Psychobilly Godfather Lux Interior Dead at 62


The quintessence of Lux. (Couldn’t find a photo byline for this. Anyone know?)

Oof. Lux Interior, lead singer of The Cramps, died earlier today of a pre-existing heart condition, aged 62. He is survived by his maximumrocknroll wife of almost 40 years, guitarist Poison Ivy.

The Cramps’ genre-defining “psychobilly” sound was unlike anything else to originate from the late 70s NYC punk scene –sharp, savage, sexy, filthy, campy, goofy, sometimes just plain sick— and Lux retained his gritty, untamed edge until the very end. From their publicist’s official press release:

[The Cramps’] distinct take on rockabilly and surf along with their midnight movie imagery reminded us all just how exciting, dangerous, vital and sexy rock and roll should be and has spawned entire subcultures. Lux was a fearless frontman who transformed every stage he stepped on into a place of passion, abandon, and true freedom.

Oh, Lux, we’re gonna miss you so much. A eyeball martini toast to you and your fiery spirit, with loving thoughts for Ivy during this painful time.


An unforgettable clip of Lux Interior in action from URGH! A Music War.

Click below for more photos, blurbs and video footage of The Cramps from over the years.

Mark Gormley is Love.

Bricey, bless you. I don’t know where you discovered Mark Gormley, but he’s going to make our more adventurous readers extremely happy. The rest of you may want to stick with Panties With a Dick Hole and My Chemical Bromide or whatever else the kids are listening to nowadays, but for my money, none of that slick, overproduced teenybopper fare can compete with an honest, well-crafted song, a soulful voice, and cable access video stylings featuring a beautiful (if mildly befuddled) bikini model. Mark Gormley sends me over the moon:

Props to the Eccentric Phil Thomas Katt for giving Gormley this platform on his fine show, The Uncharted Zone. “The Most Important Music Television Show Along the Gulf Coast.” Hey, man, you’ve got my vote.

Click below for more Mark Gormley/Phil Thomas Katt productions.

Jessica Joslin’s “Clockwork Circus” Exhibition in LA!


Orlando (5”x5”x4”). Antique brass findings and hardware, leather, velvet, wood, tacks, cast/painted plastic, glass eyes.

Damn you, Hollyweirdos! You get to have all the Joslin fun. *shakes fist* As I write this, the astounding Madame Jessica J. (featured extensively in Coilhouse Issue 01) is over at the Billy Shire Gallery prepping a cavalcade of her Wunderkammer critters for the show’s opening reception tomorrow (Saturday).


Lambert & Salvia (8″x10″x22″) Antique hardware and findings, bone, brass, beads, leather, velvet, trim, coat hook, model cannon, glass eyes.

Trying to picture the Joslin lovebirds mounting a show is always a bit dangerous for me, prompting ardent fantasies of Jessica and Jared donning drum major uniforms and marching their whimsies down the street and through the door in step to a demented chiptune rendition of “76 Trombones” before shooing various characters onto pedestals, canvases and placard hooks. (There’s usually some whip-and-chair action in there as well, but… uh… I digress.)

Anyhoo. Jessica’s been working on these “Clockwork Circus” beasties for months now. They’re as winsomely exquisite as anything she’s crafted yet. If you’re in the area, go get acquainted.


Aster (27”x19.5”x10”) Antique brass findings and hardware, bone, leather, antique vestment trim, velvet, brass bullet casings, chain, silver, snakeskin, glass eyes.

Click below to view a couple more of Jessica Joslin’s “Clockwork” creatures.

[EDIT] Oh! One more thing! I’m sure Jessica wouldn’t mind us mentioning this here… Heads up, Phillyfreaks! If you’re not already all swoony and spent from Laura Kicey’s reception (or even if you are) and you’re feeling piney for something to do tonight (Friday), you probably shouldn’t miss the Mutter Museum “Disco Inferno Dance Party” for ANYTHING IN THE WORLD. What better way to celebrate the museum’s 150th anniversary than some inspired booty-shaking amidst the bones and tumors? Go, go, go!

Wedding Porn: The Blog of Offbeat Weddings


Mario, a magician, and his assistant, Katie, have a 1920s-themed wedding. Kate wears a headband bought on Etsy. Photos by Daria Bishop. More images here.

In Junior High, our Health class had a unit about “basic adult life skills”: how to pay your bills, how your car works & why you really do need health insurance, despite the fact that you think you’re indestructible. One of the final projects we had that quarter was to budget out $30,000 in one of two ways: it was to be either your funds for one year of single living, or your budget to plan a wedding. The teachers assigned this without irony, and kids took it very seriously: it was not a lesson to show us how excessive the average wedding seems when you consider how else the money could be spent, but a lesson in how a proper American wedding was to be done. I was horrified. Years later, the following passage from The Commitment, Dan Savage’s gay-marriage memoir, summed up my perception of The Great American Wedding perfectly. In the scene below, Savage and his boyfriend Terry find themselves at a wedding expo:

Each and every vendor, from the lowliest florist to the highest-end caterer, was selling the fairy-tale princess wedding, the wedding that almost all straight girls grow up fantasizing about. For the women in the room, this was their one and only chance to be the princess in the Disney movie and they were determined not to fuck it up – and “it” refers to the ceremony and the reception, not the choice of a mate, as divorce rates would seem to indicate. (The wedding industry rakes in billions annually at a time when one out of every two marriages ends in divorce. Isn’t it about time some trial lawyers slapped Brides magazine, Vera Wang, and the rest of “big marriage” with a class action lawsuit modeled on the ones filed against big tobacco?)

Back to the boys: As we worked out way up and down the rows of vendors, I caught sight of the same guys again and again. Every time their fiancées or future mothers-in-law looked away, the boys would send out subtle distress signals, like a kidnap victim in a ransom video, blinking messages in Morse code. “Oh my god, what have I done?” As they were dragged from florist to caterer to limo, they looked like pawns. No, it was worse than that: They looked like hostages. No, worse still: they looked like afterthoughts. You don’t need men to have weddings! You need women and their mothers and sisters and their best friends and container ships full of machine-made lace from China and towering ice sculptures and enormous white canvas tents and karaoke machines and stretch Hummer limos and bouquets and chocolate fountains and cover bands and garter belts and veils and trains and engraved champagne glasses and sterling silver cake knives and on and on and on … you need a boy at a wedding like you need a stalk of celery in a Bloody Mary: It looks nice, and it makes things official, but it’s not crucial and probably wouldn’t be missed if you left it out. But a wedding – as currently understood, practiced, and marketed in America – without a bride? Unthinkable.


Clockwise from left: pink-haired bride, casual Arkansas wedding, Lucifire & Dave Tusk’s bright red circus wedding, Han Solo & Leia cake topper

There are, of course, other ways to go, especially this year. More and more people are opting for crafty, creative weddings that either twist around the tired tiara-and-lace tropes, or toss them out altogether. And on the site Offbeat Bride, the Wedding Porn section chronicles the most unusual, inspiring weddings ever to be documented on the web.

These are the weddings of our generation: pixelated 8-bit wedding invites, space helmets, brides as officants, a special category on the blog just for black wedding dresses, a San Francisco bike wedding, and, of course “Wedding! The Musical.” There’s enough love and joy on this site to make you queasy if you’re in a “only stupid people have good relationships” kind of mood, but even then, something on the site will make you smile.  Like these Lego cake toppers, for instance.

BTC: Sweaty, Burly, Stubbly, Groiny Manslice Edition

“I got hair on my chest. I look good without a shirt.” – Tom Waits

I had this ridiculously hot friend in high school who looked like a punk rock, flannel-clad version of Fabio. Big, built, rustic, hairy, unrepentant manbro. He’d come swaggering into 2nd period economics class reeking of Pabst and cigarettes, start an argument with the teacher over the ethics of business regulation or the Coase theorem (did I mention he was brilliant to boot?) and all the weird girls would just swoon.


“Goin’ Out West” – Tom Waits

This guy regularly favored me with bonecrushing hugs that blotted out the sun. As I recall, even freshly showered, he had a musky, vaguely goat-like odor. Being slammed face-first into his armpit should’ve been off-putting, but somehow wasn’t. In fact, I think I must have imprinted on the gent and his scent, because all these years later, there’s still a very special place in my crotch heart for brawny, unshaven, man-stinky lumberjack types with big hands and lantern jaws.


“Lumberjack” – Jackyl

This testosterone-injected morningwood edition of BTC goes out to all of the big, built, rustic, hairy, unrepentant manbros of the world… and the loincloth-sniffing perverts who love them.

Click below for more Beorn porn (and please do add your own in comments)!

2 New Blogs are Good Cop, Bad Cop of Alt Fashion

fashionblogs.jpg
Clockwise: fantastic finds via Haute Macabre, via Haute Macabre,
via Stylecunt, via Stylecunt

Finally – a classy gothic fashion blog! Via Gala Darling comes news of Haute Macabre, a vibrant, well-designed blog devoted to all things stylishly darque. “As you can guess from the title,” writes Gala, “it’s about high-end gawthick living. It’s for those of us who never really outgrew our goth sensibilities — the ones who idolised Wednesday Addams as an adolescent heroine, the ones who like things dark but don’t take it too seriously, the ones who can’t resist when fetishy fashion comes sashaying down the catwalk in Paris.” The blog’s primary authors are Samantha (whose site appears to be down) and Nixon Sixx, and other contributors so far include Gala herself, Courtney Riot (in a design capacity) and last but not least, our very own Zo!

The site is still “in beta,” but there are already six pages of eye candy to feast on. From luscious scans of thousand-dollar gothic-themed magazine shoots to practical lists of gothy items under $10, there’s something in store for fashionistas of all stripes.

hautemacabre.jpg
Image from Elle Italia shoot, spotted by Haute Macabre. More here.

While we’re on the subject of alternative fashion blogs, it’s also worth mentioning Stylecunt. While that name makes me cringe, I’ll say this: the blog’s anonymous author has a keen eye for fashion and doesn’t shy away from cold-eyed, Gawker-style snark. The tone is apparent from Post Number One, where the author explains the blog’s raison d’être:

Remember when alt fashion was… fashionable? At least we thought it was. Alt fashion exploded in the nineties, fulfilling those of us that were not content with shopping at Old Navy. Time has passed, fashion is evolving, but are we? Years later and here we are, covered in the same black vinyl and cheap fishnet. One day, I had enough.

The writing on Stylecunt is hard to follow at times due to the careless grammar, and seems to be most lucid when we find the author chastising clothing labels for perceived bad choices. “Why are you still doing this to those poor goth kids who don’t know any better?” laments the author at this Lip Service catalogue photo. And it’s great to finally see someone tell Junker Designs, “it’s lovely that Alice Cooper is wearing your overly detailed and distressed leather pants, but it might be nice to actually see what they look like.”

Refreshingly, both blogs pay attention to men’s fashion, an oft-neglected topic in the alt fashion press (sorry, this doesn’t count). At Stylecunt there’s a nice post about Plazmalab, and over at Haute Macabre there’s even a well-populated category titled “For the Gents.”

Here’s hoping that 2009 will bring tons of new fashion to keep both these blogs busy. Enjoy!

Bye Bye Bettie


Bettie Mae Page (April 22, 1923 – December 11, 2008)

In her own gentle, playful way, she was a revolutionary. Maybe she never meant to be when she started modeling, yet there’s no denying Bettie Page’s impact, resonance, or relevance, even half a century later.

In her portraits, we recognize the purity and uncomplicated joy of nudity. We are encouraged by her bearing, her beauty, her humor, her sweetness (yes, even in those Klaw photos… especially in those!) to regard sensuality as one of life’s purest gifts, rather than something immoral or wrong.

It isn’t just her beautiful body or her iconic style that continues to captivate us all these years later. It’s her spirit. When we look into her face, her eyes seem to tell us that it’s going to be all right; we can relinquish our shame.

It is her smile that sets us free.

(Several portraits and quotes from Bettie Page after the jump. Under the circumstances, I really wish I didn’t have to say this, but…NSFW.)

Nicole Renaud, neosoprano


Photo by Umberto D’Aniello.

Nicole Renaud calls herself a “neosoprano” and it’s a fitting description. Her lovely operatic voice is coupled with a graceful, modest manner, fanciful handmade costumes, envy-making globetrotting lifestyle and a sparkling musicality. She sings a mix of original songs and operatic arias, accompanied by accordion or piano.

I first learned of her via Isengart’s Foreign Affairs cabaret party (more on him later) last Spring, where she wowed everyone in the room with her beauty and originality. I went twice. To see her perform is a captivating dream, even if she’s singing in French and you’ve got no clue what she’s saying. Second video after the jump.

We Need Barbie Pure (for the Virgin Sacrifice)

The future really is here! Not only do we have a black president, but Mattel has finally sanctioned a fishnet-wearing, corseted doll titled Goth Punk Barbie. Here she is. Goth. Punk. Barbie:

GPB (above, left) was released as a $70 collector’s item for Hard Rock Cafe, and makes quite a pair with Black Canary Barbie (right), a version of Barbie based on a comic character that drew fire from religious groups earlier this year for her BDSM appearance. But you know what? I like my Barbies in pink, frilly dresses. I like my Barbies to come with a miniature Easy-Bake Oven. I like my Barbies saying “Math is hard, let’s go shopping!” Because it makes it all the more satisfying to see shit like this:

However, my favorite products of a Barbie vivisection may be these classy adornments by artist Margaux Lange:

I love the idea of wearing little ears as earrings. So precious! Writes Lange, “Barbie has become the accessory instead of being accessorized. I take pleasure in the contrast and contradiction of something mass-produced being transformed and revealed as a unique, handmade, wearable piece of art.”

Normal Bob Smith Knows What He Knows

The greatest challenge in life is to be realistic.” – Sigmund Freud

A recent survey by The Pew Forum on Religion and Public Life found 71% of the 36,000 Americans interviewed are “absolutely certain” that there is a God.  Before you say that Nietzsche’s parable that “God is dead” is as exaggerated as the once premature rumors of Mark Twain’s death, please recall that for Friedrich the issue was not outward belief but whether God is the definitive ground of personal, social, and political life. Here you may rebut there are some who wish to turn our polity, founded by Deistic Freemasons, into a theocracy. This is true, but the “Moral Majority” never lived up to either half of its name. By and large, Americans relegate Godly concerns to the privacy of personal choice.

It should come as little surprise that so many of us may rely on the received wisdom of our forebears – as part of our identity – to mendaciously shelve the ultimate chicken and egg paradox by calling ourselves believers while this belief has little actual bearing on how we live. After all, more than having to give up weekends for socialism, religions would really cramp the lifestyle of those who lived them. How can we understand something so elemental and simultaneously perplexing as existence itself? Why is there something, anything, everything – rather than nothing? Why is there even an “I” who is now asking a question? Martin Heidegger, the infamous Nazi philosopher, had one thing right: the question of Being is tough and there is much reason to elide it. Is it even a proper question at all?

Thomas Henry Huxley, the father of Aldous and Julian, coined the term “agnostic” in contradistinction to those of us who believe that we can know God directly. By agnostic, Huxley meant that he believed that the question of God could not be answered. What, then, are we, the reflective-minded, to do? What happens to our moral vocabulary? Once Humpty Dumpty, the big egg from which our universe was hatched, our fons et origo, is no longer on the wall and has no longer fallen and can’t be found in our cupboards or skillets, how do we get through breakfast? Why bother? Why bother doing or caring about anything since everyone you’ve ever met and all that they have done will be forgotten and has no bearing on the cold, empty, eternal vastness that engulfs us? What does it mean to be alive, in this reality, this universe, in the situations we find ourselves in day after day until we pass away?

A short time ago I reached out to God. As a participant in ancient practices, I did not eat or drink or wash for 26 hours. I spent 11 of those hours in a prayer hall tucked away in an old tenement apartmentf, meditating, reciting, singing, and contemplating my life and what I know of the cosmos. There seemed to be an intimacy in the air itself. Some of that air had been in the family for generations. Once outside, I saw the trees sway. The temperate fall night caressed me. The streetlights shimmered. My experience wasn’t metaphysical in that I was flying or saw an angel. It was just a sense that life itself, and existence in general, contains a kind of tender magic, a subtle oneness. The profound and the obvious held hands. If this crazy world is possible, I thought, anything is.

Upon reflection, the pleasures of my mystical interlude seemed solipsistic, so I thought I’d assuage my nagging existentialist impulses by seeking answers in other ways. Some folks visit svengalis for answers, some search books and remote locations, and others simply believe what they’ve been taught. I thought I would visit someone who claims to have leaped across the chasm between doubt and knowledge.  I visited Normal Bob Smith.

If you are now asking “Who is Normal Bob Smith?” then I thank you for raising question I can answer. He’s an illustrator and creator of atheistic home furnishings, like “Jesus Dress Up” refrigerator magnets, and he runs a wild, wild website. He also prints anti-religious pamphlets and takes them to the people of New York dressed like an archetypical medieval archangel dressed for the prom. Did I mention that he’s 6’3” of skinny badass? Bob went to the opening of The Passion of the Christ as the Devil carrying a family-sized jar of Vaseline. Last, Normal Bob Smith is one of seven Bob Smiths profiled in an amusing and affecting film entitled Bob Smith U.S.A. Here’s an excerpt.

COILHOUSE: What about you is “normal”?
NBS: I still think that I’m really fucking normal. If not, I think that people should be more like me to be normal, from examining themselves inward, to examining society at large. I think that I live a normal, boring life in a lot of ways, like not doing drugs, not drinking too often, getting to bed at a reasonable hour, having a girlfriend, doing my art. Sometimes my life seems abnormally normal. Maybe what I do – my site, dressing up as Satan, handing our “God is Fake” fliers – is to crush what is normal in myself. I grew up in Colorado in a suburban home by Christian parents.