Sometimes, when creative and inspired people get together to collaborate on making imagery in a specific vein that no one’s attempted before, a special kind of magic happens. Case in point, this elaborate photo series independently produced by Jessica Rowell of J-Chan Designs and photographer Nina Pak in cahoots with model Elizabeth Maiden:
Κατάρα της Αθηνάς, η μοίρα της Μέδουσας Αθηνάς: Elizabeth Maiden Μέδουσας: Jessica Rowell of J-Chan’s Designs Photography: Nina Pak Costume Design & Styling: J-Chan’s Designs Location: Vancouver, British Columbia, Canada
Ancient Greek lore and steampunk culture clash, titan style, in a sumptuous mythos-meets-modernity photo series depicting the Goddess Athena (Elizabeth Maiden) and the Gorgon Medusa (Jessica Rowell).
According to legend, the once ravishing Medusa was cursed with a monstrous appearance after “seducing” Poseidon, Lord of the Sea, under the roof of Athena’s sacred temple. Hence, this series title (which, translated into English, means) “Athena’s curse, Medusa’s fate.”
Rowell pulled “inspiration from Desmond Davis’ 1981 film Clash of the Titans, then put an atemporal spin on things by incorporating several contemporary ingredients that “also felt industrial and familiar to alternative culture.”
Hot off the presses, a brand-new episode of Jiz: the bizarre, hilarious, raunchily dubbed version of 80s cartoon Jem and the Holograms. Where the original theme song was “Exciting adventures, fashion and fame / Once you’re a Jem girl, you’re never the same,” the Jiz refrain goes something like: “Trannies and drag queens doing cocaine / Once you’re a Jiz whore you’re never the same.” And that about sums it up.
So here it is: the Jiz drug special. “I know what you’re thinking,” writes Jiz creator Sienna D’Enema. ”Isn’t every episode a drug episode? Seriously though, Jiz gets cut off from her Electronic Drug Dealer. Witness her descent into madness.”
If this is your first exposure to Jiz, check out some of the older episodes, starting with the canonical Abortion Episode, in which Jiz is pro-choice. Really, really pro-choice:
This is Cinamon. I remember seeing her on the very same day, though I didn’t take this photograph of her. I was probably 12 at the time, and as I passed by her on The Drag down by Sound Exchange, the trajectory of my life changed forever. I was completely mesmerized by this vision in black tatters, a gorgeous alien-wraith who seemed like an apparition drifting down a banal sidewalk in the bright Texas sun. She was the most beautiful woman I had ever seen. I stopped and told her how amazing I thought she was, and she was so sweet to me. I’ve held this photo dear for years, a treasured gift from a mutual friend. She was such a huge influence on not only my style, but also for scores of others, (maybe even yours!) – Cinamon was the original inspiration for Neil Gaiman’s Death character from the Sandman series. Her friend Mike Dringenberg drew her years before, and by an odd twist of chance (or fate), this woman unwittingly helped shape the style of scads of wee gothlings. Cheers to you, Cinamon – you continue to inspire and astound!
This was me at maybe 15 or 16? It was for a fashion show at the old Club 404, a legendary big gay bar from back in the day here in Austin. I was total monster-child jail bait, who spent most of my time scampering around in the woods on drugs wishing I wasn’t human, poring over Elfquest and Sandman comics and Storm Constantine’s Wraeththu trilogy. I made my outfit in five minutes out of electrical tape, eyeliner, wire and black tulle. Oh, and a thong. Heaven forbid that should I ever spawn a girl-child as naughty as I was! With any luck, I’ll end up with a Saffy.
(photo by Monte McCarter)
At the tender age of barely 17, I became the armed spokesmodel for FringeWare Review’s book catalogue. This involved posing in my underpants and various getups made of rubber and dollparts with books and guns. Real guns. That’s totally an actual Uzi or Tech-9 or whatever the hell, too. I was super blessed to be part of FringeWare when it was around – it was a strange and magical era.
Before finding these illustrations I had never heard of the Slovak illustrator, Albín Brunovský. It was unsuprising to learn that he was quite well-known, and well-regarded, in his own country. This series of women with fantastical heads pieces, some of them growing out of their owners’s heads, features a perfectly surreal juxtaposition of the absurd and macabre.
Oof. The world continues to feel like an extra brutal place this week. We’re all finding it a bit difficult to concentrate over here, for many reasons. Also, by now, many of you will have noticed that Coilhouse is experiencing technical difficulties due to some sort of EPIC HOSTING FAIL that’s not in our immediate control. Big thanks to those of you who have kindly told us “psst… your slip is showing, honey!” Queries have been logged. Hopefully it will get fixed soon.
Meantime, I’m gonna go ahead and live vicariously through this guy:
Via DJ Dead Billy comes this live 1983 performance of “Designed for Living” by an obscure Brisbane, AU band called The MegaMen. Watch, listen and rejoice as three elegant new romantics take the Bandaged Bear Telethon by storm.
Billy professes to being nonplussed by certain aspects of the performance, namely The MegaMen’s mega-bitchy lyrics. Your mileage may vary: personally, I find their immaculate Nagelesque coifs, perfected sneers and lissome, synchronized dance moves impossible to resist. And really, when you think about it, don’t lines like “I see your pain and find it funny / You gave me love and I took your money” go together with disdainful high-kicks [2:39] and queenly mic-cord flips [2:42] like ebony eyeliner and ivory skin foundation? RAWR. Love.
The Impossible Girl is the glorious solo debut of Kim Boekbinder (previously of the duo, Vermillion Lies). Kim’s a quirky, funny, bravely vulnerable, electrifying lightning rod of a woman. Her music tends to reflect these traits in a most endearing fashion.
She recorded the 18 tracks of her record in increments earlier this year at studios in Maine and Boston with Sean Slade (Radiohead, Dresden Dolls) and Benny Grotto (Aerosmith) and an assortment of talented session players. She’s also been traveling internationally on a shoestring budget, bringing her songs of love, loss, self-discovery, sex, drugs, and nuclear physics to audiences in Berlin, Melbourne, and New York City.
Photo by Heike Schneider-Matzigkeit.
The Impossible Girl is yet another wonderful example of how crowdsourcing hubs like Kickstarter are enabling creative people to self-produce art that would otherwise be very difficult for them to afford. It’s a brave new world full of, ya know… POSSIBILITY. And community. And rainbows. And unicorns. Yay!
Kim’s album drops today. You can buy a copy in MP3 or CD format (the packaging for which features an exquisite portrait of The Impossible Girl by longtime Coilhouse fave, Travis Louie), and she’s offering all kinds of fancy package deals that include posters, limited edition eye makeup kits by Sweet Libertine, and an Impossible Girl paper doll by (yet another beloved Coilhouse comrade) Molly Crabapple.
Madame Peripetie does it again. The Polish-born, Dortmund, Germany-based photographer, whose Insectarium shoot and collaboration with Eva Nyiri were featured on Coilhouse in 2009, has released a surreal, colorful new collection titled Dream Sequence. Some of the images can be seen here, and more can be found on her site.
Set against a stark, hazy black background, the dreamlike characters in these images appear to evoke haunted forests, chrome spaceships, traveling circus shows, and early-90′s NYC club culture. In almost every image, you can find a spray of brightly-colored wildflowers decorating the otherwise synthetic-looking subject, recalling these images of the Surma and Mursi tribes of East Africa by Hans Sylvester. Many more images, after the jump.
