Made popular by the trailers for The Social Network, the Scala & Kolacny Brothers’ Choir’s cover of Radiohead’s “Creep” gets a suitably disturbing video by Alex Heller. Using a Nikon D60 to take 1554 pictures, Miss Heller gives us the story of four, malevolent Barbies and the chubby outsider who wants more than anything to be just like them.
What’s 26 inches long, weighs three pounds, and would be immensely fun to lube up and brandish menacingly at pumpkin-smashing, house-egging Halloween vandals, preferably while wearing a bloodstained chicken suit? Why, the World’s Largest Gummy Worm, that’s what!
The precocious online shop Vat19 is currently sold out of all five dual flavors of this 4000 calorie candy, but never fear– they’ll be back in stock very soon. Meantime, there’s always The World’s Largest Gummy Bear.
It was many years ago when I first discovered the awesomeness that is Vagina Power, an Atlanta-based public access show hosted by the inimitable Alexyss K. Tylor and her often shocked and bewildered mother. Few have done more to empower women than Tylor, a woman whose unique voice shines through in the heated battle betwixt the genitals.
In this particular episode, she uses the holiday of Halloween to focus on a woman’s duty to police her vagina, a valiant call to arms, meant to tame the lawless land below the waists of the Second Sex. In doing so she also explores the wedding ring’s role in binding both the Penis and the Nuts. It is not quite as stupendous as when she explained that “dick’ll make you slap somebody”, but it is classic Alexyss K. Tylor nonetheless.
Just in time for Goth Christmas™, Zo has released two gorgeous prints, available over at her site, Biorequiem. Featured are the Snake Charmer illustration from Issue 04, as well as the ravishing Mommy-Four-Legs, originally created for Travis Louie’s group art show, titled “Monster?” The artworks are available for a limited time as 8.5 x 11 prints on velvet photo rag paper, and can be purchased separately or together for a special price. Details here.
Graham Annable (previously featured on Coilhouse) presents his new short, “Performance”, an incredible recreation of Meredith Yayanos’s stage show in his signature, animated style.
Guys, we’ve gotten a few emails along the lines of: “yo, where’s the merch I ordered from you a couple of weeks ago? It is taking forever to ship!” We’d like to clear up the confusion about the shipping dates of these merch items, because we’ve never gotten such a large number of emails inquiring about shipping times before.
When we put up the original merch announcement post, we wrote, “This round of merch is Pre-Order: meaning, you buy it, we get it manufactured, and you get your shipment about 3 weeks from now.” Unfortunately, this text was in the fifth paragraph down, so we’re thinking that a lot of people missed it. Next time, we’ll be sure to make the shipping time bold and at the top of the post, so that it’s impossible to miss; though generally, we’ll avoid doing Pre-Orders in favor of having items up-front, because we like to be able to ship things to you faster. Technically, the post should have said “3 weeks from the date that Pre-Order closes on Wednesday, October 12th,” which was five days later. We apologize for that oversight, and other than those five days, we’re still on track to ship out the merch in a timely fashion within the stated 3-week turnaround.
Thank you again for your support, everyone. We’ve never done Pre-Order before, and it’s definitely been a learning experience. We’re working around the clock to make sure that the items reach you as fast as possible once we receive them, and we’ll keep you posted on when we receive all the items and begin shipping them. We hope you love your merch, and as always, we are grateful for your patronage and support. If you have any more questions, please don’t hesitate to contact Gretta at Coilhouse Shipping. Thank you!
Posted by Coilhouse on October 25th, 2010
Filed under Coilhouse | Comments Off on Issue 06 Merch Order Shipping Status
Conceived and animated by Cook, with music by Martín Capella, the short film, Deuce, “portrays an awkward encounter between a man and a woman that triggers their individual fantasies.” As usual, Cook succeeds in presenting a putrescent sensuality that’s simultaneously off-putting and mesmerizing.
Owen Pallett, formerly performing as Final Fantasy, is on tour right now. Though the American leg is over, there are plenty of Canadian, European and Asian dates to look forward to. This is valuable information for lovers of string music, peculiar lyrics and minimal, yet mesmerizing performances.
Since 2002, Pallett has contributed violins and arrangements to over thirty albums by other artists, in addition to recording three albums of his own, two under his old, video-game-inspired moniker. Like the wonderful Zoe Keating, repeatedlyfeatured here and in Coilhouse 05, he plays over loops he records live. He also sings, plays keyboards, quips and manages to entrance fans whether he’s playing in a dive bar or a massive theater. Below, a funny [and strangely moving] video from a performance last year at the Live at the Hillside festival in Guelph, where a drenched Owen Pallett plays against a wall of rain, and against the wishes of festival security.
There are two official music videos below the jump, where you can hear how Pallett sounds in less adverse conditions. Neither does his live act justice, though both are neat-o.
In honor of Gail Dolgin, a powerhouse filmmaker and activist who passed away earlier this month after a decade-long battle with cancer, here’s Daughter From Danang:
Co-created by Dolgin with Vincente Franco, this acclaimed documentary features the deeply emotional and conflicted reunion of a Vietnamese mother, Mai Thi Kim, with her Amerasian daughter, Heidi Bub (birthname Mai Thi Hiep), 22 years after the war and Operation Babylift pulled them apart. “The 83-minute film won the Grand Jury Prize at the 2002 Sundance Film Festival, and was nominated for best documentary in the 2003 Academy Awards. It lost to Michael Moore’s Bowling for Columbine, but Dolgin and her collaborator, Vicente Franco, shared the stage with Moore until they were booed off amid Moore’s anti-war speech.”
Click here to read a compassionate and comprehensive Q&A by the filmmakers.
Elaine Comparone is the Tony Iommi of Baroque harpsichord, and you’re about to get your face rocked off, Rameau style.
Via Darla Teagarden, who says, “imagine running through a house of mirrors in Greece circa 1927 after smoking hashish while wearing tiny shoes.” (Perfect!)
Comparone claims Rameau’s shredding piece of music was inspired by Homer’s Polyphemus. Other scholars suggest that the French composer was representing the BRVTAL brothers Arges, Brontes, and Steropes –Cyclopean blacksmiths who forged lightning bolts for Zeus– and that the insanely manic percussive runs are meant represent the giants busy at work, hammering and forging thunderbolts. Either way? MMM\m/ETAL.