An Egyptian anti-government activist kisses a riot police officer following clashes in Cairo, Egypt, Friday, Jan. 28, 2011. Image by Lefteris Pitarakis/AP.

Shit’s going down in Egypt. Since January 25th, the streets of Cairo have been flooded with protesters demanding the resignation of Hosni Mubarak. For a clear and comprehensive overview of what’s been happening in Egypt these past several days, we recommend Nick Baumann and Siddhartha Mahanta’s post on the Mother Jones blog, titled What’s Happening in Egypt Explained.

One of the scariest elements of this situation has been the ease with which the Egyptian government was able to wipe out citizens’ access to information and communication nationwide. Last week, one by one, ISPs surrendered to the will of the state, depriving thousands of the Internet access that so many of us take for granted. And through Internet connectivity was restored for many Egyptians today, there remain concerns of surveillance. Eva Galperin writes on the EFF blog, “given the potential dangers, it is absolutely critical that Egyptian protesters take precautions when communicating online. To reiterate, social networking tools have given activists a powerful voice, which can be heard well beyond Egypt, but activists should also remember that the Egyptian government could use these same tools to identify and retaliate against them.” Phobos at the Tor Project blog adds, “we are concerned because it is possible that traffic crossing the Egyptian border is being recorded and possibly saved for future use. Correctly using Tor to and from Egyptian destinations will keep your traffic anonymous.”

The Tor Project, a system to enable online anonymity, has been crucial in aiding activists around the world. Thanks to this week’s fundraiser to help Tor fight the blackout in Egypt, Tor has begun experimenting with ways to improve performance over satellite and mesh networks as well as VSAT and BGAN connections. The results of this research, Tor reports, will “benefit those with little to no Internet access, whether due to political unrest, natural disasters, or remote locations, who nonetheless seek to keep their online activities safe.”

This week, we’ll be donating to support Tor’s efforts. We invite you to do the same. And there’s a way for you to contribute to Tor and receive something from us in return. We’ve just put up one rare, mint-condition copy of Issue 01 on Ebay. The original issue 01, typo on the cover and all. The highly NSFW version that was only sold on our site. Only 1,000 copies of this version were ever printed (an alternate version went to the stores), and we have a mere 10 left in stock for the rest of our lives. It will never be reprinted in its current form. 100% of the proceeds will go to Tor. (Also of interest: Zoetica’s own Tor auction for a tentacle-painted denim jacket.) Bidding starts at $15.00 (not to be confused with this vendor’s $119 auction for Issue 02 – that’s not us – we’re flattered and somewhat appalled). The auction is here. GO!

Here’s an extended trailer for a documentary feature in production on the late, great musician Rowland S. Howard:

Looks like it’s going to be a phenomenal biography. Produced by Ghost Pictures, Autoluminescent features candid conversations about the man’s gutwrenchingly beautiful guitar-playing and his tumultuous life with everyone from Nick Cave to Lydia Lunch to Nick Zinner to Gudrun Gut to Henry Rollins to Mick Harvey to Thurston Moore to Jim Sclavunos… brandishing a banana.

It’s currently slated for a Summer 2011 release. HELL YEAH.

Here’s a widely unknown, but interesting example of intercultural influence exchange: Hans Bellmer can be easily called the godfather of Japan’s thriving puppet scene. In fact, the majority of currently active Japanese doll designers graduated from the famous Ecole de Simon. Its founder, Yotsuya Simon, was the originator of the now thriving dollmaking scene.

In 1965, a young artist nicknamed Simon (because of his love for jazz, especially Nina Simone) learned about surrealism and avant-garde theater, which would influence him for the rest of his life. Soon after, he became a member of Jokyo Gekijo (Situation Theatre), which was considered one of the most progressive art movements in Japan at that time. Simultaneously, fascinated by Bellmer, Simon began to create his own ball-jointed dolls.

His most famous works – the Narcissisme and Pygmalionisme series – appear to be studies on the ambiguities of the human body. The life-like, waifish, pale bodies, surgically opened and exposed to the spectator’s eye, bear a mark of complete sadness, leaving the observer with a feeling of acute unease. One might raise the subject of ambivalent eroticism here: it’s remarkable that one of Yotsuya’s past exhibitions was named Dolls of Innocence.

Artist and researcher M.S. leDespencer has kindly written the following obituary in honor of Kenneth Grant. The more esoterically inclined readers of Coilhouse will immediately recognize that name. Those who are unfamiliar –but curious– may wish to click the many hyperlinks attached below and begin to explore Grant’s strange and beautiful work. Condolences to Grant’s widow, Steffi, their family, and friends. ~Mer

Portrait of Kenneth Grant by Austin Osman Spare

“So life takes fire from death and runs. Whirling amidst the suns.”
~A. Crowley
Liber Pyramidos

It was announced today that occultist, author, artist, and gentleman Kenneth Grant passed away after an illness on January 15, 2011. He was 86 years old.

Grant, long a compelling figure in the world of occultism, has a legacy that extends back over half a century. He was the last man alive to have close ties to Aleister Crowley, having served as personal secretary to “The Beast”, and having been initiated into the Ordo Templi Orientis and Argentum Astrum by Crowley himself. After Crowley’s death, Grant and his wife Steffi were among the few attendees at Crowley’s funeral service. Subsequently, Grant became well known for helping to keep Crowley’s concepts and philosophies alive in the troubled decades following his death, and for the further continuation and expansion of Thelemic ideas over six decades.

Kenneth Grant’s occultism was not the fervent, dry adherence of the ideologue. Rather, he fashioned a deeply personal, fantastical, dynamic, and intricate system of magic woven together from syncretic elements of Tantra, Voudon, Gnosticism, Surrealism, fiction and a variety of other exotic threads. Building on the foundations of Crowley’s work, Grant expanded the current understanding of the meaning and implications of the “Law ofThelema”. Much like the mystic William Blake, Grant forged his own path beyond esoteric speculation, writing first-hand accounts of what he perceived to exist outside of the range of mundane experience.

Over the course of sixty years, Grant cataloged his evolving exploration of Crowley’s system of Magick and philosophy across a series of nine books that came to be known as the Typhonian Trilogies. Grant had stated that he wanted the act of reading these books to be an esoteric experience in and of itself. Certainly, the trilogies contain a maelstrom of esoteric ideas, dream imagery, and highly technical esotericism that, for the receptive reader, can border on a consciousness-altering experience. In addition to these seminal works, Grant wrote a variety of articles, fiction, and poetry, all of which are being made available via his official publisher, Starfire.

Portrait of Steffi and Kenneth Grant by Austin Osman Spare

Grant is also responsible for the enduring legend of the occultist and artist Austin Osman Spare, who had a profound influence on both his and Steffi’s art and world view. As Spare’s executor, Grant helped to catalog and publish Spare’s paintings, drawings, and writings, securing his friend’s art the long-term influence and respect it wields today. Were it not for the Grant’s loyal championing, the world would most likely lack knowledge of the rich, haunting body of work that Spare left behind.

Mr. Grant is survived by his aforementioned wife, the artist Steffi Grant –who has been an integral presence in Grant’s work since the beginning– and their family. His work continues via the Typhonian Order and individual explorers the world over. Through whatever strange spheres or iridescent geometric shapes he may choose as his vehicle among the scintillating transplutonian stars, may his journey continue!

Film still taken from footage discovered in the British Pathe archives. Click here to watch.

The BBC reports:

An important part of ballet history has been discovered – 30 seconds of the Ballets Russes dancing in 1928.

It is the only film ever found of one of the best known and most influential companies in dance history.

The silent black-and-white news reel was spotted wrongly labeled in the British Pathe online archive by a dance enthusiast, and then verified.

AMAZEBALLS! So exciting! This news comes to us via reader Sarah Hassan, who literally just turned in a massive article about Sergei Diaghilev and the Ballets Russes earlier today. (Apophenia in da’ HAUS.) Keep your eyes peeled in the coming weeks for Sarah’s sprawling, comprehensive Coilhouse blog feature on one of the most fascinating and influential chapters in ballet’s history.

Previously en pointe on Coilhouse:

• Vaslav Nijinsky’s Diaries.
• The Royal Ballet’s Tales of Beatrix Potter.
• An obit and an upcoming film for Pina Bausch.
• Numa Numa Ballet Dancer.

It is possible that you may be one of the many trapped by the newest winter storm that has much of the US in its icy grip. The new single from The Tree Ring, case “Wore It Deep”, viagra sale has a funereal melody that will perfectly compliment the next few days as you huddle with your family, burning your furniture for warmth, and drawing straws to decide who gets eaten. If you are not snowed in you may enjoy it as well. Just know that the rest of us hate you.

Via The Fox Is Black

An oldy but a goody, posted both for those who have never heard it, and those who have heard it a hundred times already. The serene and mysterious ambient music of Jupiter as captured by NASA Voyager:

These sounds are the result of “the complex interactions of charged electromagnetic particles from the solar wind, planetary magnetosphere, etc.” (Via Andy Ristaino, thank you.)

There’s something deeply comforting and astonishing about this, isn’t there? Our universe is so far from silent. A wide range of heavenly bodies are constantly emitting unique electromagnetic signals that we can pick up and process, provided we have the right instruments. The stars do sing.

• Noise of Earth as recorded from space.
• Sounds of the sun.
• Sound of a probe approaching a black hole.
• Sound of Saturn’s rings.
• Radiation from Neptune.
• Whole slew of space sounds.
• Nasa Voyager Symphonies of the Planets album.
• Trans Plutonian Transmissions by Arecibo (aka Lustmord).

Striking, innovative photography is, apart from chocolate and comics, Belgium’s national treasure. Even the Royal Family themselves once commissioned Dirk Braeckman – an expert in depicting murky, disturbing interiors and their mostly undressed inhabitants – to take a series of portraits with a goth feeling. How appropriate for a country which gave us Les Disques Du Crépuscule and Front 242.

Another sensational creator of wondrous Belgian photograph is Koen Demuynck, who reveals very little about himself, letting the pictures express his uncanny imagination. His daring, surrealist approach to commercial photography quickly made Demuynck every art director’s dream associate and one of the busiest advertising photographers of today.

The heavily manipulated, weird landscapes and the most unbelievable juxtapositions make one curious to take a look inside his mind. Seeing gnomes constantly tripping on acid there wouldn’t be a surprise at all. Cats watering plants? Check. The secret of Stonehenge revealed? Check. A dog sorry for peeing on your house’s wall (how cute!)? Check.

A few years ago, the French photographer Sacha Goldberger faced a distressing problem. His 91-year-old Hungarian-born grandmother, Frederika, felt lonely and depressed.

His innovative solution was to turn “Mamika” into a larger-than-life superhero and photograph her. According to a post in My Modern Metropolis, “Grandma reluctantly agreed, but once they got rolling, she couldn’t stop smiling.”

The story went viral, even leading to talk of a movie deal. It’s easy to see why. Goldberger’s pictures convey the warmth and sense of wonder that made many of us love the superhero genre in the first place.

Additionally, the images are a reminder that for such a seemingly superficial thing, unique personal aesthetics can have a lot of power. It does everyone good to be a character, if just for a little while.

Of course, there’s also this:

Frederika was born in Budapest 20 years before World War II. During the war, at the peril of her own life, she courageously saved the lives of ten people. When asked how, Goldberger told us “she hid the Jewish people she knew, moving them around to different places every day.” As a survivor of Nazism and Communism, she then immigrated away from Hungary to France, forced by the Communist regime to leave her homeland illegally or face death.

Costume or no, heroes are in the most unexpected places. More photos, below the cut.

Jost Haas is, as the title of Tomas Leach’s short film The Story of the Last Glass Eye Maker in Britain states, the last glass eye maker in Britain. Whether he is the last to make ocular prostheses by hand or at all is not specified but I think it would be safe to assume the former (though, I suppose, it could very well be both). In fact, due to either the brevity of the film or the reticence of Mr. Haas there is not a great deal of information to be gleaned here. And yet, it is still a captivating five minutes not only because we get to see a brief glimpse of the delicate process of making these prosthetic orbs but because the soft-spoken Haas is so dedicated, not to his craft per se, but to those who benefit from it. No doubt this humble attitude does the most for making this such a great interview.

Via Engadget : Thanks, chesh!