey paused to think about it, is extremely ill thought out, and abasically crazily Draconian piece of legislation.” – William Gibson

“Our freedom is more important than your dying industry. Period.” – @mikeestee

“It doesn’t get much better than working from a war room dedicated to shutting down Wikipedia.” – overheard by @sfslim at the offices of Wikipedia

“These bills were written by the content industry without any input from the technology industry. And they are trying to fast track them through Congress and into law without any negotiation with the technology industry.” - Fred Wilson (Union Square Ventures)

“When ideas are blocked, information deleted, conversations stifled and people constrained in their choices, the Internet is diminished for all of us. There isn’t an economic Internet and a social Internet and a political Internet. There’s just the Internet.” – Hillary Clinton

“The potential for abuse of power through digital networks – upon which we as citizens now depend for nearly everything, including our politics – is one of the most insidious threats to democracy in the Internet age … This is no time for politicians and industry lobbyists in Washington to be devising new Internet censorship mechanisms, adding new opportunities for abuse of corporate and government power over online speech.” - Rebecca MacKinnon (New York Times)

“We’re furthering our corporate interest by taking down our website + ads, to stop a law that the MPAA says can’t harm us.” - Rob Beschizza in response to MPAA butthurt

When was the last time you saw “The Internet” agree about something? It’s beautiful. Thanks, #SOPA! - @raindrift

Intellectual property theft is a problem for artists, and additional safeguards may be needed. As avant-cellist Zoe Keating tweeted earlier today, “I’m against #SOPA, but meanwhile I’m issuing a 7th, ineffective & useless DMCA against @grooveshark. #devilinthedetails” (Grooveshark is notorious among music streaming sites for refusing to pay artists their fair share.) There are no easy solutions. Whether it’s collaboratively fine-tuning the OPEN Act (and it turns out that Rep. Zoe Lofgren, one of the act’s sponsors and SOPA’s biggest opponents, actually listens to feedback) or working out some other method of protest (perhaps a huge internet campaign to educate fans on which sites most fairly compensate the artists they love?), we can work together to construct an Internet where innovation can thrive and artists can fairly profit their work.

SOPA and PIPA cannot pass. The stats are scary: we currently have only 6 Senators opposing PIPA, and we need 40. Only 12 House Members oppose SOPA, and we need 214.

Get involved. Some tips from Congressman Jared Polis and the EFF:

1. Show up at a town hall or talk to them in person, check their schedule with their office.
2. Call your Senators and Representative and tell them to oppose Protect-IP and SOPA, respectively.  Click here for some suggested talking points. Then tell your friends about the call on social media sites.
3. Contact Congress through EFF’s action center.  Customize your letter to explain who you are and why you are worried about this bill. If you’re outside the United States, try this petition from Fight for the Future instead.
4. Are you an artist? Showcase the dangers of censorship through art and music, and use your art as a way of reaching people who might otherwise not know about this issue. You can make stickers, posters or patches, create a YouTube video, or hold an open-mic night around censorship.
5. Write a blog post about the blacklist bills.  Whether it’s a candid explanation of why you oppose the legislation, a discussion of the effect on human rights, or a call to filmmakersto protest the blacklist, there are plenty of things to say about this scary legislation. Help us get the word out by writing articles on your own blog, your school blog, or on blogs that take guest contributors.
6. If you work for a tech company, approach the leadership at your company and explain to them your concerns. Urge them to join you in speaking out. These companies (PDF) already took a stand.
7. More tips available from The EFF.

Together, we will defeat this.

In case you weren’t sure if there was a contest for everything, Metropolis TV is here to assure you that yes, indeed there is. The above preview of their new season on masturbation spotlights Masanobu Sato who one both the 2008 and 2009 Masturbate-A-Thon, held by the Center for Sex & Culture in San Francisco. Both times he set a record, the current being 9 hours and 58 minutes, a time that sounds as impressive as it does painful.

In an especially surreal moment we get to watch Soto begin his day with a 2 hour “practice session”. There he sits, cross-legged on the floor, peacefully watching the news while his girlfriend sews, all the while casually working an artificial vagina over his turgid member. His girlfriend, for her part, sees this as a hobby, not unlike her sewing, She even helps him “train” by timing him, a decidedly different reaction than I would probably get from my girlfriend if I decided to jerk off on the couch in front of her every morning. There is also a harrowing moment in which their cat climbs on his leg to investigate, running the risk of being pulled into the thresher like vortex created by Sato’s inexorable pumping.

Things turn even weirder, though not unexpectedly, when we accompany Soto to his favorite adult video store. Here he explains his particular taste in pornography: specifically adult anime, explaining that a “real female” can be both smelly and/or dirty, whereas, conversely, the women in anime are nice and clean. Which is true, but really, it’s not something we should be saying out loud. Just let those dirty, stinky women live in ignorance. Better to suffer in silence like a gentleman than complain aloud like a man best known for stroking his dick for nearly 10 hours at a time.

Credit where credit is due, though. A lesser man than Soto would no doubt collapse around the one hour mark, exhausted, frustrated, and horribly, horribly chafed. There are worse things, I suppose, than being known as the world’s premiere practitioner of the autoerotic arts. Better to be recognized for a talent than have none at all.

Rule 34!

Via John Coulthart!

“boy·taur \’boi-tawr\ n 1 : a guy with four (or more) legs 2 : a guy with any of a variety of multilimb or other transformations 3 : a guy who enjoys the company of boytaurs, and is thus a boytaur in spirit”

“There’s something wildly, almost primally, attractive about a guy with four legs: the crowding of long, sculpted thigh muscle, the four calf muscles bobbing and working in rhythm with his four-legged walk, the four strong male feet supporting his powerful boytaur body. Boytaurs know this attraction well, and it is our constant joy, both to have and to share.”

“Of course, many boytaurs don’t stop with four legs. Some add more legs, going six-legged or more. Some add extra arms. And many, enjoying all their boytaur feet, decide to go wristfooted as well.”

“Other boytaurs have completely different transformations, or none at all, but are still boytaurs in spirit, enjoying their augmented bodies, and sharing that joy freely. boytaur.net is dedicated to helping that sharing go on across the internet, all around the world.”

In 1940, Disney released Fantasia; an epic animated film consisting of several shorts set to classical pieces. If you haven’t seen it, it’s perfect for the holidays. There are fairies and unicorns and dancing mushrooms.

And, of course, Fantasia includes the Pastoral Symphony. As a child, I was happily unaware of the heteronormative, gender essentialist overtones of this piece. I was just excited to see all the centaur boobs and watch the fashion show unfold. Multicolored centaurettes wearing hats made from lotus flowers, birch bark and even live white doves. Exotic mythical creatures lazing around all day, spending the beautiful sunset hours eating grapes, swinging on giant swings, and bathing by the waterfall. It was just lovely. Looking back, it’s clear how ridiculous the whole thing was. A post at Nectarade provides a hilarious, pitch-perfect overview (click through to the site, it’s better with pictures):

There’s a centaur meetup and the ladies are “dressing up” so it’s not so obvious they’re all clones of each other in different colors. The males are also clonic, but they don’t give a shit about looking alike because they’re there for the mare pussy (well, that sounded funny). Also, there are some weird “little cherubs” playing as sassy gay friends of the girls, matchmakers, makeover artists, and creepy voyeurs. My first reaction: “Why are there cherubs in Olympus, anyway? I suppose they’re sort of little cupids without the bow and arrows, but it’s still fucking weird.” I did my homework, and those things are called putto (plural: putti) . Oh, okay, it makes sense artistically then. It’s still weird because they’re little creepers in this movie, but I’ve learned something new today!

…meanwhile, the clonic Ken doll centaurs get their own catwalk show from which they pick the girl they want to fuck senseless take to the prom. I don’t know if it’s racism or narcissism or fashion taken to the extreme, but I can’t help but notice that all the pairings have similar color palettes. Red/pink/brown/yellow goes with red/pink/brown/yellow, blue/purple goes with blue/purple. That’s very disappointing. You can also tell how much the couples want to have sex as soon as possible, but they can’t because there are little kids watching (and depraved putti stalking them).

Seriously, they have to settle with a lot of second-base touching and inane activities such as playing in swings and eating grapes and just hang out, sitting here consumed with lust for the rest of the evening. But OH NOES!! EMERGENCY!!! DISASTER!!! ONE OF THE CENTAURS IS ALONE! Don’t worry, guys! There’s a centauride who’s also alone! And in the same color scheme! We’re saved! How convenient that there was the same amount of boys and girls! So our team of putti, like fanbrats who feel compelled to pair every character up in the bad fanfiction they write, set them to a date by playing their phallic flute-trumpets. Thankfully, our two dorks liked each other and were actually the ones with less libido. Actually, they’re quite sweet and old-fashioned, and I’m glad for them. I mean, as happy as it can be since the putti are still stalking like Edward Cullen in Bella Swan’s period days, and even when they drop the curtain (literally) they’re still peeking over the centaurs. Eww, GTFO!

The above review of Pastoral Symphony was pretty complete… except, HELLO, WHAT’S THIS:

That’s right. Disney originally included a character named Sunflower – a half-donkey, half black girl servant figure who polished hoofs, brushed/decorated tails, and carried garlands for the centaurettes. It’s not surprising that Nectarade didn’t catch them; the scenes haven’t appeared on any release of Fantasia since the 1960s, and are hard to come by in high quality. Most versions on YouTube look like they were taped off a television. Here is the best-quality collection of all censored scenes. Sister Suffragette adds, “there’s also the possibility that there are more Sunflowers; the movie shows Sunflower with a couple different hair styles which could mean that they actually represent several servant/slave half-asses. It’s hard to tell, though, because the difference in hair style is the only distinguishing feature … of course she was happily shining the hoofs and fixing the tails of the non-black centaurs and there’s not even any thought or explanation given as to why she’s the only one that doesn’t meet a mate by the end of the segment. The others females are chosen by the males who picked them out of the lot after the females paraded and posed in front of the males.”

The real kicker is that, according to several sources, Disney adamantly denied that Sunflower even existed up until somebody finally dug up the footage and put it on the internet (despite the fact that you can find her chowin’ down on watermelon, in stereotypical fashion, in the Fantasia cut-out book. Perhaps Disney was counting on the fact that it’s solidly out of print).

Recently, artists have been reclaiming and re-imagining Sunflower, so perhaps there’s a silver lining to all of this (as an aside, people are also reimagining some of the other Fantasia nubile centaurettes in a very – how shall I put this – non-heteronormative, non-monogamous way. Thanks, Rule 34. Thanks, Internet). People are imagining Sunflower (or Sunflowers) as a strong, confident young girl. Or a self-aware, independent woman. Or even painting her as a servant, but with much more emotion and character. If Disney won’t make this right, the people will. More remixes of Sunflower, after the jump.

Sunflower by AtomicFireball: “This is not a fanart. It’s a little wishful thinking of my own. This is my Sunflower, who never served a mistress.”

I’ve no idea what led this young man to the idea of stacking 3118 coins upon a single dime. Perhaps, as alluded to in the title of this post, he was simply bored. Perhaps he had though long and hard about, what he perceived to be, a lack of coin-stacking research, a gap in the understanding of coin storage. Perhaps he simply got his hands on some grade A marijuana. We will never know. What we do know is that, regardless of the reasons, he ends up with 3118 coins, impressively stacked on a single dime after seven, time-lapsed hours. Isn’t that enough?

Another thoughtful article by guest contributor Jeffrey Wengrofsky, “The Praise of Motherfuckers” looks at intergenerational warfare and the use of the word “motherfucker” in counterculture. NYC readers, take note: Jeff’s latest film (with the Syndicate of Human Image Traffickers), “The Party in Taylor Mead’s Kitchen,” is an Official Selection of DOC NYC 2011, the documentary film festival of the Independent Film Channel. It is scheduled to make its premiere on November 6 at New York University’s Kimmel Center at 7:30 and on November 7th at the Independent Film Center at 3:45. The film depicts the romantic beauty and squalid dereliction of the bohemian life as embodied by Beat poet and Warhol Superstar Taylor Mead. It’s being shown with “Girl with the Black Balloons.” Grab your tickets here. Congrats, Jeff! – Ed

“WALL ST. is WAR ST.” Photo by Larry Fink. More photos here.

There is a … sort of madness… which the furies bring from hell; those that are herewith possessed are hurried on to wars and contentions… inflamed to some infamous and unlawful lust, enraged to act the parricide, seduced to become guilty of incest, sacrilege, or some other of those crimson-dyed crimes…  ~  Erasmus

Not long ago I attended a lecture on youth rebellion in the 1960s.  The presenter noted with disdain that the word “motherfucker” was used by some of the speakers at the notorious demonstration against the 1968 Democratic National Convention.   Use of this term, so the argument went, was emblematic of a movement that was politically inept if not inherently self-destructive.  And the most immediate casualty of the unholy coupling of “mother” and “fucker,” it was alleged, was the candidacy of Hubert Humphrey, who lost to Richard Nixon.  For those outside the Convention, however, Humphrey’s nomination – pre-ordained by party insiders – offered a continuation of the Vietnam War and seemed to make a farce of our democracy.

The Motor City Five get it on (and duck stray bullets)

Well, it got me to thinking, and I soon made the personal discovery that Motherfuckery was all over America in the late 1960s and early 1970s.  No, not literally, of course.  The phrase was, however, in conspicuous currency among New Leftists in a way it had not been before or has been since.  On that fated afternoon in 1968, Rob Tyner of the MC5 had, indeed, shouted his shibboleth – “It’s time to kick out the jams, motherfuckers!” – to ignite his band’s performance, as he did for nearly every show.

After hours of peaceable, if raucous, assembly and rock’n’roll (the MC5 were the only band with the gumption to perform), Chicago mayor Richard Daley dispatched 23,000 police and National Guardsmen to beat and gas the protestors.  And when Connecticut Senator Abraham Ribicoff noted, on the floor of the Convention, that Daley was using “Gestapo tactics,” Daley himself fired the epithet of the era right back at the rostrum: “Fuck you, you Jew son of a bitch! You lousy motherfucker!”

Just a year earlier, Everett LeRoi Jones decorated a poem celebrating the race riots that would permanently cripple Newark: “All the stores will open if you say the magic words. The magic words are: Up against the wall mother fucker this is a stick up!” Magic words indeed, but the “joosh stores” did not “open,” they closed and remain shuttered to this day or marked only by empty spaces in their footprint.

The phrase “motherfucker” had already been in circulation in hip, African-American lingo long before Jones tapped it, referring to someone who may be evil, a passionate musician, or simply a force to be reckoned with.  It is important to note here that mainstream African-American society, ever-struggling for respect, was possibly even more hostile to the use of the term in polite company than America as a whole.

In New York City, Ben Morea, a ballsy street urchin whose totalizing, uncompromising politics was wedded to a phrase befitting his society of self-proclaimed “suicidal sidewalk psychopaths” known as “Up Against the Wall, Motherfucker,” “The Motherfuckers,” or, most simply, as UAW/MF – though they referred to themselves collectively as “The Family.”  Perhaps significantly, Morea “did not know his father [and] did not want to tell his mother he was a Motherfucker because he did not want to disappoint her.”  Osha Neumann, another Motherfucker, also had a twist in his family romance: his father’s best friend, a man who had lived in his house like an uncle (Herbert Marcuse), married his widowed mother.

The Motherfuckers declared war on “the totality of reality as shaped by” the financial, military, and cultural elites by disrupting the suburban commute at Grand Central Station and high mass at St. Patrick’s Cathedral.  In the middle of the garbage strike of 1968, Motherfuckers dumped bags of rotting garbage from the scummy streets of the Lower East Side onto the pristine promenade of the newly-minted Lincoln Center.  They “ran free stores and crash pads…organized community feasts…[and] propagandized against the merchandizing of hip culture…” And, in the middle of the attempted “exorcism of the Pentagon,” only the Motherfuckers actually got inside the five-sided hole of power.   Puritanical Roundheads on the frontline of America’s “cultural revolution,” they physically fought with the police and other radicals, criticized both the war and the naive embrace of the Vietcong by the left, shot blanks at poet Kenneth Koch (who may have fainted or told them to “grow up”), printed and distributed fliers in solidarity with fellow traveler Valerie Solanas after she shot Andy Warhol, and forced Bill Graham into letting them use the Fillmore East for free once a week.

When the MC5 came to play the Fillmore on one such night, the free tickets had not been distributed, unbeknownst to the band.  When they pulled up in a limo provided by Electra Records, the Motherfuckers took it to be a sign of bourgeois bedfellowship, so they trashed the Fillmore and sent that otherwise courageous band into rapid retreat under threat of grievous body harm.   The Motherfuckers were so feared that they once closed the mighty Museum of Modern Art by simply revealing their plans for it.  More than a regional phenomenon, they were the only non-student branch of Students for a Democratic Society (SDS), booted from the Situationist International, and had their slogans scooped up by San Francisco’s Jefferson Airplane for their song, “We Can be Together.” (Jefferson Airplane would actually voice a parricidal fantasy in a different song: “Hey Frederick.”)

Watching this video I cannot exactly be sure if this isn’t in jest. Surely, one would think, there is no need to explain the proper way to open a door. Surely, one would think, if those Scandinavians figured out the mechanics of leaving a room, the Finns would have as well. This video seems to illustrate otherwise, indicating that, at least until 1979, the Finnish people were constantly running, full-tilt, into entryways, oblivious to how these infernal blockades functioned, perhaps flailing wildly at the door knobs (provided they had not knocked themselves unconscious) their spastic flapping eventually resulting in the door opening after, what must have seemed, an eternity; the sad, exhausted individual collapsing through the doorway, already dreading the next encounter. One could theorize that, with so much of their faculties taken up by trying to master their sadistically difficult language, they have little capacity for much else inside their brain-meats. (Editor’s Note: This is just the theory of one man. It does not represent the opinions of Coilhouse or the Editors and does, in fact, come from the diseased mind of a crazy person. The Finnish people have a wonderful language and are also in possession of exemplary brains.)

Whatever the reason, there still exists this clip of a dapper, mustachioed gentleman, wearing, one might say, an obscenely wide tie, demonstrating how to open a door in a manner that would most likely result in the practitioner immediately being ejected from the space they had just entered on suspicion of being some sort of trespasser; especially in conjunction with the aforementioned moustache. Perform at your own risk.

From John Campbell, creator of the amazing/depressing/hilarious comic Pictures For Sad Children, comes “Cats”, a short film about Shannon Driscoll — screenprinter, teacher, cat enthusiast. The film explores Shannon’s love of felines and how they influence her art and, in doing so, hold up a mirror to her strained relationship with her father. A relationship in which the truly innocent suffer the most.

I don’t know who is behind YouTube username cookiewaits but he/she realized at some point, something that had never occurred to me: Tom Waits really sounds like Cookie Monster sometimes. Almost to the point that, while watching this video, I though it was someone doing Waits’s song “God’s Away On Business” in a Cookie Monster voice. Turns out that, no, that’s Tom. I don’t think I’ll ever be able to listen to this song the same way again.

Via Cynical-C

GEMINI & SCORPIO Present: The Black & White & Red All Over Ball. (Flyer by Nadya & Nicole, inspired by Courtney Riot. Imagery courtesy of Helen White & Amelia Arsenic.)

For years and years and years, we’ve been talking about throwing an epic Coilhouse party in New York City. There’s a lot to celebrate: our vibrant family of East Coast-based Coilhouse contributors and compatriots, the four-year anniversary of the Coilhouse site, and, of course, the imminent release of Coilhouse Issue 06… which is gorgeous, by the way! (It’s visually unlike anything else we’ve attempted thus far. So much hard and occasionally heartrending work has been poured into this issue over the past year, by a big team of devoted staffers, contributors, interns and editors.)

In keeping with the distinct color scheme of Issue 06, and with a cheery nod to the slapdash, seat-o-the-pants times Coilhouse currently finds itself in, we’re calling our Coilbash The Black & White & Red All Over Ball. We are striving to make it the fanciest, most weird and wonderful costume ball of our career thus far. And, quite frankly, we’re not only hoping for, but counting on a healthy turnout, in spite of the short notice-ness. We really hope to see you there. It’s not just about the Benjamins. Honestly, we’re aching for a proper Big Apple shindig. We dearly want to meet and greet and hug the stuffing out of all our East Coast lovelies, and then maybe dance the night away, if that’s all right with you? We feel like it’s way past due.

With a little (actually a LOT) of help from our friends, we’ve been getting the word out, and lining up an incredible array of art and performance. Two dozen fabulous silent auction items have been donated by Coihouse featured artists, friends and contributors. We’ve locked down a lavish venue, and we’re ready to rock your socks off. HOLY SHIT. GUYS. LET’S DO THIS.

Please do read further for more details.

Our beautiful venue, the Red Lotus Room.

First of all, check out the space! We shall be getting our boogie on in Crown Heights, Brooklyn, at the sumptuous, sprawling, velvety Red Lotus Room, home of the legendary Shanghai Mermaid speakeasy. When Mer first sent out a big “CALLING ALL CARS” email to her NYC crew, several people recommended we get in touch with the lovely Juliette, who runs both the space and the speakeasy. Juliette is a kindred spirit for sure, deeply committed to DIY community and the arts. Asian lanterns and chandeliers, exposed wood beam ceilings, red velvet-draped walls… oh my!

Upon arrival at the Red Lotus Room, revelers will enter a secret, lush cabaret universe to an extravaganza of live music, dance and circus performances. Aerialists… fire… projec​tions… Dadaist spectacle… surprises galore. Dance to rollicking sets from DJ luminaries. Bid on silent auction items donated by longtime supporters and featured Coilhouse artists: a splendid array of autographed prints and books, and one-of-a-kind art objects. (PS: we’re working to see if we can’t arrange for this to be an international auction, to make things more interesting!) Mix and mingle with Coilhouse staff and family of longtime East Coast contributors, including Molly Crabapple, Clayton James Cubitt, and Jeff Wengrofsky. Angeliska Polacheck is even flying in from Austin for this! Plus, partygoers will get the first glimpse of Coilhouse Issue Six, and an opportunity to pre-order it at a discount. There will be tea ceremony, there will be booze, there will be belly dancers and cabaret, flaming poi and flying trapeze. Most of all, there will be a whole lotta love in the dang room, because the night of August 21st is all about Coilhouse celebrating its birthday, and most importantly, its community.

So, yes. As you can see, the space is amazing. Then there’s the phenomenal party production team, Gemini & Scorpio, who are presenting the evening’s festivities. G&S have stepped up in the most gobsmackingly incredible way to help us to list, promote, organize, cat-herd and co-curate this shindig.  Run by “two artsy New York City gals and creators of G&S’ Fabulous Guide to Online Dating (old, but useful!)” our cherished and generous G&S team are: “Smart, creative, funky and different, just like the people we are here to meet. Our email list spreads the word on underground happenings in NYC you’d otherwise never hear about, and our own–sometimes unbelievable–parties bring our thousands-strong creatives’ community offline.” Holy macaroni, they’re badass.

With their help, combined with the counsel and kindness of our dear friend Shien Lee of Dances of Vice (be sure to scroll down and take note of the DoV/Coilbash two-event deal!), and the wisdom of the aforementioned Juliette and Shanghai Mermaid, we have been able to reach further and deeper into the NYC underground than we ever could on our own from way over here in sunny Cali. Our lionhearted comrade and champion, Molly Crabapple, has also been helping out tremendously with backline support. In the midst of all of this last-minute chaos, whenever we take a brief moment to catch our breath, we feel like we’re swooning in the outpouring of love, support and advice we’ve received from all of these women, their extended networks, and beyond. (Thank you, lovely ladies. THANK you, thank you, thank you. We can never say it enough. We are so darn grateful to all of you.)

With their help, and in cahoots with countless other members of da ‘Haus’s own extensive tribe in NYC (who will undoubtedly be getting a ton of blog shout-outs and love over the next few weeks), we’ve been able to confirm a lot of fantastic talent over the past couple of days, with more acts to be added over the next week. Here’s the current roster:

Kim Boekbinder. Photo by Marianne Bijou.

Franz Nicolay. Photo by Konstantin Sergeyev.

Brian Viglione. Photo by Ethan Miller.

The Fishtank Ensemble (Promo photo.)

MUSIC: Kim Boekbinder (Vermillion Lies) Our beloved genre-defying songstress of murderous waltzes and epic pop ballads will woo us with voice, guitar, looping pedal and a bag full of mystery. In Coilhouse’s review of her album The Impossible Girl, Mer described her as  “a bravely vulnerable, electrifying lightning rod of a woman.” She is all that and more. The wondrous Fishtank Ensemble (fellow Californians who just happen to be in NYC this week) will give us a blissful, heartmelting, booty-shakin’ dose of their signature blend of Roma, Serbian, flamenco, manouche, Turkish and Greek music, plus original compositions! Franz Nicolay (World Inferno, Hold Steady, Guignol) is a dashing moutsachioed multi-instrumentalist, composer, and the hardest working boho-accordionist in NYC. Brian Viglione (Dresden Dolls, World Inferno, Gentlemen & Assassins), who will be providing us with an assortment of unfettered, theatrical DRUM SOLOS throughout the evening, is an energetic, expressive, percussive powerhouse. Thomas Negovan, bless his beautiful heart, is flying all the way from Chicago to give us a delicious taste of occult-tinged, erotic, 1920s cabaret songcraft. Kelvin Daly, builder of unique musical instruments, will favor us with mysterious and elegant performances. Theremina (yes, that’s Mer’s stage name, shhh!) will humbly provide a wee bit of wistful, theremin-drenched ambient music to sway and swoon to. Ooo, and then there are the DJs! Wengrofsky – Scrappy and eclectic vinyl wizardry. PUREVILE! – Sets of new wave, dark glam, new romantic from the co-founder of DISKO NOUVEAUX.

Sarah Hassan

Sky Claudette. Photo by Jeffrey Grossman.

Our ringmaster, SF SLIM. Photo by Jacob Appelbaum.

DANCE/CABARET: Our darling, delicious blog contributor, Sarah Hassan, will be taking the stage as a Bellow Dancer & Bedouin Showgirl. Paige & Ahnika (recently ‘Haused here) will provide a set of electrifying, emotive, empowering belly dance. LeRoi Prince is bringing us a bit of Weimar drag/burlesque genderfuckery with swagger and class. Liron & Daly, a bewitching husband and wife team, will give us aerials performed to live musical accompaniment. Eros Fyre – Sky & Vlad will perform feats of fire magick. Ian Baker of Interpretive Arson will be bringing out the fire rope dart. Our Master of Ceremonies is the one and only SF SLIM. Slim’s been a friend of ours for years; he’s a charming collaborative culture evangelist and a nattily-dressed Joy-Facilitator who “eats concepts and makes things”. We’re overjoyed that he’s agreed to be our ringmaster, in addition to helping out behind the scenes.

Muffinhead! Photo by Gabi Porter.

Some of Empire S.N.A.F.U.’s unsettling art.

PUREVILE!

MISCELLANEOUS SPECTACLE & ODDITY: Some sort of gorgeously unsettling, as-of-yet-determined “art incident” courtesy of EMPIRE S.N.A.F.U will occur. S.N.A.F.U. is “a feverish visual and theatrical mélange of dystopian technology, sexual obsolescence, and implied religion,” painstakingly assembled from a vast and unsettling assortment of found materials. Muffinhead - Lavishly costumed, colorful performance absurdist; a spectacular cartoon imaginary made real. The PUREVILE! girls – Exquisite living dolls unearthed from some great-great-auntie’s steamer trunk, bedecked in bespoke post-apocalyptic Victorian finery. Three-minute theremin lessons from Mer, if you’re game to make some woo-woo noises. AND! Last but not least, a Black & White & Red All Over Photo Booth.

SILENT AUCTION. Items will include art donated by Diamanda Galas, Molly Crabapple, Jessica Joslin, Paul Komoda, Jason Levesque & Xeni Jardin, Century Guild, Disinfo, PUREVILE!, Kate O’Brien, Nicole Aptekar, and Asha Beta. There will also be a full set of the out-of-print, highly collectible back-issues of Coilhouse (Issues 1-5).

COSTUME SUGGESTIONS: Sharp curves in black and white and red, in keeping with the German Expressionist/Bauhau​s/Constructivist color palette of the upcoming Coilhouse print issue. Think decadent Weimar, 1920s Soviet Union, Klaus Nomi, origami-inspired, architectural, Metropolis, or De Stijl fashion. Polar Bear & Penguin? Nun in red fishnets! Valentine’s Day Zebra. Vampire and Midnight Snack. Anything in the color scheme goes, as long as you GO FOR IT.

VIP TICKETS: Donations over $30 will grant patrons 5 pm admission for an East-meets-West tea service, and first access to the silent auction. The tea service will be from 5-7. Enjoy live acoustic music and crackling wax-cylinder ambiance, private salon performances, and cozy conversation with Coilhouse co-founding editors Nadya Lev and Meredith Yayanos. Depending on donation level, there are many goodies to be had! VIP pricing structure is as follows:

• $30 Coilhouse buttons + stickers + baubles
• $50 Coilhouse buttons + stickers + Coilhouse I/I/I coffee mug
• $75 Coilhouse buttons + stickers + plus codes for DRM-free, high res PDF downloads of Coilhouse out-of-print back issues 1-5 + Coilhouse laptop vinyl.
• $100 All of the above + limited edition “Interstellar Vanguard” print by Zoetica Ebb. (Print exclusive to this tier.)
• $150 Everything in $75 gift bag + free pre-order of upcoming Issue Six print mag + a signed one-of-a-kind magazine proof from a past issue of Coilhouse.
• $200 All of the above + second printer’s proof + a trip to the COILBOX to pick out a final “mystery merch” item worth $30 – $50
• $300 All of the above + acknowledgment in print Issue 07 as a Coilhouse Print Patron + personalized thank-you card from Nadya Lev and Meredith Yayanos.

GENERAL ADMISSION. The main event starts at 7:00 and goes until midnight. Entrance is $15.

Admission to the main party event is included with all VIP tea service and salon tickets.

SPECIAL DEAL FOR DANCES OF VICE ATTENDEES! The DoV Enchantment Under the Sea Dance is happening on Saturday, August 20th. Why not make a cross-pollinating, bohemian art and culture blow-out of the whole weekend? We’ve teamed up with Shien and Co. to offer a special ticket to those who attend both events. For $25, you can be a guest at both parties. This will gain you general admission entrance to both events.

LOCATION. Red Lotus Room. 893 Bergen (between Classon and Franklin). It’s a wee bit off the beaten path, but hey, aren’t we all?! There is a subway stop close by, and we’re arranging to have some clear (and possibly quite entertaining) signposts up for all folks coming by public transit from the train station to the venue.

WHAT NOW? All that’s left is for you to buy tickets and RSVP! See you there, loves.

• Buy Tickets Here
• RSVP on Facebook