Performance
Graham Annable (previously featured on Coilhouse) presents his new short, “Performance”, an incredible recreation of Meredith Yayanos’s stage show in his signature, animated style.
Graham Annable (previously featured on Coilhouse) presents his new short, “Performance”, an incredible recreation of Meredith Yayanos’s stage show in his signature, animated style.
Owen Pallett, formerly performing as Final Fantasy, is on tour right now. Though the American leg is over, there are plenty of Canadian, European and Asian dates to look forward to. This is valuable information for lovers of string music, peculiar lyrics and minimal, yet mesmerizing performances.
Since 2002, Pallett has contributed violins and arrangements to over thirty albums by other artists, in addition to recording three albums of his own, two under his old, video-game-inspired moniker. Like the wonderful Zoe Keating, repeatedly featured here and in Coilhouse 05, he plays over loops he records live. He also sings, plays keyboards, quips and manages to entrance fans whether he’s playing in a dive bar or a massive theater. Below, a funny [and strangely moving] video from a performance last year at the Live at the Hillside festival in Guelph, where a drenched Owen Pallett plays against a wall of rain, and against the wishes of festival security.
There are two official music videos below the jump, where you can hear how Pallett sounds in less adverse conditions. Neither does his live act justice, though both are neat-o.
Elaine Comparone is the Tony Iommi of Baroque harpsichord, and you’re about to get your face rocked off, Rameau style.
Via Darla Teagarden, who says, “imagine running through a house of mirrors in Greece circa 1927 after smoking hashish while wearing tiny shoes.” (Perfect!)
Comparone claims Rameau’s shredding piece of music was inspired by Homer’s Polyphemus. Other scholars suggest that the French composer was representing the BRVTAL brothers Arges, Brontes, and Steropes –Cyclopean blacksmiths who forged lightning bolts for Zeus– and that the insanely manic percussive runs are meant represent the giants busy at work, hammering and forging thunderbolts. Either way? MMM\m/ETAL.
I admit I know nothing about Flying Lotus but the video for their song “Kill Your Co-Workers” caught my eye. Featuring the digital madness of Mike Winkelmann, viagra it depicts a joyful parade that goes horribly, horribly awry. Mr. Winkelmann has made the models open source and available for download for those with an artistic bent.
One of the fiercest, capsule strangest, cialis sale coolest grand dames of punk rock has left us. Ari Up, free-spirited vocalist for the UK punk band, The Slits (as well as countless subsequent music projects), has died after a long, unspecified illness. She was 48 years old.
Anyone who ever had the privilege of seeing Ari perform –or even just to be in the same room with her and that huge, husky laugh– knows what a tremendous force of nature she was. Her ongoing mission: “to fight for musical expression, women, and cultural freedom.” Love you, Baby Ari. Madussa. True Warrior. The mission continues.
Megumi Satsu, the mysterious chanteuse and hat enthusiast we covered almost exactly one year ago, died in Paris yesterday. She was sixty-two years old. It was also just last year that Megumi Satsu released her final album, eerily titled, Après Ma Mort [After My Death].
Megumi’s representatives have yet to release any details, but we needn’t dwell on them anyway. Instead, let’s wish her a fair journey and remember Madame Satsu as the offbeat, elusive diva and enigmatic muse to Prévert, Baudrillard, and Topor she was until the end. She’ll be sipping cocktails and talking fashion with Klaus Nomi and Isabella Blow in no time.
Photo by Philippe Fontaine
Today’s BTC is brought to you by the letter \m/ and the number 9.
(Cheers, Mil!)
“I’m a little teapot…” By Charles Krafft. As seen on LAShTAL.
Quiver and quail, Thelemites, for Τὸ Μεγα Θηρίον‘s whelping day is upon us. What better way to acknowledge the degenerate rice-cooker than with one of David Tibet‘s crowning musical/lyrical achievements, a magickal rap ditty called “Crowleymass Unveiled”?
File this one under the ultra specific hybrid category of “Can’t believe this actually exists/Can’t stop laughing.” Along with this. Also, this.
Full “Crowleymass” lyrics posted after the jump.
Nerdcore. Chiptune. Gamewave. Bands Influenced by Video Games. It’s almost a given that we, as People of the Web, have heard at least one track we can assign to this genre. With MC Fronalot, Anamanaguchi, and Minibosses among the names at its forefront, this movement is a love letter to all things nerdy and wonderful. The Protomen may be lesser-known than some of the aforementioned folks right now, but not for long.
No, not for long.
Panther, the lead vocalist, is joined by a cast of nine, who, in his words, “noticed a void in rock and roll. A hole that could only really be filled with grown men and women painting up like robots and playing some fierce and furious rock music based on a 1980s video game.” Having just released their second album, the Nashville-based, Mega Man-inspired, silver-painted space cowboys [and girls] have been on a national tour since summer, and if you have the chance, you should definitely check ’em out. These guys are young, hilarious, and they’re damn good.
Despite all the tight production and shiny web design, this band is meant to be experienced live. As the countless performance clips on YouTube prove, you can expect some form of a mosh pit, costumes, eager audience participation, theatrics and a whole lot of RAWKK. Also, the odd Journey cover, or better yet, Clap Danzatar, a Pat Benatar and Danzig mash-up which must be heard to be understood. Simply put, if you like things like rock operas, video games, or fun, and can tolerate a little retro-worship, do yourself a favor and get into The Protomen. This fan-made video for Unrest in the House of Light, a track off their first album, is a good place to start.
You might be wondering what Justin Timberlake, health Jimmy Fallon, and a hip-hop medley are doing here. After all, we live in a world where hip-hop very nearly is the mainstream, right? Two reasons. One: it was not always so. Two: the clip is guaranteed to make you grin, and we care about your grin quota.
[Three: Justin Timberlake is pretty great, in general]
Watch below as JT, together with JF and The Roots, delivers a mini-lesson in the history of American rap, starting with the Sugarhill Gang and ending with Jay-Z. I dare you to watch it just once. Dare!