Where’s Mer? Part III


Nils Frykdahl & Dawn McCarthy of Faun Fables

Summer winds are here and they’re sweeping our Mer away once again. This time she’s headed south and then all over the US, on extendo-tour with the Faun Fables. This could be your chance to catch one of these performances! Having witnessed this intense phantasmafolk first-hand I suggest you mark these dates in your calendars, dress to the nines and go rock, hard. In the meantime we’ll be standing by the window, clutching a handkerchief and longingly gazing at the open road until she returns to us.

The Intercontinental Radio Show

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Serbian punk band Pekinška patka. Hear ’em on The Intercontinental.

Pardon me, are you part shark? What I mean is, if you don’t constantly keep moving, exploring, and devouring, does it feel as though your organs might implode from sheer doldrums? Do unfamiliar smells and sounds intrigue rather than offend you? Are you an incorrigible know-it-all, scoffing openly at poor, unwitting souls who declare Mike Patton’s work to be the utmost pinnacle of musical wackiness?* Would you enjoy traveling to an exotic third world locale with nothing but a ukulele and a homemade shank?

Buddy, have we got a podcast for you.

Based out of WMBR in Cambridge, MA, The Intercontinental is a weekly radio program hosted and curated by one Mr. Jesse Kaminsky. Jesse has an uncanny knack for rooting out the most obscure and delightfully diasporic music you’ll ever hear. As of 2006, the U.N. recognizes 192 different countries, and according to Jesse’s last tally, The Intercontinental has played music from 119 (not counting New Caledonia or Bora Bora or Greenland or Somaliland or Western Sahara or French Polynesia).

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Japanese whammy bar surf royalty and Intercontinental regulars, Takeshi Terauchi and the Bunnys.

Recently, Jesse started a podcast feed for the benefit of everyone who’s not living in Boston or near a computer each Wednesday from 6 pm to 8:00 pm E.S.T. So “tune into the sounds of the Finnish Underground, Tuvan Rock, Asian Psychedelic, Russian Lounge, and Inuit beat boxing” and be ready to shake your tuchus.

*Dear rabid Bunglers, please do not hurt me. I give mad props to Mr. Patton. But the world is vast and strange. I implore you: venture bravely beyond the Tzadik catalog on your next record-buying excursion.

Attention, LA! Cronenberg Retrospective Screenings

I’m convinced that The Steve Allen Theater is some sort of shadowy government secret, which must the reason we hadn’t heard about the David Cronenberg retrospective they’ve been running for the past few weeks until recently. As a drooling fan of everything from Spider to The Fly, I think this is fantastic and, at $8/ticket, a great deal.

I did a little reconnaissance work and found ample parking, good sound and a pleasant audience, despite lack of a concession stand – bringing own snacks next time. Though the retrospective is now drawing to an end, you still have the chance to watch Existenz on May 24th, which is this Saturday and Spider on May 31st which will be shown with Cronenberg’s latest short film.


Beautiful front & back cover art for the spring program booklet.
Page through the entire thing here.

Located at The Center For Inquiry in Hollywood, the theater has a abundantly promising spring/summer line-up of cartoons, performances, mystery movies including Soylent Green on June 1, and so much more. Go forth, consume, and tell us what you think!

Steve Allen Theater
4773 Hollywood Blvd
Los Angeles, CA 90027
(323) 666-4268

Fetish Fashion Fuel

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Image of Kumi by course instructor Allan Amato

Photographers in California! My friend Allan of Venus Wept Photography is going to be co-teaching an amazing photography workshop called “Fetish Fashion Fuel” this June in Lancaster, CA. There are a lot of things about this class that make me want to sign up. First of all, the models: Ulorin Vex and Kumi are flying in all the way from Europe, and Mosh is flying in from DC. Quite a rare eclipse!

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Kumi, Vex, Mosh by Gilles Berquet, Alan Amato, & The Stuntkid

Then, there’s the location. One of workshop days happens at Club Ed. Named after its original caretaker, this location was originally a Hollywood set for the 1991 film Eye of the Storm. The set includes a circa-40s/50s American diner, gas station, autoparts store and motel with a pool – all in the middle the desert. And then there’s the wardrobe. Mother of London? Check. Antiseptic? Check. In total, there are 7 confirmed models, 2 instructors, and 15 students. Not a bad ratio! The course covers not only shooting, but also post-production in Photoshop. 6 seats are still available. All the details can be found here.

Is it pricey? Yes. The course is $995. Is it worth it? I think so. There are many workshops like this all over the country, but none of them offer such a unique mix of talent. I know Allan to be a generous teacher with impeccable lighting technique. I can’t wait to see the images that emerge from this adventure.

Images of Incandescence at the Edison Lounge

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Lucent Dossier aerialist. Photo by Zoetica Ebb.

Incandescence \In`can*des”cence\, n.
A white heat, or the glowing or luminous whiteness of a body caused by intense heat.

As promised, the Coilhouse crew recently headed downtown to document Lucent Dossier‘s ongoing residency at the Edison. The sprawling Edwardian power plant-turned-nightclub was filled to the gills with a strange soup of carnies, stilt-walkers and Entourage types, and Lucent was in top form, performing continuously in various rooms to the delight and wonderment of all.

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The Absinthe Fairy! Photo by Zoetica.

Zoetica managed to get some lovely shots of the action, as did Caroline over at the LAist. Incandescence occurs every other Wednesday night (including tomorrow night) for the foreseeable future. More photos and club info after the jump.

Tom Waits Unleashes P.E.H.D.T.S.C.K.J.M.B.A.

Just when you thought it wasn’t possible to adore this gentleman any more than you already do, here is Tom Waits holding court at a recent “live press conference” to inform the public of his upcoming Glitter & Doom tour:

Waits hasn’t announced any new recordings. Bloggers are speculating that the tour is in support of actress Scarlett Johansson’s album of Tom Waits covers, which comes out later this month, and which I am about as likely to purchase as Chester Cheetah is to burst forth from my chest cavity in a scabby, florescent orange flood of processed cheese while singing “Jockey Full of Burbon”. No offense.

Tom Waits’ Glitter & Doom Summer Tour:

6/17 – Phoenix, AZ @ Orpheum
06/18 – Phoenix, AZ @ Orpheum
06/20 – El Paso, TX @ Plaza
06/22 – Houston, TX @ Jones Hall
06/23 – Dallas, TX @ Palladium
06/25 – Tulsa, OK @ Brady Theatre
06/26 – St. Louis, MO @ Fox Theatre
06/28 – Columbus, OH @ Ohio Theatre
06/29 – Knoxville, TN @ Civic Theatre
07/01 – Jacksonville, FL @ Times Union Center Moran Theatre
07/02 – Mobile, AL @ Saenger Theatre
07/03 – Birmingham, AL @ Alabama Theatre
07/05 – Atlanta, GA @ Fox Theatre

(Via Blood Money/Alice alumna, Carla K.)

Build, Craft, Hack, Play, Make: San Mateo Maker Faire

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Maker Faire Bay Area 2008: May 3-4, 2008, San Mateo, CA (art by Eboy)

Maker Faire is a two-day, family-friendly event that celebrates the Do-It-Yourself (DIY) mindset. It’s for creative, resourceful people of all ages and backgrounds who like to tinker and love to make things.

Think of it as Burning Man, minus the drugs, crabs and sandstorms. Well, obviously, it’s far more than that… but you will see many of the more gorgeous landmarks (and denizens) of Black Rock City there. Anyone else going? If so, keep an eye out for a short, raccoon-eyed chick in a either a WW II flight helmet, or antlers. I’ll be covering the event on CH later this month.

Also, midwest folks should be aware that a second Maker Faire will be held in Austin, TX later this year. Oct. 18th and 19th.

Lucent Dossier at the Edison Lounge, April 30th

Many of you will have already heard tell of the Edison Lounge, a new nightclub built around the remnants of an Edwardian era power plant in downtown Los Angeles. Located in the basement of the 1906 Higgins Building, this 10,000 square foot industrial space lay under several feet of flood water for decades, until owner/designer Andrew Meieran (along with business partner Marc Smith) undertook the Herculean task of resuscitating it.

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photo from Eeecue.com

From its art deco-decked cabaret space The Lab, to the Generator Lounge and Boiler Room (literally an enormous brick-lined boiler, carved out to create a cozy, candlelit cave), to its delicious Tesla Fries and absinthe drinks, the Edison is thematic aesthetic perfection.

Unsurprisingly, it’s been Coilhouse staff meeting headquarters since the very beginning. I’ve often gotten chills just imagining Rachel Brice, Jill Tracy or the Lucent Dossier troupe in that dreamy environment. Picture my joy when I discovered that Lucent Dossier actually has been performing there!

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“Reminiscent of Paris and Berlin of the ’20’s, Wednesday nights the venue is transformed into an exploration of the past – a peek into the decadent, sensuous underbelly of historic LA.”

These people are almost unbearably beautiful, both inside and out, and they put on a great show. If you happen to be in the neighborhood tomorrow night, you won’t want to miss what’s sure to be a once-in-a-lifetime spectacle.* Nadya, Zoetica and I will all be there to document the event, so check back to see some photos from Incandescence very soon.

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Vaudevillian aerialist troupe Lucent Dossier, performing at the Edison tomorrow night!

More images of the Edison and Lucent Dossier after the jump.

The Crucible’s Second Annual Benefit Fire Ballet

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Passions ignite at The Crucible foundry in Oakland, CA.

Down by the West Oakland Bart station, often late into the night, one may observe mysterious flickering lights accompanied by loud explosions. If it ain’t gunshots, you can be sure some welder, sculptor or pyrotechnics whiz at the Crucible foundry is burning the midnight oil.

Founded by Michael Sturtz in 1999, this nonprofit educational hub of fine and industrial arts has attracted a highly motivated group of artists, artisans and students from all over the country. “From cast iron to neon, and from large-scale public art to the most precise kinetic sculpture, The Crucible is fast becoming the best-equipped public industry & arts education facility on the West Coast.”

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Ballet star Tina Bohnstedt cruises in a vintage Pontiac (Firebird, natch).
Photo by Gary Wilson

Last year, audiences were astounded by the collective’s incendiary production of Romeo and Juliet. Their second annual “benefit fire ballet”, a decidedly ballsy interpretation Stravinsky’s Firebird, opens tonight:

[A] unique fusion of classical ballet, aerialists, acrobats, fire performers, break dancers…paired with fire and industrial arts. It’s definitely ballet with an industrial edge provided by Crucible artisans, a cameo appearance by a Pontiac Firebird, and a ballerina’s graceful pas-de-deux with a motorcycle stunt rider.

The production’s running every night through the 12th, with additional shows on the 16th, 17th and 19th. Proceeds from ticket sales will go directly towards supporting the Crucible school. All shows are expected to sell out, so if you’re thinking of going (and I know folks as far away as San Diego and Portland are making the trip) get your tickets in advance.

Observations from Catwalk Tragedy

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Yeah. Hurray for “alternative beauty.” Photo by Mojokiss.

Catwalk Tragedy 4, the East Coast’s biggest “alternative beauty pageant,” took place in Philly last weekend. Having been to the first Catwalk Tragedy, which was the closest I’ve ever seen my beloved goth scene morph into a drunken frat party in a trailer park on Mardi Gras weekend, I was curious how this larger-scale endeavor would play out. With more of everything – sponsors, judges, contestants – would it be a be a creative talent show or an even bigger sleazefest?

The judges this time were a respectable and diverse bunch, which gave me hope: my friends Kambriel, Apnea and Philip (Lithium Picnic) were on the panel, as well as two individuals less known to me; Jayla Rubinelli from America’s Next Top Model and Joey Martini, a burlesque emcee/performer.

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Kambriel: “I think Joey’s face pretty much says it all with whatever was going on in that moment!”

With such a mix of judges I hoped that the event would be more classy this year, but alas! This year, it was the contestants dropped the ball. A belly dancer Tempest tells it:

The competition was set up boys and girls – meaning each gender had it’s own category. The contestants were given a top from one of the sponsors to alter as they wish, as long as the logo was intact. There was somewhat of a slut factor involved in the presentation of some of the girls, but I didn’t think much of it. Short micro-mini’s are rampant (or were, they seem to be going out from the latest batch of Gothic trends), but it was mainly a lot of boob gesturing, but hey, if you got ‘em, flaunt ‘em right? The boys were more tame in general. Both groups seem rather inexperienced with the concept of modeling, especially with walking, but hey, competitions can be nerve-wracking right?

The third round was freestyle – the model’s own choosing and to really show off their stuff. It was here that my brain had nothing short of a minor meltdown. Out of perhaps 20 girls, no more than 3 didn’t do something akin to stripper routine, and even then, they were borderline. Again, I don’t have anything against strippers, and I love burlesque, but this wasn’t burlesque, and I’m sure better strip shows could be had at the Foxy Lady’s “Legs & Eggs” morning strip events. (New Englanders everywhere just cringed massively.) Apparently “crowd reaction” was a judging category for this round, and the great majority figured that the best way to do this was to strip. After the first few, it was “oh look, another set of boobs and pasties” again and again. I was surrounded by male colleagues and they weren’t impressed in the least (and yes, they were mostly straight). I wondered what the boys would do…

The boy’s third round was a much different story. Yeap, there were a few strip routines in there, but the majority of them danced and really showed off their moves, their agility, and their PERSONALITY…mainly, it was a reversal of the girls’ round.

Oh, Philly girls. How you disappoint! Unless you were all from Jersey, in which case I understand. But the story has a happy ending. “In the end,” Tempest writes, “the winners were the ones who showed personality and really showed off the clothes in how they presented themselves (and for the most part, kept their clothes on.)” Kudos to the judges for making that call. And don’t get me wrong; you know we love hot girls in corsets! It’s just when those crucial ingredients of creativity and ownership are missing that it becomes a little sad.

To end this on a light note, here is a video of male stripping from Catwalk Tragedy that made me want to laugh and weep at the same time.