Michiel ten Horn and company bring us a hallucinatory video for “Put It Back Down”, order a phrenetic new song from Dutch musician Seymour Bits, online a.k.a. Bas Bron. Slightly not safe for work, sickness specifically: animated breasts, pudendum, and a bizarre approximation of sexual congress.

Via Super Punch

The superbly-designed website SpaceCollective dedicates itself to study of topics such as transhumanism, robotics, experimental architecture, and pretty much anything else that one can equate to “living the life of science fiction today.” Most of the site’s activity centers around blog posts and collaborative university projects, but one of the most stunning portions of the site, dense with complex, inspiring visuals and information, is the gallery.

There are six pages of scienctific psychedelia – a absorbing mixture as varied as Googie architecture, macro shots of hydrozoa, renderings of magnetic structures, jellyfish automatons, microchip embroidery, concept art from sci-fi films, and much more along the same lines. Two random images from this gallery may not have much to do with each other, but all together, they make a surprisingly cohesive whole. Quotes from the likes of Verner Vinge, Buckminster Fuller and Jorge Luis Borges cycle between the imagery, and most images are hyperlinked out to further sources. Enjoy!

…over brute force and cynicism.”

Slim just linked to this (apparently unaired) Craig Ferguson/Dr. Who clip with the comment “my new manifesto!” WORD.

The PATH —– Launch Trailer from Tale of Tales on Vimeo.

Belgian avant-garde Game Developers Tale of Tales have made a name for themselves as an independent game development studio, creating genre defying art-games. Armed with ambitious vision and an unrelenting sense of artistic integrity, Tale of Tales co-founders Michaël Samyn and Auriea Harvey cater to an audience outside of mainstream gamers providing complex, meaningful gameplay experiences, and offering a “different kind of story” for “a different kind of people”.

One of their first offerings, The Endless Forest, is a multi-player game set in a soothing, bucolic landscape; there are no goals to achieve, or rules to follow – “just run through the forest and see what happens.”

The Graveyard, launched in 2008, is a short tale which places the player in control of an old woman traversing a straight and narrow path  across a gloomy graveyard. It is described as “an icon” of the studio’s work as a result of the game’s “apparent simplicity and vagueness”.

Tale of Tales next endeavor, The Path, is loosely categorized as “adventure-horror”  and was inspired from the classic fairy tale of Little Red Riding Hood.  There is one rule in the game, which needs to be broken. There is but one goal. And when you attain it, you die. It is  “a  game about playing, and failing, about embracing life, perhaps by accepting death.” The legendary SWANS member Jarboe, along with multitalented co-composer Kris Force, provide an dynamic, unsettling narrative and score.

Based on Oscar Wilde’s Salome, a  play banished from the stages for over 50 years, Fatale is the studio’s latest gaming project.  An interactive 3D vignette, it offers the same sort of “observational immersionist” approach that Tale of Tales has become known for.  The player is encouraged to “explore a living tableau filled with references to the legendary tale and enjoy the moonlit serenity of a fatal night in the orient.”

2010 saw the release by Tale of Tales of Vanitas,  an app for iPhone and iPod touch.  Referencing the still life paintings from the 16th and 17th century, Vanitas presents one with a  3D box filled with “intriguing objects…to create pleasant arrangements that inspire and enchant”, and is touted as a “a memento mori for your digital hands.”  The app includes random quotations on the topic of life and vanity and music by avant cellist Zoë Keating.

Michael and Auriea graciously gave of their time to provide a thought-provoking look into the passionate philosophies behind Tale of Tale’s creative projects. See below the cut for the full interview.

WHITEPRIDETV.COM has a varied lineup of video content for the modern white supremacist to educate themselves and keep up on the latest in good old American racism. From This Is The Klan to The White Woman’s Perspective Thomas Robb and his group of camera wielding bigots cover the entire gamut of life as an ignorant douchebag. They also, thankfully, have some children’s programing to help Confederate flag waving parents educate their offspring in the proper manner.

The programming in question is The Andrew Show which is, in case you had not already figured it out, “A Show for White Kids” (Finally!). Plopping the blond-haired youth in front of a green-screened bookcase, WHITEPRIDETV.COM lets the little tyke go at it, tackling the issues that face white kids today. This particular episode deals with the film Marmaduke, an unremarkable film in nearly every way except for the fact that it is a metaphor for racial tension; specifically the denial of land to white people by people of other various and sundry races. So goes Andrew’s thesis, a thesis he does not expound upon his, presumably because his point is so self-evident even a child can see it.

It is an unfortunate reality that even the worst among the human race can procreate, taking an otherwise unfettered mind and twist it with their own, poisonous worldview. It is, perhaps, worse when they give them their own television show to parrot that moronic bile.

Via Videogum : The Daily What

These images are part of a traveling solo exhibition titled The Architect’s Brother, created by artists Robert and Shana ParkeHarrison. These images have been around for over ten years, but this is the first time I’ve stumbled across them by way of Mickael Ivorra. From the Environmental Graffiti blog:

Could fixing clouds, pollinating a barren earth, making wind and patching up the sky ever be turned into almost humorous subjects? In “The Architect’s Brother,” a series of 42 photographic images by Robert and Shana ParkeHarrison, we follow a determined and optimistic Everyman who does just that – and rewards viewers with new details the longer they look.

The ParkeHarrisons are a husband-and-wife team whose photographic work, “The Architect’s Brother” is concerned with the state and possible fate of the Earth. The exhibition has travelled from 2002 to 2007 through the United States, Canada and Germany and is probably the artists’ most publicized work. According to its official description, ParkeHarrison “conjures a destiny in which humankind’s overuse of the land has led to a spent and abandoned environment, inhabited by one indefatigable spirit (portrayed by ParkeHarrison).”

More images can be seen here and here. A hardcover book of photos is available on Amazon. More images, after the jump!

Some of the images remind me of a striking shot from the never-completed Worst Case Scenario, a Dutch Horror film in which zombie Nazis descend into the Netherlands on decrepit steampunk air balloons. Click here for the trailer. It’s… amazing.

Storms can make for some surreal imagery but Sean R. Heavey’s photos, taken in his home state of Montana, are simply mind-boggling. It’s hard to believe that these were taken on this blue ball and not some far off planet.

This Thursday, decease Gallery 1988 in Los Angeles will host the reception for The Ghost of Delilah and Other Stories. Conceived by the mystical brain[s] of Travis Louie, illness the unique show will feature paintings and drawings by Travis with Craola, Chet Zar, Lola, Fred Harper, Molly Crabapple, Dave Chung, Ewelina Ferruso, John Park, Lisa Gloria and yours truly.

Kim Boekbinder as The Impossible Girl by Travis Louie

Travis Louie collaborated with each artist to create drawings that merge different styles and concepts in a sort of exquisite corpse format. The result: playful, distinct graphite amalgams unlike anything any of these folks have done before.

Travis working on his section of the collaboration with Ewelina Ferruso, Phelps Dreams of Being a Rabbit

The Ghost of Delilah and Other Stories opens at 7pm this Thursday, December 2. See you there!

If there is anything to be taken away from this intro for A Man Called Rage — one of 26 films distributed by US Home Video under the title of Sybil Danning’s Adventure Video — it’s that there was a time when the post-apocalypse meant that people were allowed to wear anything as clothes. Even as Danning lends the superbly written intro the sort of gravitas that an only an actor of her caliber can provide, I remain mesmerized by her xylophone and wind chime ensemble. I especially like how all her jewelry is on her right side while her teased hair is swept steadfastly in the opposite direction. The look is completed with some sort of bazooka/oversized clutch that looks like a collapsed projector screen. You can’t tell me you would take the bedraggled look of the modern wasteland wanderer over the height of fashioned favored by the Mad Max era desert divas.

\m/ Jingle Hell rock. \m/

LacyCute20‘s dad Bob says: “SLAYER!! I HAVE BEEN A FAN FOR OVER 20 YEARS AND THIS TOOK ME A LONG TIME TO DO.WATCHING IT IN PERSON WAS AWESOME. DEDICATED TO SLAYER AND ALL THE FANS!!!!! SLAYERBOBT SOUTHERN CA. P.S. THIS IS MY DAUGHTERS ACCOUNT SO DONT PAY ATTENTION TO THE GIRLY STUFF!!!! SLAYER RULES .THIS IS DONE USING LIGHTORAMA CONTROLLERS.THE LIGHTS AT THE END OF THE SONG ARE ON FOR ONLY A TENTH OF A SECOND AT A TIME.REALLY INTENSE…THIS WAS UP IN 2009 .NOW THAT ITS A BIG HIT I WILL BE PROGRAMMING A NEW SONG FOR 2010 AND GET IT UP HOPEFULLY BEFORE XMAS.”