Teenagers in Space: A Soviet Sci-Fi Film from 1974

“Teenagers in Space” (Отроки во Вселенной) is a 1974 Soviet children’s sci-fi film about evil robots. In the film, a group of clean-cut teenage “pioneers” embark to a distant planet in the Cassiopeia constellation. There, they viagra for sale in the uk discover that robots have taken over the planet and enslaved the humans with one intention – to make their masters happy, as the robots understood happiness.

In one memorable scene, stylish robots offer to give the young cosmonauts a “Happiness Makeover.” In the futuristic operating room, sleek white sarcofagi encase the teens while robots calibrate the machine to erase their feelings of love, sorrow, shame and self-doubt. It turns out that their robots’ understanding of happiness is the satisfactions of basic needs, and the elimination of all  ”disturbing” emotions.

The teens learn that a small group of humans had escaped from the “Great Enhappening” and that their descendants have been orbiting the planet for generations. Together, they figure out a way to bring down the robots’ oppressive regime.

The film is available in its entirety on YouTube, but perhaps the best way for an English-speaking audience to experience the film is through the video below, which combines footage of the film with Kraftwerk’s “Robots.” See below.

Blade Runner Magazine Covers Resurface!

A series of magazine viagra tablets for sale covers that appeared in Blade Runner have been making the rounds. Like most of the film, many of the covers (especially Dorgon, Creative Evolution and Kill) have a modern or even futuristic feel. The fashion magazine advertises “color spliced skin inserts,” while Kill Weekly promises color close-ups of deadly accidents. You can see all the covers here.

Over at The Atlantic, Alexis Madrigal traces the images’ internet origins. These covers were created by production designer Tom Southwell in 1980/1982. However, the web versions that you see here were painstakingly reconstructed by a superfan known only as Kevin. You can see a side-by-side comparison in the Atlantic article.

Friday Afternoon Movie: Dystopian Miniseries Black Mirror

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Black Mirror is a grim, satirical dystopian horror miniseries that aired on Channel 4 in the UK last year. Consisting of three one-hour episodes, the show, created by Charlie Brooker, is a “a hybrid of The Twilight Zone and Tales of the Unexpected which taps into our contemporary unease about our modern world”, with the stories having a “techno-paranoia” feel. From the program description on Channel 4′s site:

Over the last ten years, technology has transformed almost every aspect of our lives before we’ve had time to stop and question it. In every home; on every desk; in every palm – a plasma screen; a monitor; a smartphone – a black mirror of our 21st Century existence.

Our grip on reality is shifting. We worship at the altars of Google and Apple. Facebook algorithms know us more intimately than our own parents. We have access to all the information in the world, but no brain space left to absorb anything longer than a 140-character tweet.

Black Mirror taps into the collective unease about our modern world.

The writing is smart, the plots just plausible enough to send a chill down your spine. In the first (and arguably best) episode, “National Anthem,” a video of the kidnapped Princess Susannah, a beloved member of the Royal Family, is uploaded to YouTube with a ransom demand that would do 4chan proud. “15 Million Merits” shows us a dehumanizing world in which green energy, gamification and reality TV intersect. Finally, “The Entire History of You” shows us a near-future in which all memories can be recorded, replayed, stolen and shared.

As piracy continues to be a service problem, there’s no easy way to purchase/view this show outside the UK. Below are the links to streams of each episode. Watch the episodes here, before they’re gone. You won’t regret it:

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BTC: SHOCK's "Dynamo Beat" is Candy-Colored, Proto-Cyberdork/Cemetery Goth. Everybody Wins!

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Good morning. Pretend for a moment that this is not, in fact, the Spring of 2012, but rather the Spring of 1982, now thirty years past. We’re in England. New Romance is budding. Rocky Horror is a’rockin’. The likes of Gary Numan, Spandau Ballet, and Klaus Nomi rule subterranean radio.

Under the banner of SHOCK, two young London lads with very excellent bone structure and pop ‘n’ lock skillz named Tim Dry (who would one day become Tik from the robotic mime duo Tik & Tok) and Richard James Burgess (who would go on to produce all manner of sophisti-pop) have joined forces with two young London lasses with very large hair and dovelike coos called Carole Caplin (who shall one day become far better known as the tormented fitness and fashion consultant to Tony and Cherie Blair) and Barbie Wilde (who is soon to be immortalized in celluloid as the creepyhot female Cenobite from Hellraiser II).

And they make this splendiferousness happen:

Via Brian Moroz, with giggly thanks.

If you enjoyed this darque ‘n’ tender morsel of obscure nostalgia, you may also appreciate:

R.I.P. DICK CLARK, VIVA SPARKS.

It’s hard to believe Dick Clark is gone. Is it safe to surmise that secretly, many of us kids who grew up watching him on the boob tube decided long ago that Clark (or, at the very least, legions of indiscernible vat-grown clones of Clark kept in a top-secret underground facility located a few miles beyond the city limits of Fresno) would be Rockin’ our Eves for centuries to come? Alas.

But the beat must go on. Perhaps… in hologram form?

In (somewhat oblique) honor of the departed (and because NO halfway decent excuse to feature the Mael Brothers on Coilhouse should ever be passed up) here’s a fabulous performance of “Pulling Rabbits out of Hats” by Sparks on Dick Clark’s American Bandstand in 1984, followed by a unexpectedly sweet and silly “interview” between three very disparately distinguished gentlemen. SO GOOD.

Previously on Coilhouse:

Help Jess Nevins Create an Encyclopedia of Golden Age Superheroes


Robotic Lion & Warrior illustration by Greg Broadmore for Jess Nevins’ article in Issue 05.

Those of you who own Coilhouse Magazine Issues 03 and 05 will remember Jess Nevins’ pieces on Russian and Chinese pulp. You may have also seen Jess’ Encyclopedia of Fantastic Victoriana, his many comic book annotations, or his writing on IO9. As a librarian and author, Jess has an uncanny skill for unearthing rare gems from the realms of pulp and sci-fi, such as the world’s first lesbian science fiction novel (published in 1906), the first cyborg horror story (“The Steam Arm,” 1834), and steampunk poetry from 1867. Jess Nevins can give you the entire history of mad scientists in the industrial age, provide a thorough overview of genderbending in pulps, and hypothesize whether Cthulhu appears on a 300-year-old gravestone. In short, Jess Nevins is a kind of biblio-archaeologist, discovering and preserving beautiful relics from fictional ages past.

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His latest endeavor focuses on superheroes. Specifically, superheroes from comics’ Golden Age, which lasted from 1935 to 1949. The project is called The Encyclopedia of Golden Age Superheroes, and Jess is currently raising funds on Kickstarter to produce a book and a website (which will include a free download of the book’s manuscript) to catalogue 2000+ superheroes: everything from “floating eyeballs and centaurs” to “robot brains and super rabbits.” Jess needs to travel to Michigan State University in East Lansing to study up on all of these wondrous things, and estimates that it will take two weeks to get the research done. The money raised by Kickstart will go towards subsidizing Jess’ travel and building the site. The project may have hit its modest funding goal, but believe us, the bare minimum is never really enough. Plus, Kickstarter projects that raise substantially more than the required amount often have a way of evolving and deepening into even bigger, more beautiful work (for instance, Molly Crabapple’s Week in Hell or R. Stevens’ Diesel Sweeties e-book).

In celebration of Jess’ ambitious new project, we are releasing a full, free PDF of his article from Issue 05, titled “Sherlock Holmes vs. The Fox Woman: A Brief Tour of Chinese Pulp”. Lushly-illustrated by Greg Broadmore and Paul Tobin, the article provides a sweeping overview of Chinese Pulp from, from moon colonies to pirate queens. Enjoy!

We can’t wait to read this book, Jess! Go git ‘em.

’80s Explosion: Space Stallions

Space Stallions, a bachelor film project from the 2012 Animation Workshop, plays like every Saturday morning cartoon from my childhood boiled down into one four minute concept. Created by Thorvaldur S. Gunnarsson, Jonatan Brüsch, Ágúst Kristinsson, Arna Snæbjørnsdottir, Esben J. Jespersen, Touraj Khosravi and Polina Bokhan, it appears to have everything: spaceships, spandex-clad heroes, rainbows, unicorn-shaped hoverbikes, moustaches, and laser eggs. It’s like someone put peyote in your Lucky Charms.

Volkswagen Continues Its Love Affair With “The Imperial March”

A quick Google search shows that this video is pretty much everywhere, but I just can’t resist putting it here. Following up their Star Wars themed Passat commercial for last year’s Super Bowl, Volkswagen returns this year, and once again puts “The Imperial March” to excellent use, in this case having it performed by twelve dogs, some in various forms of Star Wars costumery. It’s so very silly but I love it so very much; especially the grand entrance of the twelfth and final member of this canine chorus. So. Good.

Thanks to everyone who sent this in!

BTC: Future World Orchestra


Hooray for flarpy synths and dubious Danish E.T. impressions!

This cover of John Williams’ E.T. theme was recorded in 1983 by two yacht-rockin’ electropoppets known as the Future World Orchestra. It is, IMHO, so utterly beyond happystupidwonderful, some of you may have trouble restraining yourself from spasmodic flailing or propulsive flatulence.

Behold, below, as the space-age lotharios radiate raw moustachioed magnetism while performing their hit single “Desire” on the Italian music show Discoring:


Via Dirk Janssen, with thanks!

Here is the amazeballs cover of their 1982 album, Mission Completed:

And this, comrades, is the last offical Better Than Coffee of 2011. If the FWO ain’t afraid of the future, then let us not be, either. Onward and upward and o’er we go!

BTC: George Takei, Broker of Star Peace

Every time ya think he can’t get any more awesome, the benevolent Mister George Takei proves ya wrong:

This week, he has stepped up to urge a sneering admiral and a provoked princess to put aside their petty differences and join forces to battle a looming, sparkly vampiric threat. (All while standing in front of a mysterious oil-painted, pleated-khaki-pants-clad crotch.)

YAY, TAKEI!