A glimpse of the Helpless Corpses Enactment film shoot. Photo by Meredith Yayanos and Gooby Herms.

Click here to download a free Coilhouse Magazine PDF: Lives Transformed Through the Power of Confusing Music: Nils Frykdahl on Art and Kinship.

With solemnity, gratitude and a touch of sorrow, Coilhouse must acknowledge that Sleepytime Gorilla Museum, the most gloriously unclassifiable American band currently in existence, is about to call it quits. After a dozen relentless years of composing, recording, touring and performing some truly jaw-dropping music, the Oakland-based vanguards will play four final shows later this week in California: one in San Diego on April 7th, one in Los Angeles on April 8th, and two in San Francisco, both on April 10th (the evening show sold out, so they added a matinee).

Throughout the late nineties and all of the aughts, the legendary DIY road warriors of SGM crisscrossed the continental United States two, sometimes three times a year (and later on, toured Europe). Arriving at venues like a cheerful doomsday circus in their beautifully renovated vintage Green Tortoise bus, the curators entertained audiences with everything from puppet shows to Butoh dance to passionate readings of Italian Futurist manifestos. Flustered reviewers and reluctant converts, determined to pigeonhole SGM, labeled the avant-garde act as everything from neo-RIO (Rock in Opposition) to avant-prog metal, to grindcore funk theater, to, in the words of one concertgoer, “Satanic Anarchic Viking Shit”. But none of these descriptors come anywhere near encapsulating the band’s eclectic sound, style, or ethos. Not even close.

SGM on tour, 2009. Photo by Olivia Oyama.

The quintet has penned lyrics inspired by the Unabomber, James Joyce, madness, stroke-stricken baby doctors, love, death, cockroaches, and the end of the world. They have employed strange, esoteric contraptions from various folk traditions as well as several homemade instruments, such as the Viking Row-Boat, the Wiggler, the Spring-Nail Guitar, and a brutal, seven feet long piano-stringed bass behemoth called The Log. They have developed stage shows with stark lighting and elaborate costumes, sporting tooth black and spiked leather gauntlets and bonnets and bihawks and military khaki and antique lace nighties. They have sung lilting post-modern folk melodies. They have delivered face-melting blasts of pure, untrammeled metal.

They have rocked harder, more intelligently, and with more unabashed strangeness than anyone else around.

They will go down in legend.

Take comfort in knowing that these final shows won’t be the very last we’ll hear/see of them–the band has a comprehensive live DVD compilation in the works, as well as short film called The Last Human Being, and a final album. (We’ll be sure to announce all of those here when they’re released.)

Photo of Nils Frykdahl by Mikel Pickett.

In honor of the band, and to give our readers another peek at the variety of stuff we cover in the print magazine, Coilhouse is offering this free PDF download of our interview with Nils Frykdahl of Sleepytime Gorilla Museum (as well as Idiot Flesh, Faun Fables, and several other acts) printed in Issue Three, summer of 2009.

Frykdahl is a fascinating artist with a lot of delight and wisdom to share. That goes for all of the curators of SGM, truly. (Nils, Dan, Carla, Matthias, Michael, Shinichi, Frank, Moe! et al: Thank you. Thank you. Thank you. Lots of love, and best of luck with all of your future endeavors.)

Click here to download a free Coilhouse Magazine PDF: Lives Transformed Through the Power of Confusing Music: Nils Frykdahl on Art and Kinship.

For the past six years, Hazey Fairless and Silky Shoemaker have been opening up their own backyard to Austin’s fierce and vibrant queer community for Gay Bi Gay Gay, an all-day, backyard, totally free mini-festival with an always incredible line-up of queer and queer friendly acts. It has become the favorite event of many – marking the end of South By Southwest, (and at least this year) the true beginning of spring, as it falls right on the vernal equinox, and is doubly blessed by the cool rays of the waning supermoon! How to possibly begin explain the infectious joy and energy this party is filled with? I think Andy Campbell from The Austin Chronicle’s own Gay Place Blog encapsulates it best as:

“a slew of queer folks and bands soaking up the sun and playing for free in an East Austin backyard. The show is all ages (and did we say free? Oh yah, we did.) and includes national and local acts in musical conversation with one another. Gay Bi Gay Gay is a blissful, sweaty, lezbotronic, faggy, lovely, mind-expanding, rump-shaking, heart-breaking, social, special, groovy (in the 1960s sense of the word), excellent (in the 1990s sense of the word), trans-positive, safe, holy, iconoclastic, warped, ripped, blitzed, bodacious, make-out instigating, heat-seeking love missile of a day. It’s the anchor of my year. Gay Bi Gay Gay, I love you.”

Amen to that! Starting at 1pm, patchwork blankets begin to cover the yard and picnics are laid out. Dancing happens on the patches of grass in-between, and the mood is loving and convivial. More than anything else, it feels like a big family reunion – and in a lot of ways, it is.

Shunda K. and Tedra

After the cut are some of my favorite images from last year’s fiesta, which was extra special for featuring a spicy dose of New Orleans queer bounce love from Katey Red, Vockah Redu, Rusty Lazer, Altercation, Ellery and a bevy of talented dancers. With last year’s line-up sporting everyone from Kid Congo Powers to Shunda K. of Yo Majesty, we can only wait with baited breath to see what this year will bring. Happily, Big Freedia will most definitely be performing – she was slated to play last year, but sadly was not able to make it, due to a dislocated shoulder. Expect surprise guests, neon face-paint, giant grins, and loads of magic if you happen to be here in Austin for it.

New Orleans Bounce legend Katey Red with emcee of the evening Rebecca Havemeyer

Washington-based Margo Selski paints surreal scenes of a neo-Renaissance. Filled with mysterious be-ruffed princesses, white rabbits, royal regalia and strange technology, her style evokes Flemish painting’s glory days. Much of Margo’s current work features this young model:

This is Theo, the artist’s twelve-year-old son, who has been cross-dressing since the age of seven. Margo comments:

Theo is starting to receive a lot of hostility from his peers in our little town in rural Washington about his cross-dressing. He has little control in his world. These paintings are a reminder to him that, although the world around you tells you that you don’t belong, the world around you can change. These paintings give him control.

She has created an entire series, dedicated to Theo, that places him in gorgeous fantasy settings and roles, crowned, holding scepters, often wearing beautiful gowns – all in an effort to empower him during this difficult, disorienting time.

Margo’s artistic celebration of her son reminds me, just a little, of Irina Ionesco’s photos of her daughter, Eva. Though Theo isn’t ever pictured nude, I wonder if Margo might one day see similar criticism: “Are these paintings empowering? Exploitative? Both?” Personally, I think they’re stunning and look forward to meeting both the artist and the muse this weekend.

“Hitherto and Henceforth”, a solo show dedicated to Margo’s recent work, opens this Saturday March 12 at Glass Garage gallery in West Hollywood, with Margo and Theo in attendance. Hope to see you there!

Hit the jump for more images.

Wiki defines “Quirkyalone” as “a neologism referring to someone who enjoys being single (but is not opposed to being in a relationship) and generally prefers to be alone rather than dating for the sake of being in a couple.”

How To Be Alone by filmmaker Andrea Dorfman, and poet/singer/songwriter, Tanya Davis.

The term was coined by girlzine badass-turned-magazine maven Sasha Cagen while she was standing with several other single, unsmooched friends on a Brooklyn subway platform on New Year’s Eve back in 1999. “She expanded the concept into an essay in the first issue of her magazine To-Do List. When the article was republished in the Utne Reader in 2000, Cagen was surprised by the fervor of responses from readers who felt their lives had been validated by her work. As a result of these responses, Cagen opted to expand her essay into a 2004 book, titled Quirkyalone: A Manifesto for Uncompromising Romantics.”

The first International Quirkyalone Day was held on February 14 in 2003 as an alternative to Valentine’s Day, and a more genuine, generous “celebration of romance, freedom and individuality” Eight years on, Cagen has this to say:

The saccharine-sweet quality of Valentine’s Day, that fills us with expectation and often tends to make us feel disappointed whether we are single or in a relationship, struck me 8 years when I launched International Quirkyalone Day with parties in four cities. The flagship party was in San Francisco. In our second year, the party got so big the fire marshalls came, but then they wanted to party, too.

IQD is for everyone, because couples as well as singles needed a liberating alternative holiday to celebrate the joys of connection: to yourself, to your mate (if you have one), to friends, family, passions, and so on.

…I take this opportunity to wish all of you the most alive and fresh Quirkyalone Day ever! I invite you to do something new Quirkyalone Day, shake up your world a bit by visiting a new spot in or outside your town, take a class, take a chance and make a new friend (and I don’t mean on Facebook). Rearrange your furniture, try a new recipe, dance alone in your underwear for an hour. At the least, buy yourself some daisies. Chosen for their natural, sunny quality, they are the official flower of the quirkyalone movement.

And above all, love thyself.

Cheers to all you lovely Quirkyalone celebrants out there. Savor this day.

On Saturday, LA townsfolk will be able to feed their Twin Peaks obsession at Clifton’s Brookdale, a cafeteria extraordinaire brought to you by Andrew Meieran – the very man who birthed our beloved Edison. Curated by Good Apple in celebration of Twin Peaks’ 20th anniversary, In the Trees will feature art by Coilhouse friend and contributor, Jessica Joslin, who created a a beautiful owl of brass and bone named “Cooper” for the occasion.

Cooper by Jessica Joslin

Cooper will be shown alongside the work of Glenn Barr, Tim Biskup, Scott Campbell, Amy Casey, Paul Chatem, Ryan Heshka, Stella Im Hultberg, Alice Lodge, Chris Mars, Elizabeth McGrath, Margaret Meyer, Brooke Weston, Eric White, and Ashley Wood. Get all that? Good. Additionally, the show will include art by Grace Zabriskie (Sarah Palmer) and Richard Beymer (Benjamin Horne), as well as a map of Twin Peaks, created by David Lynch himself.

A Damn Fine Cup of Coffee byPaul Chatem

The recently-reopened Clifton’s, known for its comfort food and strange, woodsy interior, is the absolutely ideal location for this event. “It’s reminiscent of the show’s creative universe and captures the spirit of the show perfectly”, says developer Meieran of his new baby, which makes this recently-initiated Twin Peaks fiend anticipate In the Trees with even more vigor. I bet there will be coffee and pie!

FYI: this exhibition only runs from Saturday, February 12 to Sunday, February 13 – don’t miss it!

Related posts:

• Twin Peaks Ads for Georgia Coffee
• Season’s Greetings From Twin Peaks
• An Anecdote of No Small Amusement
• This Pie’s So Good It Is A Crime

Happy Solstice! Whether the sun is coming back to you today, or moving further away, now is an opportune time to dance in honor of the polarity of light and darkness, death and life, joy and strife, asperity and mildness.

Preferably with DIE ÜBERBABIES:

Song is “Die Lüge”, by DAF. Thanks, DJ Dead Billy

*oontz oontz oontz oontz oontz oontz oontz oontz oontz*

(And then there’s this.)

The Impossible Girl is the glorious solo debut of Kim Boekbinder (previously of the duo, Vermillion Lies). Kim’s a quirky, funny, bravely vulnerable, electrifying lightning rod of a woman. Her music tends to reflect these traits in a most endearing fashion.

Video for “Impossible Girl #2” by Jim Batt. Song inspired by Kate Rannells.

She recorded the 18 tracks of her record in increments earlier this year at studios in Maine and Boston with Sean Slade (Radiohead, Dresden Dolls) and Benny Grotto (Aerosmith) and an assortment of talented session players. She’s also been traveling internationally on a shoestring budget, bringing her songs of love, loss, self-discovery, sex, drugs, and nuclear physics to audiences in Berlin, Melbourne, and New York City.

Photo by Heike Schneider-Matzigkeit.

The Impossible Girl is yet another wonderful example of how crowdsourcing hubs like Kickstarter are enabling creative people to self-produce art that would otherwise be very difficult for them to afford. It’s a brave new world full of, ya know… POSSIBILITY. And community. And rainbows. And unicorns. Yay!

Kim’s album drops today. You can buy a copy in MP3 or CD format (the packaging for which features an exquisite portrait of The Impossible Girl by longtime Coilhouse fave, Travis Louie), and she’s offering all kinds of fancy package deals that include posters, limited edition eye makeup kits by Sweet Libertine, and an Impossible Girl paper doll by (yet another beloved Coilhouse comrade) Molly Crabapple.

This Thursday, decease Gallery 1988 in Los Angeles will host the reception for The Ghost of Delilah and Other Stories. Conceived by the mystical brain[s] of Travis Louie, illness the unique show will feature paintings and drawings by Travis with Craola, Chet Zar, Lola, Fred Harper, Molly Crabapple, Dave Chung, Ewelina Ferruso, John Park, Lisa Gloria and yours truly.

Kim Boekbinder as The Impossible Girl by Travis Louie

Travis Louie collaborated with each artist to create drawings that merge different styles and concepts in a sort of exquisite corpse format. The result: playful, distinct graphite amalgams unlike anything any of these folks have done before.

Travis working on his section of the collaboration with Ewelina Ferruso, Phelps Dreams of Being a Rabbit

The Ghost of Delilah and Other Stories opens at 7pm this Thursday, December 2. See you there!

Listen on Myspace or Facebook. Upcoming show Details here.

Coilhouse comrade Jon Sung describes his indie chamber rock band The Definite Articles as “the Arcade Fire with a string quartet where the guitars should be.” Listening to the lovely songs on their new record, King Merriweather, one can also hear a bit o’ scrumptious John Vanderslice influence in the production values (they recorded at his and Scott Solter’s studio, Tiny Telephone) and some Northwesternly, Death Cab-ish ghosts in bandleader’s Shawn Alpay’s wistful voice. And a wee bit o’ Pinback in there somewhere. But different, of course. ‘Cause it’s all epically orchestrated n’ shizzle. But seriously, King Merriweather sounds like it was an intensely ambitious undertaking. Took over two years to make, and its instrumentation ended up including 30 musicians (including woodwinds, horns, harp, choir, and a dozen strings).

The SF-based band is celebrating its release with two live presentations of the album in its entirety on 11/19 and 11/20 (the Fri/Sat before Thanksgiving) within the rafters and stained glass of a breathtaking church designed by Julia Morgan. The core band will be joined onstage by many of the aforementioned session players. “These players come from a range of backgrounds, anywhere from self-taught to conservatory-level, but each will contribute something different and lovely to the music.”

Beloveds Rachel Brice, Mardi Love and Zoe Jakes –known collectively as The Indigo Belly Dance Company– are back on tour with their phenomenally lovely, lively, singularly delightful show Le Serpent Rouge. “The Indigo has created and defined a new style of belly dance, embracing the roots of middle eastern dance while incorporating an aesthetic reminiscent of early twentieth century cabarets and world’s fairs.”

They’ve got the fantabulous Crow Quill Night Owls with them again, as well as those rambunctious Gallus Brothers. (Several video clips of all the players are embedded in the playlist below.)

(With apologies to our Northwesternmost US readers) the tour actually kicked off yesterday in Seattle, but several more Le Serpent Rouge shows will be happening across the country this month. If you like timeless beauty, raucous laughter, joy and dance and song, this outfit ain’t to be missed.

More information via Bricey’s site after the jump.