Just when I thought it wasn’t possible to adore this gentleman any more than I already do, here is Tom Waits holding court at a recent “live press conference” to inform the public of his upcoming Glitter & Doom tour:

Waits hasn’t announced any new recordings. Bloggers are speculating that the tour is in support of actress Scarlett Johansson’s album of Tom Waits covers, which comes out later this month, and which I am about as likely to purchase as Chester Cheetah is to burst forth from my chest cavity in a scabby, florescent orange flood of processed cheese while singing “Jockey Full of Burbon”.

Tom Waits’ Glitter & Doom Summer Tour:

6/17 - Phoenix, AZ @ Orpheum
06/18 - Phoenix, AZ @ Orpheum
06/20 - El Paso, TX @ Plaza
06/22 - Houston, TX @ Jones Hall
06/23 - Dallas, TX @ Palladium
06/25 - Tulsa, OK @ Brady Theatre
06/26 - St. Louis, MO @ Fox Theatre
06/28 - Columbus, OH @ Ohio Theatre
06/29 - Knoxville, TN @ Civic Theatre
07/01 - Jacksonville, FL @ Times Union Center Moran Theatre
07/02 - Mobile, AL @ Saenger Theatre
07/03 - Birmingham, AL @ Alabama Theatre
07/05 - Atlanta, GA @ Fox Theatre

(Via Blood Money/Alice alumna, Carla K.)

2457689695_ee45d6e74d.jpg
Maker Faire Bay Area 2008: May 3-4, 2008, San Mateo, CA (art by Eboy)

Maker Faire is a two-day, family-friendly event that celebrates the Do-It-Yourself (DIY) mindset. It’s for creative, resourceful people of all ages and backgrounds who like to tinker and love to make things.

Think of it as Burning Man, minus the drugs, crabs and sandstorms. Well, obviously, it’s far more than that… but you will see many of the more gorgeous landmarks (and denizens) of Black Rock City there. Anyone else going? If so, keep an eye out for a short, raccoon-eyed chick in a either a WW II flight helmet, or antlers. I’ll be covering the event on CH later this month.

Also, midwest folks should be aware that a second Maker Faire will be held in Austin, TX later this year. Oct. 18th and 19th.

Many of you will have already heard tell of the Edison Lounge, a new nightclub built around the remnants of an Edwardian era power plant in downtown Los Angeles. Located in the basement of the 1906 Higgins Building, this 10,000 square foot industrial space lay under several feet of flood water for decades, until owner/designer Andrew Meieran (along with business partner Marc Smith) undertook the Herculean task of resuscitating it.

edison11.jpg
photo from Eeecue.com

From its art deco-decked cabaret space The Lab, to the Generator Lounge and Boiler Room (literally an enormous brick-lined boiler, carved out to create a cozy, candlelit cave), to its delicious Tesla Fries and absinthe drinks, the Edison is thematic aesthetic perfection.

Unsurprisingly, it’s been Coilhouse staff meeting headquarters since the very beginning. I’ve often gotten chills just imagining Rachel Brice, Jill Tracy or the Lucent Dossier troupe in that dreamy environment. Picture my joy when I discovered that Lucent Dossier actually has been performing there!

edison71.jpg
“Reminiscent of Paris and Berlin of the ’20’s, Wednesday nights the venue is transformed into an exploration of the past - a peek into the decadent, sensuous underbelly of historic LA.”

These people are almost unbearably beautiful, both inside and out, and they put on a great show. If you happen to be in the neighborhood tomorrow night, you won’t want to miss what’s sure to be a once-in-a-lifetime spectacle.* Nadya, Zoetica and I will all be there to document the event, so check back to see some photos from Incandescence very soon.

edison61.jpg
Vaudevillian aerialist troupe Lucent Dossier, performing at the Edison tomorrow night!

More images of the Edison and Lucent Dossier after the jump.

weldin_carla_mt-copy.jpg
Passions ignite at The Crucible foundry in Oakland, CA.

Down by the West Oakland Bart station, often late into the night, one may observe mysterious flickering lights accompanied by loud explosions. If it ain’t gunshots, you can be sure some welder, sculptor or pyrotechnics whiz at the Crucible foundry is burning the midnight oil.

Founded by Michael Sturtz in 1999, this nonprofit educational hub of fine and industrial arts has attracted a highly motivated group of artists, artisans and students from all over the country. “From cast iron to neon, and from large-scale public art to the most precise kinetic sculpture, The Crucible is fast becoming the best-equipped public industry & arts education facility on the West Coast.”

rehearsal_6_gw_hires.jpg
Ballet star Tina Bohnstedt cruises in a vintage Pontiac (Firebird, natch).
Photo by Gary Wilson

Last year, audiences were astounded by the collective’s incendiary production of Romeo and Juliet. Their second annual “benefit fire ballet”, a decidedly ballsy interpretation Stravinsky’s Firebird, opens tonight:

[A] unique fusion of classical ballet, aerialists, acrobats, fire performers, break dancers…paired with fire and industrial arts. It’s definitely ballet with an industrial edge provided by Crucible artisans, a cameo appearance by a Pontiac Firebird, and a ballerina’s graceful pas-de-deux with a motorcycle stunt rider.

The production’s running every night through the 12th, with additional shows on the 16th, 17th and 19th. Proceeds from ticket sales will go directly towards supporting the Crucible school. All shows are expected to sell out, so if you’re thinking of going (and I know folks as far away as San Diego and Portland are making the trip) get your tickets in advance.

catwalk2.jpg
Yeah. Hurray for “alternative beauty.” Photo by Mojokiss.

Catwalk Tragedy 4, the East Coast’s biggest “alternative beauty pageant,” took place in Philly last weekend. Having been to the first Catwalk Tragedy, which was the closest I’ve ever seen my beloved goth scene morph into a drunken frat party in a trailer park on Mardi Gras weekend, I was curious how this larger-scale endeavor would play out. With more of everything - sponsors, judges, contestants - would it be a be a creative talent show or an even bigger sleazefest?

The judges this time were a respectable and diverse bunch, which gave me hope: my friends Kambriel, Apnea and Philip (Lithium Picnic) were on the panel, as well as two individuals less known to me; Jayla Rubinelli from America’s Next Top Model and Joey Martini, a burlesque emcee/performer.

judges.jpg
Kambriel: “I think Joey’s face pretty much says it all with whatever was going on in that moment!”

With such a mix of judges I hoped that the event would be more classy this year, but alas! This year, it was the contestants dropped the ball. A belly dancer Tempest tells it:

The competition was set up boys and girls – meaning each gender had it’s own category. The contestants were given a top from one of the sponsors to alter as they wish, as long as the logo was intact. There was somewhat of a slut factor involved in the presentation of some of the girls, but I didn’t think much of it. Short micro-mini’s are rampant (or were, they seem to be going out from the latest batch of Gothic trends), but it was mainly a lot of boob gesturing, but hey, if you got ‘em, flaunt ‘em right? The boys were more tame in general. Both groups seem rather inexperienced with the concept of modeling, especially with walking, but hey, competitions can be nerve-wracking right?

The third round was freestyle – the model’s own choosing and to really show off their stuff. It was here that my brain had nothing short of a minor meltdown. Out of perhaps 20 girls, no more than 3 didn’t do something akin to stripper routine, and even then, they were borderline. Again, I don’t have anything against strippers, and I love burlesque, but this wasn’t burlesque, and I’m sure better strip shows could be had at the Foxy Lady’s “Legs & Eggs” morning strip events. (New Englanders everywhere just cringed massively.) Apparently “crowd reaction” was a judging category for this round, and the great majority figured that the best way to do this was to strip. After the first few, it was “oh look, another set of boobs and pasties” again and again. I was surrounded by male colleagues and they weren’t impressed in the least (and yes, they were mostly straight). I wondered what the boys would do…

The boy’s third round was a much different story. Yeap, there were a few strip routines in there, but the majority of them danced and really showed off their moves, their agility, and their PERSONALITY…mainly, it was a reversal of the girls’ round.

Oh, Philly girls. How you disappoint! Unless you were all from Jersey, in which case I understand. But the story has a happy ending. “In the end,” Tempest writes, “the winners were the ones who showed personality and really showed off the clothes in how they presented themselves (and for the most part, kept their clothes on.)” Kudos to the judges for making that call. And don’t get me wrong; you know we love hot girls in corsets! It’s just when those crucial ingredients of creativity and ownership are missing that it becomes a little sad.

To end this on a light note, here is a video of male stripping from Catwalk Tragedy that made me want to laugh and weep at the same time.

altfash1.jpg
Two images by photographer Janieta Eyre, featured at [FAT]

If you’re in Toronto, check out [FAT], or Toronto Alternative Arts & Fashion Week. The annual festival, which takes place from April 8 to April 11 this year, combines art, fashion, photography and performance. From their website:

Toronto Alternative Arts & Fashion Week is a multi-arts festival with a mandate of showcasing artistic disciplines rooted in fashion, and their exploration of the human body in today’s time. The festival aims to emphasize this mandate through the artistic disciplines of fashion design, photography, installation, video, performance, music and dance, in an effort to push forward and redefine our perception of the fashion phenomenon. When presented jointly, the underestimated social force of fashion is showcased, redefining its role in contemporary Canadian society as not only an economic colossus, but also as an engineer of social practices and vehicle for personal expression. The Toronto Alternative Arts & Fashion Week intends to introduce a broader audience to these related creative fields, building public interest while simultaneously creating a forum where artists can learn from and collaborated with each other.

altfash2.jpg
Photographer Anna Ross and fashion label Plastik Wrap.

[FAT] Official Website

mer_ff.jpg
Nils Frykdahl, Dawn McCarthy, Kirana Peyton and Meredith Yayanos.

Our dear Mer is a bit of a nomad, which causes her to sometimes disappear and come back with new stories to tell. Last time she got swept away to tour Europe, she brought back bone-chilling photos of the Tyrolean Towel Rack of Imminent Doom. This time, we may see some weird relics of Americana, for Mer is headed North to bring the music of Faun Fables to Oregon, Washington and Utah. If you’re in Albany, Seattle, Portland, Olympia, Spokane (hometown concert!) or Salt Lake City, mark the dates on your calendar and come see a spectacle of songtelling unfold.

In a brief conversation before taking off, Mer told me that Faun Fables has just finished up a new record as well as an EP, and that a video is in the works.

We had a few requests recently for a favorite spots in LA post, prompted by the sad departure of cafe Nova Express. Here’s one for your Monday nights, especially good for those who simply refuse to believe the weekend has to end somehow.

Held downstairs at Catch One - the same place as LA’s top industrial club Das Bunker, Ground Control’s song books list music by your favorite alternative artists, including Kraftwerk as you can see above. Industrial, goth, metal, indie, 80s and more are all here in a friendly boozy atmosphere.

It doesn’t get crowded, people are genuinely nice and no one is afraid to make a complete arse of themselves, as I personally proved last night at the pajama party. And for those curious about what one wears to a pajama party held at a bar there are two options - sexy or hilarious, as modeled by me and my lovely roommate. So yes - check out Ground Control - it’s fun, even if you don’t sing.

If you see this snowy picture hanging on your new friend’s wall, watch out: you’re hanging out with an art thief! Someone had the gall to swipe this drawing, part Lori Earley’s Fade to Gray Exhibition, right off the wall at her solo show at the Jonathan Levine Gallery in NYC last Wednesday.

If you do happen to see it, feel free to swipe it back and make a daring escape. There’s a reward being offered for its return, but I know that any Coilhouse reader would return it simply out of the goodness of their heart. The painting wants to be reunited with its sister creations on walls of the gallery space:

fadetogrey.jpg

Even if you don’t find the painting, you should stop by the gallery, which has been completely transformed to provide the right atmosphere for Earley’s work, on display until March 22. The ghostly paintings, in their intricate china-white frames, hang on walls which have been covered by white damask-motif flocked wallpaper designed by Lori herself. You can see the transformed interior, along with all of the images in the exhibition, on the gallery site.

blargh.jpg
Blurry scan of the cover of an anti-VD mix CD I made back in 2003.

Happy Valentine’s Day to all. And to those who hate the day, I say this: Valentine’s Day is a Christian corruption of a pagan festival involving werewolves, blood and fucking. So wish people a happy Horny Werewolf Day and see what happens. -Warren Ellis

T-minus 45 minutes and counting to San Francisco’s third annual Valentine’s Day Pillow Fight! Play nice, kids. Attendees are highly encouraged to post links to their photos and bloggings of the event here.

pillow_fight_sfslim.jpg