Eiko Ishioka, Motoko Narsue, Kyoko Inui, poster 1979. Photographed by Kazumi Kurigami.

One of the world’s greatest costume designers, Eiko Ishioka, died today at age 73. Ishioka’s work spanned genres and continents; she is best known for her costume design on Dracula, The Fall and The Cell, as well as her collaborations with Bjork, Grace Jones and Cirque du Soleil. From the New York Times:

Ms. Ishioka won an Academy Award for costume design in 1992 for “Bram Stoker’s ‘Dracula,’ ” directed by Francis Ford Coppola. Her outfits for the film included a suit of full body armor for the title character (played by Gary Oldman), whose glistening red color and all-over corrugation made it look like exposed musculature, and a voluminous wedding dress worn by the actress Sadie Frost, with a stiff, round, aggressive lace collar inspired by the ruffs of frill-necked lizards.

These typified Ms. Ishioka’s aesthetic. A deliberate marriage of East and West — she had lived in Manhattan for many years — it simultaneously embraced the gothic, the otherworldly, the dramatic and the unsettling and was suffused with a powerful, dark eroticism. Her work, whose outsize stylization dazzled some critics and discomforted others, was provocative in every possible sense of the word, and it was meant to be.

Ms. Ishioka was closely associated with the director Tarsem Singh, for whom she designed costumes for four films. In the first, “The Cell” (2000), she encased Jennifer Lopez, who plays a psychologist trapped by a serial killer, in a headpiece that resembled a cross between a rigid neck brace and a forbidding bird cage.

“Jennifer asked me if I could make it more comfortable,” Ms. Ishioka told The Ottawa Citizen in 2000, “but I said, ‘No, you’re supposed to be tortured.’ ”

Eiko Ishioka worked until the very end of her life. Her latest works can be seen in Tarsem Signh’s Immortals (2011) and Mirror Mirror (2012). After the cut, more images of Ishioka’s work throughout the ages, as well as recent video of her talking about her work on Immortals.

Costume design from The Fall

Costume design from The Cell

From the same land that recently brought us Vinicius Quesada’s ominous post-apocalyptic images in the McDonald’s color scheme comes this two-image series from Brazilian artist Lucas de Alcântara.

The strange atomic-age flying machines (robots? winged helmets? …life forms?) recall Leonardo da Vinci’s technical drawings, while the composition echoes high-concept, hand-drawn film posters of bygone days. The would look great on a wall next to some Takashi Itsuki prints, no?

The images appear in Alcântara’s Depthcore portfolio. Consisting of digital artists around the world, Depthcore is a treasure trove of weird cyberpunk art. Work on Depthcore seems to be presented in chapters, and the image above appeared in the chapter titled Obsolete among many other beautiful submissions.

[via the highly addictive Surrogate Self]

Photo, model and wardrobe styling: Numidas Prasarn.

Last fall, artist and maker Matthew Borgatti (previously on Coilhouse) released a snappy Guy Fawkes bandanna in solidarity with OWS in his Etsy Store. “This is the hanky code for revolution,” wrote Matthew. Perfect for protecting oneself from “sudden dust storms and outbreaks of authoritarianism,” the bandanna’s design includes tips for peaceful protesting, advice for dealing with pepper spray, phone numbers to call in case of arrest, and the words “Never Forget / Never Forgive / Expect Us” emblazoned on the corners. (The disclaimer reads, “all advice offered on this bandana should not be construed as legal council. Consult a lawyer in the event of any involvement with the law. If you cite a bandana as your legal council in court you will be laughed at by a man in a wig.”)

The bandanna quickly went viral thanks to BoingBoing, Reddit (featuring the best comment thread ever) and Laughing Squid. The mask was soon adopted by artists involved in the Occupy Movement, including Neil Gaiman and Molly Crabapple, as well as protesters nationwide.

Debuting here on Coilhouse under the Share-Alike Attribution Non-Commercial license, we proudly present the OWS Bandana Remix Pack! The zip file (1.7 MB) contains elements to remix as masks, prints, bandanas, and posters. Included are vector files with elements, stencils, and a copy of the full text on the bandana. “If you’d like to create your own Fawkes bandana,” writes Matthew, “I’d suggest cutting out a stencil on acetate and bleach printing.” Add your own layers, create new patterns and print as many as you want.

Click here to download the OWS Bandana Remix Pack! And do send us or Matthew the artwork, posters or fashion that results. We’d love to see what you come up with. After the cut, a brief interview with the maker.

Are you at all worried about the film studio suing you?
I am, a little, as I think I’ve got a solid case for the independence of this art from the works that it references, but can easily be shut down by the studio on a whim. I don’t have the financial weight to do anything but to submit to an injunction or C&D, as I can’t afford the kind of legal representation it takes to swat off Time Warner. Guy Fawkes has gone from a person, to a caricature represented in mask and effigy, to a comic book character, to a film character, to an iconic mask, to the face of an ambiguous entity, to a symbol for revolution and direct action for social change. How a single company could own all that baffles me.

Two very different videos of teenage girls airing our their grievances on YouTube have gone viral in the past two days. Here they are. Compare and contrast:

On the uplifting side, we have a 13-year-old vlogger named astrorice articulating the concepts of slut shaming and rape culture. “While I am fully aware that this is a bit of an unorthodox topic for a thirteen year old virgin to be talking about, it’s an important issue to discuss, and a great topic for girls my age to know about,” writes astrorice.

As Aaron Muszalski noted on Facebook, “This is the most inspiring thing I’ve seen this year. Seriously a must-watch. An amazing young person speaking out — eloquently and forcefully — about a topic that many people much older than her still have a hard time wrapping their heads around. Or indeed, even acknowledging its existence. Major props. As unfortunate as the issue of slut shaming is, this video and its maker give me great hope for the future.”

And on the dark side, there’s this: a 14-year-old girl calling for the boycott of Girl Scouts due towards their inclusive policy towards transgendered kids: in particular, a 7-year-old transgender child who was allowed to join Girl Scouts in Colorado. Richard Metzger writes, “From what I can make of her argument, young Taylor here seems to think that high school age boys are suddenly going to want to wear drag and join the Girl Scouts so they can rape her or something? Taylor, there are far, far easier ways for teenage boys to get laid! … Do you really want to be the Rebecca Black of intolerance? For the rest of your life?” Audrey Penven adds, “Shame on her parents for sucking so hard. Shame on her community for nurturing this kind of close-mindedness.”

These children, they are our future.

The internet is quickly becoming smitten with a young photographer/urban explorer who broke into an unguarded rocket facility in Russia. Jesus Diaz at Gizmodo writes:

Her name is Lana Sator and she snuck into one of NPO Energomash factories outside of Moscow. Her photos are amazing, like sets straight out of Star Wars or Alien. Now the Russian government is harassing her.

It was easy to get in. She just went there, jumped over the fence and got right into the heart of the complex through a series of tunnels and pipes, which was very surprising. After all, this is an active industrial installation that belongs to one of the top manufacturers of liquid-fuel rockets in the world. Their engines power the modern Soyuz, the Zenit 3SL, and the Angara and Baikal launch vehicles. Heck, their RD-180 engine powers the first stage of the Atlas V, an American rocket. More importantly, they have specially strong ties to the Russian military.

And yet, she found nobody. No guards, no security. Nothing. Just a few CCTV cameras here and there in rooms packed with huge machinery.

While some of these zones look decrepit and abandoned, the factory is active. In fact, the government is really pissed off about Lana’s adventure. The authorities have sent her letters saying that her situation will get “much worse” if she keeps posting photos from the factory.

Large, beautiful photos from Lana’s adventure at the rocket factory, along with a scanned letter from the authorities warning her of the dire consequences, can be seen at her LJ.

[via Michael Doyle / Marina Galperina / FrumiousBandersnatch]

2011 was an incredible year. With all the hope, uncertainty and weirdness that lies ahead in 2012 – election year, Alan Turing Year, the year of the Mayan Apocalypse, the year that 2011 seeds come to fruition – why not start on a good karmic note? Three incredible Kickstarter projects need your help. Here they are, in order of how soon they’re ending:

Take This Book: The People’s Library at Occupy Wall Street. A nonfiction book by Melissa Gira Grant that tells the story of the The People’s Library, as imparted by many of the librarians that maintained it in Zuccotti Park before the police raid on November 15th. Here is an excerpt from the book. To many people, the destruction of the library was a painful moment in Americna history; the image of police throwing carefully-curated, free books from the volunteer-run library into dump trucks felt like a symbol for the repression of free speech.

“Take This Book is an extended essay — just over 10,000 words — based on the stories of the librarians and the library’s patrons. (Maybe you were one of them.) It can’t be the whole story, because it’s still happening.” Donating $1 will get you a digital copy of the book, and donating $20 or more will get you a print edition. For $250 or more, you can get a signed and numbered “People’s Library” print from Molly Crabapple, seen above. There are only 18 hours left on this campaign at time of writing. Donate now!

Rachael Reichert’s Ethical Luxury Corset Collection. When you Google image search “eco clothing” and variations thereof, you get a lot of green and earth tones, lots of yoga pants, and more than a fair share of loose, flowy dresses. This is great, but it leaves many of us who care about ethical clothing of a more vintage/fetishy persuasion out in the cold. Designer Rachael Reichert wants to take on the challenge of crafting a collection of luxury corsets using nothing but ethical, fair-trade and (when possible) locally-sourced material.

Her fabrics will will include organic cotton that is grown, woven, and dyed according to Global Organic Trade Standards in India, as well as peace silk or wild silk, produced by a process in which “fibre is pulled out from the cocoon after the moth has emerged, and hand spun.” Reichert plans to use steels bones, vintage twill tape, aluminium grommets, and locally handmade bobbin lace as well as her own signature handmade thread lace. The goal is to make luxurious, elegant alternative clothes “with a clean conscience”.

Cakeland. A giant, cake-themed art installation built by Scott Hove. A magical wonderland of icing, joy and despair. See the beautiful high-res images over at Hi-Fructose. Cakeland will feature “60 full length mirrors, cake chandeliers, theatrical lighting, moving parts and sound to make the most stunningly beautiful and lush mirror maze and art installation you will ever see.”

The most incredible thing about this version of Cakeland (smaller ones have been built before) is that it’s entirely mobile! Cakeland will probably travel to your city, or a city near you. Help make Cakeland happen, and you will one day be able to walk its delicious halls.

If you remember the 90s, you probably remember Smack My Bitch Up and Voodoo People from The Prodigy. It’s generally known that both these tracks tracks use a lot of samples, but just how many samples – and to what effect – wasn’t clear until Ukranian music producer Jim Pavloff put together a masterful recreation of the two tracks using Ableton Live.

As part of the same phenomenon that allowed entire musical genres to crop up from a 6-second drum sample called the Ahmen break, The Prodigy was able to create these tracks at a time when copyright law had not yet caught up with sampling trends in the music world. Recreating The Prodigy’s process using more modern software, Pavloff copies, pastes, stretches, cleanses, folds and manipulates the samples until The Prodigy’s rave hits emerge. Secrets are revealed: SMBU samples Rage Against The Machine’s “Bulls On Parade”, while Voodoo People opens with  a riff inspired by Nirvana’s song “Very Ape.” Kool and the Gang, The Last Poets, Led Zepplin, Johnny Pate, Ultramagnetic MC and others make an appearance in the songs.

And now you know how The Prodigy hot dog is made. Does it alter your enjoyment/perception of the songs?

[via @nicoles / @sfslim]

Clothing designer Mother of London (previously on Coilhouse here and here, and many times in the print magazine) is getting ready to release a ready-to-wear line of clothing and an online shop. The new collection consists of the designs seen here, as well as limited-edition leggings and t-shirts that have not yet been photographed. The inspiration for this line, says designer Mildred Von Hildegard, comes from wizards. “What would a modern wizard wear?”

Much of the collection is unisex. “Gender plays a little bit too much role in the outside world,” says Mildred, “so I’m kind of dismissive of it [in my own work].” Some of the pieces are specifically cut for men or women, “but the men’s stuff in particular can be pulled over by either gender.” Like much of Mother of London’s past work, much of the clothing has a past-meets-present, out-of-time quality about it. There are feathered jackets, bad-ass biker-babe dresses with sleeves that resemble medieval suits of armor, skirts that look like they’re made out of a dozen belts, and wide-brimmed sorcerer’s hats. And if that wasn’t enough, Mildred is also working on a more elaborate, couture collection for 2012. No photos have been released, but Mildred refers to it as “Mother of London… on crack” and alludes to the fact that it’s highly tailored and detailed.

After the jump, more final images, concept sketches, and “making-of” shots from the new Mother of London collection. It’s amazing how much the concept drawings match the final pieces.

Societal Beauty | acrylic and oil on board | 20 x 30. “Part of a body of work focusing on human embodiments.”

Jeremy Enecio‘s work explores sexual and mythological themes. Enecio is one of those generous artists who shares the steps of his technique; his Vimeo channel feature a timelapse video of him creating a painting in painting of a tentacled girl (this is back from 2007, so his technique may have changed since then).

Enecio’s blog features many beautiful images that are not on his website, including Doll (a painting about a sexual the sexual tension between a couple), a work-in-progress that would eventually a painting titled Technology, an aging satyr, and a beautiful eyeless serpentine dragon. Enecio has a shop of very affordable prints as well.

[via skeletronix]

Fauna | acrylic and oil on paper | 13.5 x 20 “Part of a body of work focusing on human embodiments.” Here is a look at the painting in its drawing stage.

Hot off the presses, a brand-new episode of Jiz: the bizarre, hilarious, raunchily dubbed version of 80s cartoon Jem and the Holograms. Where the original theme song was “Exciting adventures, fashion and fame / Once you’re a Jem girl, you’re never the same,” the Jiz refrain goes something like: “Trannies and drag queens doing cocaine / Once you’re a Jiz whore you’re never the same.” And that about sums it up.

So here it is: the Jiz drug special. “I know what you’re thinking,” writes Jiz creator Sienna D’Enema. “Isn’t every episode a drug episode? Seriously though, Jiz gets cut off from her Electronic Drug Dealer. Witness her descent into madness.”

If this is your first exposure to Jiz, check out some of the older episodes, starting with the canonical Abortion Episode, in which Jiz is pro-choice. Really, really pro-choice: