Christopher Conte is a Norwegian artist and designer of prosthetic limbs. He studied in the States and his prowess in both art and science has led him to create some of my favorite biomechanical sculptures to date. One of the outstanding aspects of Christopher’s work is how functional it looks. This is the sort of technology I imagine wandering the face of uncharted planets or carrying out assorted tasks here on Earth. Clean lines, efficient design that looks straight off some futuristic lab’s assembly line and a keen understanding of mechanics sets Conte’s work apart. I can’t wait to see it up close at the show!
A bit about Christopher Conte from his website:
After earning a BFA from Pratt Institute, he entered the prosthetics field and began making artificial limbs for amputees in New York. Combining an abiding love for sculpture, medical science and biomechanics, the field enables Chris to apply his natural talents to help others in less fortunate situations, which he still does to this day. All along, creating sculpture never escaped his deepest passion. In 2007, Chris began offering these unique pieces for sale to the public for the first time.
Extraordinary news! Metropolis, Fritz Lang’s astounding silent sci-fi magnum opus, was originally released in 1927 and restored in 2001, with at least 90 minutes of footage lost. Now, through a long chain of distributors, collectors and art funds the missing scenes have been found. These scenes fill gaps in the plot, expand characters that seem minor in current versions and complete the film – this is the Metropolis we were meant to see. The found film will need a lot of work but I have high hopes for a re-release. Private screening at The Edison, anyone?
Last Tuesday Paula Félix-Didier traveled on a secret mission to Berlin in order to meet with three film experts and editors from ZEITmagazin. The museum director from Buenos Aires had something special in her luggage: a copy of a long version of Fritz Lang’s Metropolis, including scenes believed lost for almost 80 years. After examining the film the three experts are certain: The find from Buenos Aires is a real treasure, a worldwide sensation. Metropolis, the most important silent film in German history, can from this day on be considered to have been rediscovered.
THEY are coming for your FLESH and BLOOD! Now the last hope of the family rests on a sexy faithful MAID! The most brutal clay-animation you’ve ever seen!
So trumpets the blurb for a squishy animation by YouTube’s claymation horror star, Takena. Most likely NSFW, this clip is a hellride through a quiet family evening turned to living nightmare and one maid’s heroic effort to save her home. All she needs is courage and a chainsaw. Avoid anything resembling gummy candy while you watch, below.
As promised, a look at one of the Fantastic Contraption artists, Stephane Halleux. Stephane is a Belgian artist specializing in mixed media sculpture. There’s an outstanding amount of labor that goes into each of his almost cognizant creatures, from the beginning stages of acquiring found objects to sketch concepts to actual construction. Here’s more about what Stephane does, in his own words:
I like crazy mixtures, unlikely associations, advanced technology mixed with mechanisms of long ago. I’ve always been fascinated by robotics, its advantages and contradictions. The importance of robotisation and its increasing influence on mankind. Who never dreamt of owning a robot able to do the dirty work. But where are the bounds? How far is a robot useful to men and when does it begin endangering their life ? That’s what I want to make: caricatures of robots that have gone beyond the limits, all that with a fanciful vision of the future. The future we imagined some years ago: big computers full of cables with warning lights everywhere. That’s what I like: an old fashioned universe’s future.
A few more of my favorite images, beyond the jump.
Good morning, children! Ready for your breakfast cake? You better be, because here in the cave that’s just the way we celebrate a proper Saturday morning. And once your teeth have really begun to grind from the sugar rush, might we interest you in a bit of song and dance? Yes, it’s time for the Hokey Morning Song with Kimba and friends on Kimba’s Cave. Don’t be alarmed, sit back and relax – this show’s for everyone, just like the lyrics say. A word of warning, though: don’t piss Kimba off or he might just get skimpy with the fluffcake.
Hmm, that song sure had some strange notes.. And doesn’t Kimba look just a bit familiar? Click below for the big reveal that will have you regurgitating fluffcake for hours. With laughter, I mean.
Brace yourselves, for today I am the bearer of grand news! Seriously, if you like art, exhibits and mechanical parts you may want to have a seat and grab the smelling salts.
On July 19th Device Gallery in La Jolla opens what very well could be The Ultimate Steam-Cyber-Cog-And Otherwise-Punk Art Show. Once you’ve collected yourselves after taking a bewildered gander at the list of names I have provided below you will know I speak the truth. And if you somehow do not, have no fear. Over the next two weeks Coilhouse will be giving you detailed looks at the work of these skilled creators. Rejoice!
My affection for Los Angeles is a drawn out, turbulent affair. I stay, for now, because of the nuances not found anyplace else, entirely unique to this place. Case in point: say you’ve got a party to go to and that party is Lenora Claire‘s birthday bash, held at Houdini’s mansion on Friday the 13th. You know for a fact that there will be: music, monkeys and circus acts. What do you wear?
When presented with an invitation to an event you know will be off da hook, as the people say, you’re given a choice to be understated/classy, or to concoct an outfit that will be admired by the drag queens in attendance and leaves a trail of jewels wherever you tread. My choice was made when I found a dress I’d forgotten about, a dress with a story worthy of a party with monkeys.
It was years ago at a now-closed deathrock club called Ghoul School. I complimented a perfectly obliterated girl on her pink dress. A vintage hand-beaded number dripping with faux pearls and diamonds, it was as out of place among the torn fishnet and leather as its tall, brown-haired fresh-faced owner. My compliment was met with an unexpected gesture of generosity: with one multi-step maneuver the girl slipped out of the dress, signed the hem, handed it to me and wandered off. Inexplicably, she was wearing a striped bikini underneath. My heart sang a song of gratitude.
When I saw Mer the night of Lenora’s party she said I looked like a cupcake and I knew it was right. Now I bring you a re-creation of the outfit as masterfully captured by secret photo agent Yoon. You can read a bit more about Lenora’s party in this LA Weekly article. Hit the jump for more.
These days Seal‘s better recognized by his shiny dome but there was a time, long ago in the decade we call The Nineties, when that very cupola hid in the shade of undercut dreadlocks, best admired under sparse flashing light of an underground techno laboratory. In addition to an edgier look young Seal kept some interesting company. Take Adamski for instance: punk-turned-rave-enthusiast with a fondness for cyber-turbans, who worked with everyone from Johnny Slut to Nina Hagen.
Please turn your attention to Seal and Adamski’s video for Killer, their 1990 crossover hit. The plot revolves around Seal’s disembodied head, a lot of static and the aforementioned techno lab either birthing Seal from its circuits or, alternately, feeding Seal virtual reality visuals in the form of dancing loons. Note the neon, striped pants, amazing CG and broken down technology offset by Adamski’s shiny but vurt-addled antics. Could Seal be a secret Cyberpunk or was he merely lucky to be making music in the early 90s?
You’ve probably at least heard of Star Wreck – a parody that launched Energia Productions into the public eye beyond internet stardom. Now from the same creative team comes a new production. If you, refined reader, like Doctor Strangelove and maybe Spaceballs, prepare to dig Iron Sky.
Towards the end of World War II the staff of SS officer Hans Kammler made a significant breakthrough in anti-gravity.
From a secret base built in the Antarctic, the first Nazi spaceships were launched in late ‘45 to found the military base Schwarze Sonne (Black Sun) on the dark side of the Moon. This base was to build a powerful invasion fleet and return to take over the Earth once the time was right.
Now it’s 2018, the Nazi invasion is on its way and the world is goose-stepping towards its doom.
What’s particularly inspiring about Iron Sky is the way it’s being created. To start, just look at this crew list! In an effort of what director Timo Vuorensola is calling “collaborative filmmaking” the project is semi-automated, gathering large numbers of volunteers and acquiring financing through WreckAMovie.com. Wreck-A-Movie intends to “blend the Internet and the film industry together by unleashing the creative potential of Internet communities, and changing the whole chain of filmmaking”. Yes! This here, peeps, is someone using the Web’s power for good, someone Doing It Right.
The footage in the gorgeous teaser below isn’t from the film, more of a taste of what’s in store. If you like what you see you can help bring this film to life by joining the production, buying War Bonds or submitting your resumé, here.
Summer winds are here and they’re sweeping our Mer away onceagain. This time she’s headed south and then all over the US, on extendo-tour with the Faun Fables. This could be your chance to catch one of these performances! Having witnessed this intense phantasmafolk first-hand I suggest you mark these dates in your calendars, dress to the nines and go rock, hard. In the meantime we’ll be standing by the window, clutching a handkerchief and longingly gazing at the open road until she returns to us.