The Cutest Goose-steppin’ You’ve Ever Seen:
Via DJ DeadBilly.
Dapper band nerds + waterfowl = ZOMGSQUEE. Who knew?!
Via DJ DeadBilly.
Dapper band nerds + waterfowl = ZOMGSQUEE. Who knew?!
I’ve no idea what led this young man to the idea of stacking 3118 coins upon a single dime. Perhaps, as alluded to in the title of this post, he was simply bored. Perhaps he had though long and hard about, what he perceived to be, a lack of coin-stacking research, a gap in the understanding of coin storage. Perhaps he simply got his hands on some grade A marijuana. We will never know. What we do know is that, regardless of the reasons, he ends up with 3118 coins, impressively stacked on a single dime after seven, time-lapsed hours. Isn’t that enough?
These incredible time lapse sequences are pieced together from thousands of photographs taken aboard the International Space Station by crew members and photographers of Expeditions 28 & 29 (August through October of 2011) at an altitude of approximately 217 miles above sea level.
German tech wizard Michael König took the time to gather together all of the photos from the Image Science & Analysis Laboratory, NASA Johnson Space Center, and The Gateway to Astronaut Photography of Earth, put them in sequence, and then “refurbished, smoothed, retimed, denoised, deflickered, cut, etc.” all of the footage, taking care to avoid any kind of color adjustment or other visual manipulation, so as to let this beautiful, surreal footage speak entirely for itself.
Via Jhayne, thanks!
This talented folk-rock outfit, called Subito, hails from Lugansk, Ukraine. At this time, Coilhouse is unable to confirm whether or not these musicians are also coal miners (as has been claimed elsewhere on teh interwubz), or just hanging out drinking with ’em. Either way, this has gotta be the best Rammstein cover since Polkaholix‘s rendition of “Pussy“.
Previous gems from Coilhouse’s time-honored “\m/” category:
A short film for your Veteran’s Day, Pythagasaurus comes to us from Aardman Animations, best known for their
Please give a warm welcome to our newest guest blogger, Caroline E. Willis! Caroline describes herself as “a writer and occasionally an archaeologist.” She also has a highly entertaining blog “about dressing up and hitting people with latex.” Needless to say, we like Caroline a lot. -Mer
“Sentimental” by Kathie Olivas, 2009, oil on canvas, 30”x40”. (Via)
“Most of us can agree on the artistic value of a Monet or Titian, but this work is for a daring audience, an audience open to exploring the strange beauty and the ecstasy inherent in our culture’s aversions.”
~Carrie Ann Baade
Guest Curator of the Cute & Creepy exhibition, FSU Museum of Fine Arts.
Drive past enough hazy bayous and bent oaks, sacrifice enough November butterflies on the altar of your windshield, and you’ll find something creepy in the heart of Florida. Carrie Ann Baade has collected the works of 25 fellow artists- works of beautiful, grotesque, adorable art- for the Cute & Creepy exhibition that’s currently taking Tallahassee by storm.
Over two-thousand people attended the opening- four times more than any other opening at the museum thus far, and some strange lure continues to draw unprecedented numbers to this show- a lure as hard to define as the subject of the show itself. Cute & Creepy is an exploration of boundaries, but the artworks on display do not so much “cross the line” as seem unaware that any boundaries exist. Each object is wholly itself; it is the viewers for whom categorization fails.
Toddlerpede 2.0” by Jon Beinart. 2011, mixed media sculpture, approximately 36”x36”x36”. Photo by Caroline E. Willis.
A sequel, see of sorts, recipe to a video previously posted in these pages. Here we abandon the shining of shoes for the act of ironing shirts, and while this may not have quite the same, fantastic soundtrack found in the first video, the precision is still here. This is a man who has ironed a shirt or thousand in his time. I can only presume that, at some point, there was a series of clips meant to instruct men on the proper upkeep of their clothing, but I might be entirely wrong. Regardless of the original intent, they remain utterly captivating.
Thanks, Ian!
Via Devon, thanks!
This beautiful video footage was recently shot by the Asia Society Museum in New York City, where Korean artist U-Ram Choe‘s most recent triumph, a shimmering, golden, “breathing” sculpture, is being premiered.
Most of Choe’s elaborate kinetic sculptures are assembled from stainless steel and acrylic, and motorized with robotics that he himself develops and programs. The above work, called Custos Cavum (“Guardian of the Hole” in Latin) is a particularly delicate and elaborate piece created as a response to this tenth-century Shiva Nataraja sculpture. (Custos Cavum is part of the Asia Society’s “In Focus” series, which invites contemporary artists to craft new works inspired by pieces from the museum’s permanent collection. Choe’s new work is being shown with the Shiva sculpture.)
Choe has stated that his creation is “a creature [that] protects the flow of communication between the two realms that assures mutual respect. In this fable, the guardian is a symbol of coexistence just as the Hindu god, Shiva, is a symbol of balance and harmony.” (via)
The exhibition will run until December 31, 2011.
Previously on Coilhouse:
Somewhere, in a parallel dimension, this is basically a true story and it is not the most mind-meltingly horrible thing you’ve ever seen because somewhere, in a parallel dimension, human anatomy is exactly like this.
(NSFW)
Thanks, Oddy and maicro!
A captivatingly atemporal silver gelatin print from 1995:
“Hall of Thirty-Three Bays” by Hiroshi Sugimoto
(Our 400px column width definitely ain’t doing the composition any favors; it’s worth taking the time to view this stunning image as large as possible.)
The work of Tokyo/NYC-based artist and photographer Hiroshi Sugimoto reflects a lifelong fascination with infinity and eternity. He has “spoken of his work as an expression of ‘time exposed’, or photographs serving as a time capsule for a series of events in time. His work also focuses on transience of life, and the conflict between life and death.” (via)
The story behind this particular image: these are the fiercely protected, rarely viewed 1001 statues of the Sanjusangendo, a 390-foot-long wooden temple in Kyoto containing thirty-three bays, also known as Sea of Buddha. Sugimoto was determined to show the statues as they were meant to be viewed during the Heian Perod (794-1185). It took seven years for Sugimoto to get permission to enter the “Hall of Thirty-Three Bays” with his camera equipment and capture the eight-hundred-year-old Armed Merciful Bodhisattva Avalokitesvara figures just as the early morning sunlight hit them, simultaneously illuminating one-thousand-and-one haloes. The resulting imagery is both ancient and somehow futuristic, infinite and immediate.
More beauty from Sugimoto: