Like every other sentimental mooncalf who watched too many Merchant Ivory flicks as a young girl, I continue to allow the actor Julian Sands to occupy a very special place in my heart, despite everything. Never mind Warlock. Or Harem. Forget Boxing Helenaand Biker Mice From Mars. Put these sundries from your minds, my dears. Recall only A Room With A View, and Sands’ convincingly heterosexual ravishing of Helena Bonham Carter in a field of poppies.* It remains, to this day, one of my top picks for Most Romantic Moment in Cinema (seconded only by this tender scene from Myra Breckenridge).
I also happen to be a HYOOOGE fan of the Italian horror director, Dario Argento, so when I heard that he and Sands worked together ten years ago on an adaptation of The Phantom of the Opera, I was quite curious! Why had I never heard about this movie before? Why?! I promptly Netflixed it.
“I gotta be MEEEEEEE.” Julian Sands in Il Fantasma.
Why, oh, why, indeed. Yes, Sands and Argento work seamlessly together… in a So-Bad-it’s-a-Festering-Masterpiece kind of way, their combined efforts cradling the budding psychosexual genius of Asia Argento like two slices of moldy sourdough bread wrapped around a generous dollop of indeterminate ooze in a rat salad sandwich.
The movie is quite long, and something tells me few of you will appreciate the full length version as much as I did. Luckily, Genevieve, a brilliant columnist over at Defenestration Magazine, has provided us with this MST3K-worthy “abridged version”. I laughed, I cried, it was better than… that other Andrew Lloyd Weber musical. Enjoy:
Good morning, children! Ready for your breakfast cake? You better be, because here in the cave that’s just the way we celebrate a proper Saturday morning. And once your teeth have really begun to grind from the sugar rush, might we interest you in a bit of song and dance? Yes, it’s time for the Hokey Morning Song with Kimba and friends on Kimba’s Cave. Don’t be alarmed, sit back and relax – this show’s for everyone, just like the lyrics say. A word of warning, though: don’t piss Kimba off or he might just get skimpy with the fluffcake.
Hmm, that song sure had some strange notes.. And doesn’t Kimba look just a bit familiar? Click below for the big reveal that will have you regurgitating fluffcake for hours. With laughter, I mean.
Summer winds are here and they’re sweeping our Mer away onceagain. This time she’s headed south and then all over the US, on extendo-tour with the Faun Fables. This could be your chance to catch one of these performances! Having witnessed this intense phantasmafolk first-hand I suggest you mark these dates in your calendars, dress to the nines and go rock, hard. In the meantime we’ll be standing by the window, clutching a handkerchief and longingly gazing at the open road until she returns to us.
18th Century Picnic: Viona (above) makes it happen.
One thing I love about Belgian photographer/fairy princess Viona Ielegems is the extent to which she manages to make her outside world match her inner vision of what the world should be. How many times I’ve stared with longing at a sweaty dancefloor, closing my eyes and wishing the cheap satin I saw around me to turn into fine Indian silk, for the lace chokers to blossom into elaborate starched ruffs, and for the club itself to somehow morph from a sauna of cigarette butts and stale t-shirts into an elaborate pleasure den of opium, jasmine incense and free-range peacocks roaming from room to room. I open my eyes to someone spilling beer onto my own not-that-fancy corset, and the scene I envisioned evaporates faster than whatever the ending to Kubla Khan was supposed to be. Not our Viona! If she wants it, she makes it happen. In 2006, she threw her first ball at a neo-gothic chapel. I’d say “it’s like the Limelight used to be,” but no… this place is 10 times bigger. And the people dress 10 times better.
A picnic guest.
This year, Viona outdid herself by throwing a Victorian picnic around the time of WGT. Pictures have just been posted, so let’s break it down. Actual gramophone? Check. Exquisite china set that includes a bloody vampire bunny? Check. Good-looking dandies posing next to fresh strawberries, wine and chocolate éclairs? Check. How I wish I could’ve been there! You go, Viona. Congratulations on making your dreams – and some of our dreams – come true.
Photo of the annual Phi Ta Khon festival in Dan Sai, Thailand, from phuketguidebook.com.
If the all of the superstitions are to be believed, there are ghosts and demons lurking behind every banana tree in Thailand. After that catastrophic tsunami a couple years back, international news was full of bone-chilling accounts from Thai volunteers who’d been spooked by sightings of “dead foreigners [who didn’t] know what happened and all think they are still on the beach… on holiday.” Many families and businesses keep a spirit house where daily offerings of fruit, milk and trinkets are offered to supplicate potentially malevolent spirits who might be lingering nearby. Every June, in their equivalent to El Dia de los Muertos or Halloween, Thais rub elbows with naughty ghosts at the sumptuous Phi Ta Khon festival in Dan Sai.
I’m fascinated by Thai culture and folklore, and perhaps a bit guilty of taking it all a bit too seriously in an outside-looking-in kind of way, so this commercial slayed me:
Lightbulb ad spot from Jeh United and director Thanonchai Sornsrivichai for Sylvania.
Kudos to Brian Moroz (via BoingBoing Gadgets, I presume) for the much needed cheer-uppance.
Incandescence \In`can*des”cence\, n. A white heat, or the glowing or luminous whiteness of a body caused by intense heat.
As promised, the Coilhouse crew recently headed downtown to document Lucent Dossier‘s ongoing residency at the Edison. The sprawling Edwardian power plant-turned-nightclub was filled to the gills with a strange soup of carnies, stilt-walkers and Entourage types, and Lucent was in top form, performing continuously in various rooms to the delight and wonderment of all.
The Absinthe Fairy! Photo by Zoetica.
Zoetica managed to get some lovely shots of the action, as did Caroline over at the LAist. Incandescence occurs every other Wednesday night (including tomorrow night) for the foreseeable future. More photos and club info after the jump.
There’s a new movie coming out with Eiko Ishioka’s costume design in it! The film is directed by Tarsem, who previously collaborated with Ishioka on The Cell. Events take place in a 1915 hospital, where a bedridden patient befriends a little girl with a broken arm and offers to tell her an adventure story about five men – an Indian adventurer, an African ex-slave, a masked bandit, an Italian bombmaker, and Charles Darwin (what? yes!). The girl is enthralled by the exotic tale, and waits eagerly for every new chapter. But the storyteller, a broken man emotionally and physically, has a dark motive for telling the tale: he wants her to steal something at the hospital in exchange for the story’s conclusion. Here is the trailer:
I did a quick Google search on when the film is coming out: nothing. I did a search for it on IMDB, and learned that it was completed in 2006. Hmm. That’s when I started digging into the YouTube comments. One guy writes that he saw it at a private screening in LA a week ago, and that they asked the audience to critique for the purpose of determining whether it will go on the big screen or on DVD. Another person writes that they have not yet found a distributor. And then there is this comment by Khan Higou:
I spent a year working on post-production of this movie (in Paris); I know every single image of this feature and believe me, it IS beautiful for sure. And you Americans are not lucky about this independent movie (self-produced, directed, even self-distributed, no big studio logo in front of this trailer, did you notice…) ’cause I heard it has been rated R in the US; a way to punish Tarsem everybody thinks here ’cause the movie is not that violent
Further research turned up one review that indicates that the film has not been sold for distribution due to scathing reviews at the Toronto Film Fetival. The reviewer writes that Zoe Bell (Death Proof) was the president of the jury that year. “(She was) seated two seats away from me quite enjoyed at least from what I could get from her reactions to the film while it was being shown.” Maybe she didn’t like it so much after all.
Maybe the ending is a little predictable, but the visuals look stunning! I want to see this – and I want to love it. Thanks to Paul Komoda for the tip.
Update: Obviously I’m not very good with The Google! Looks like it’s finally coming out May 9th. Thanks, Rachel!
Passions ignite at The Crucible foundry in Oakland, CA.
Down by the West Oakland Bart station, often late into the night, one may observe mysterious flickering lights accompanied by loud explosions. If it ain’t gunshots, you can be sure some welder, sculptor or pyrotechnics whiz at the Crucible foundry is burning the midnight oil.
Founded by Michael Sturtz in 1999, this nonprofit educational hub of fine and industrial arts has attracted a highly motivated group of artists, artisans and students from all over the country. “From cast iron to neon, and from large-scale public art to the most precise kinetic sculpture, The Crucible is fast becoming the best-equipped public industry & arts education facility on the West Coast.”
Ballet star Tina Bohnstedt cruises in a vintage Pontiac (Firebird, natch).
Photo by Gary Wilson
Last year, audiences were astounded by the collective’s incendiary production of Romeo and Juliet. Their second annual “benefit fire ballet”, a decidedly ballsy interpretation Stravinsky’s Firebird, opens tonight:
[A] unique fusion of classical ballet, aerialists, acrobats, fire performers, break dancers…paired with fire and industrial arts. It’s definitely ballet with an industrial edge provided by Crucible artisans, a cameo appearance by a Pontiac Firebird, and a ballerina’s graceful pas-de-deux with a motorcycle stunt rider.
The production’s running every night through the 12th, with additional shows on the 16th, 17th and 19th. Proceeds from ticket sales will go directly towards supporting the Crucible school. All shows are expected to sell out, so if you’re thinking of going (and I know folks as far away as San Diego and Portland are making the trip) get your tickets in advance.
Nils Frykdahl, ask Dawn McCarthy, viagra Kirana Peyton and Meredith Yayanos.
Our dear Mer is a bit of a nomad, view which causes her to sometimes disappear and come back with new stories to tell. Last time she got swept away to tour Europe, she brought back bone-chilling photos of the Tyrolean Towel Rack of Imminent Doom. This time, we may see some weird relics of Americana, for Mer is headed North to bring the music of Faun Fables to Oregon, Washington and Utah. If you’re in Albany, Seattle, Portland, Olympia, Spokane (hometown concert!) or Salt Lake City, mark the dates on your calendar and come see a spectacle of songtelling unfold.
In a brief conversation before taking off, Mer told me that Faun Fables has just finished up a new record as well as an EP, and that a video is in the works.
For the most part, CG art’s not really my thing. I love the surface of paper, the texture of layered paint. There are many techniques to fake this on the computer, but in the end, most CG art still feels a bit sterile and dead-eyed to me. But there are some masters whose digital paintings truly live and breathe; one such artist is Linda Bergkvist, known online as Enayla.
From cyberpunk landscapes to enchanted woods, there’s a story being told by every sensuous detail in Bergkvist’s paintings. Some characters look so compelling that I wish there was more than just one painting; that there was a book, movie or comic where I could get to know them better. I wonder how much of a backstory Berkgvist creates as she paints.
Equally as fascinating as the images are the generous tutorials on Bergkvist’s site. She shares her secrets on how to paint eyes, how to mix skintones, how to create hair texture, and how to make brushes, and more. Even for someone who doesn’t paint, it’s interesting to see her paintings in unfinished form as she explains their completion step by step.
Bergkvist has recently revisited the “analog world” to create some stunning masks in papier mache, which she models on this page. More of my favorite images after the jump!
