Tin Teardrops for Captain Beefheart

“If you want to be a different fish, you gotta jump out of the school.”
— Don Van Vliet, aka Captain Beefheart.

Born January 15, 1941. Died December 17, 2010.


Photo by Anton Corbijn, 1980.

He was one of the most singularly strange, goading, galvanizing musicians of the 20th century. We were very lucky to have him. From AllMusic:

…Captain Beefheart was one of modern music’s true innovators. The owner of a remarkable four-and-one-half octave vocal range, he employed idiosyncratic rhythms, absurdist lyrics and an unholy alliance of free jazz, Delta blues, latter-day classical music and rock & roll to create a singular body of work virtually unrivaled in its daring and fluid creativity. While he never came even remotely close to mainstream success, Beefheart’s impact was incalculable, and his fingerprints were all over punk, new wave and post-rock.


Rest in peace.

“This is Chriiiiiiistmas. We gonna have lots of seeex.”

Um. Sincere apologies in advance. Rest assured, gentle readers, that a spirited internal debate raged for several hours about whether or not to abuse Coilhouse with this festive nonsense. But hey, ’tis the season, after all.

(Safe for work if you’re on headphones. Maybe.)


via Siege (of course) and CheatEngine.

Kim Boekbinder: The Impossible Girl

The Impossible Girl is the glorious solo debut of Kim Boekbinder (previously of the duo, Vermillion Lies). Kim’s a quirky, funny, bravely vulnerable, electrifying lightning rod of a woman. Her music tends to reflect these traits in a most endearing fashion.


Video for “Impossible Girl #2” by Jim Batt. Song inspired by Kate Rannells.

She recorded the 18 tracks of her record in increments earlier this year at studios in Maine and Boston with Sean Slade (Radiohead, Dresden Dolls) and Benny Grotto (Aerosmith) and an assortment of talented session players. She’s also been traveling internationally on a shoestring budget, bringing her songs of love, loss, self-discovery, sex, drugs, and nuclear physics to audiences in Berlin, Melbourne, and New York City.


Photo by Heike Schneider-Matzigkeit.

The Impossible Girl is yet another wonderful example of how crowdsourcing hubs like Kickstarter are enabling creative people to self-produce art that would otherwise be very difficult for them to afford. It’s a brave new world full of, ya know… POSSIBILITY. And community. And rainbows. And unicorns. Yay!

Kim’s album drops today. You can buy a copy in MP3 or CD format (the packaging for which features an exquisite portrait of The Impossible Girl by longtime Coilhouse fave, Travis Louie), and she’s offering all kinds of fancy package deals that include posters, limited edition eye makeup kits by Sweet Libertine, and an Impossible Girl paper doll by (yet another beloved Coilhouse comrade) Molly Crabapple.

BTC: Season’s Greetings From Twin Peaks

Whaa…


Via Melissa Gira Grant.

Does anyone who watched Twin Peaks while it was airing on ABC remember this weird-ass stop motion bumper? So random.

…and now I’m craving pie and coffee (black as midnight on a moonless night). Good morning!

Elder Sign and Cthulhu Stocking Stuffage

From Joseph Nanni and friends (the same twisted souls who brought us that Necronomicon infomercial) comes this important, potentially lifesaving message about Elder Sign:

Sure, this clip has been circulating on the internet for a while, but as everyone knows, flying polyp infestations are most rampant during the holiday season. If you suffer from “an overwhelming sense of dread brought on by the realization of your own insignificance in the universe” that’s possibly being compounded by Seasonal Affective Disorder, rancid egg nog or overexposure to Glenn Beck-parroting (read: polyp ridden) in-laws, you need Elder Sign now more than ever.

And possibly some *cough* stocking stuffers from the HPLHS Bazaar:

(ElderWear: “Because you don’t want Shoggoths in your pants.”)

“Yo Taylor, I’m really happy for you, I’ma let you finish

…but Douglas Burgdorff had one of the best videos of all time. ONE OF THE BEST OF ALL TIME!”

The following clip is not safe for work or for the squeamish. For all the rest of you, no rx ENJOY.


Via Kitty Doom.

“The triumph of intellect and romance…”

…over brute force and cynicism.”

stuff 0, drugstore 40, shop 0″>

Slim just linked to this (apparently unaired) Craig Ferguson/Dr. Who clip with the comment “my new manifesto!” WORD.

BTC: “Snowing Blood” From a Lacerated Sky

\m/ Jingle Hell rock. \m/

LacyCute20‘s dad Bob says: “SLAYER!! I HAVE BEEN A FAN FOR OVER 20 YEARS AND THIS TOOK ME A LONG TIME TO DO.WATCHING IT IN PERSON WAS AWESOME. DEDICATED TO SLAYER AND ALL THE FANS!!!!! SLAYERBOBT SOUTHERN CA. P.S. THIS IS MY DAUGHTERS ACCOUNT SO DONT PAY ATTENTION TO THE GIRLY STUFF!!!! SLAYER RULES .THIS IS DONE USING LIGHTORAMA CONTROLLERS.THE LIGHTS AT THE END OF THE SONG ARE ON FOR ONLY A TENTH OF A SECOND AT A TIME.REALLY INTENSE…THIS WAS UP IN 2009 .NOW THAT ITS A BIG HIT I WILL BE PROGRAMMING A NEW SONG FOR 2010 AND GET IT UP HOPEFULLY BEFORE XMAS.”

North Korea’s Hell March


Mmm. Military upskirt.

Earlier this year, North Korea let a bunch of international journalists in to document evidence of the country’s enormous, throbbing doom cock. Apparently the military parade was part of a campaign to establish Kim Jong-il’s youngest son as ruler-in-waiting.  This stunning slow-motion footage (shot on high end Canon60D and 1DmkIV camera with a smooth-tracking pocket dolly) was captured by UK Guardian reporters. Shortly thereafter, Galaxygamma came up with the completely unsettling idea of juxtaposing the “Hell March” theme from Command & Conquer: Red Alert with the Guardian’s footage.

Happy Black Friday, y’all! Wooo!

The Books: Cold Freezin’ Night

Experimental musical duo The Books are highly thoughtful and empathic scavengers and re-interpreters who’ve been surprising and delighting audiences for over a decade now. Paul de Jong and Nick Zammuto’s songs –a strange melange of acoustic melodies (cello, guitar, banjo, etc.) spliced together with an ever-expanding library of “found sounds”– are dense with samples lifted from home recording cassettes plundered from thrift stores, as well as bootlegged video tapes. They also cut and paste sounds recorded from children’s toys and random non-musical objects to create looping percussive beds. The resulting music is off-kilter yet tightly controlled, and often unexpectedly danceable.

This chaos-wrangling, ephemera-pillaging style is well-represented visually by the music video for “Cold Freezin’ Night”, a weird 80s schoolyard disco taunt off their latest album, The Way Out:


via Dustykins once again. (Girl, you really gotta start blogging for us!)